Desire, I Want To Turn Into You is Polachek’s first album release since her 2019 experimental pop masterpiece PANG which cemented her as a generational talent. Her profile has grown exponentially since – landing her everywhere from the direct opening spot on Dua Lipa’s 2022 North American Future Nostalgia Tour, Coachella, Lollapalooza, Glastonbury, Primavera, All Points East, Governors Ball, Pitchfork Music Festival and Outside Lands, and involved with campaigns & shows for Loewe, Dior, Eckhaus Latta and Chloé, to late night performances on Jimmy Kimmel Live! and The Late Night Show with James Corden. Standout viral tracks like “So Hot You’re Hurting My Feelings,” have contributed to the album’s 175M global streams and counting and ignited a dance trend on TikTok.

It’s often said that the distilled essence of composers can be heard in their string quartets. And so it is with Glass, whose quartets here show a craftsman of considerable invention. String Quartet No. 6 begins as a bustling burst of dense energy, its second movement beautifully meandering, rich, and complex. The single-movement String Quartet No. 7 is almost Beethovenian in its restless questioning. Arranged for string quartet (with two violas), the Saxophone Quartet is warmly scored and yet shows Glass at his most forensic, with each bar stunningly sculpted.

With The Miraculous, Swedish singer, songwriter, and keyboardist Anna von Hausswolff has delivered an album as different from 2013's celebrated Ceremony as that was from 2010's Singing From The Grave. On Ceremony, Hausswolff discovered the sonic possibilities of the cathedral organ. Her four-octave vocal range rose above compositions that wove classically tinged Gothic art pop and skeletal post-rock that touched on Sweden's gloomy operatic and folk traditions. Sometimes gentle and dreamy, and just as often moody and droning (sometimes inside the same tune), she has created an iconoclastic brand of indie music. On The Miraculous, Hausswolff doubles down on the organ. The instrument she's using here is an enormous 9,000-pipe Acusticum Organ designed by Gerard Woehl. Its vast tonal and instrumental possibilities include sounds for glockenspiel, vibraphone, celeste, percussion, and indefinable high-pitched shrieking sounds that extend the upper reaches of the Western harmonic system (these pipes are partially submerged in water).

Swedish singer, songwriter, and keyboardist Anna von Hausswolff issued her debut full-length Singing from the Grave in 2012. Despite its sobering title, the album was full of melodic, fragile, Gothic ballads. On Ceremony, the term "Gothic" applies even more here than on its predecessor, yet the music has progressed almost immeasurably. Von Hausswolff employed an Annedal church organ as her primary instrument on this date (it's on nine of the 13 songs), though she also plays piano and synth. Its amazing array of tones, sounds, and timbres color the proceedings with an array of possibilities most pop recordings never imagine, let alone use. Further, Von Hausswolff's approach here has been influenced directly – and admittedly – by the post-metal sonics of Earth and the groundbreaking vocal innovations of Diamanda Galas.

A secret Soviet Institute conducts scientific and occult experiments on animals and human beings to create the perfect person. The KGB general and his aides turn a blind eye to erotic adventures of the director of the Institute, scandalous debauches of prominent scientists and their cruel and insane research. One day, a radical ultra right-wing group arrives in the laboratory under the guise of test subjects. They get a task - to eradicate the decaying elements of the Institute’s community, and if needs be, destroy the fragile world of secret Soviet science.

What is eBPF? With this revolutionary technology, you can write custom code that dynamically changes the way the kernel behaves. It's an extraordinary platform for building a whole new generation of security, observability, and networking tools.

Kenny Wheeler's beautiful sound on trumpet and his wide range are well-displayed on his four compositions, three of which are given performances over ten minutes long. With the assistance of ECM regulars Jan Garbarek (on tenor and soprano), guitarist John Abercrombie, bassist Dave Holland, drummer Jack DeJohnette and (on one song) guitarist Ralph Towner, Wheeler emphasizes lyricism and romantic moods on this fine set of original music.

Go is an increasingly popular language for programming everything from web applications to distributed network services. This practical guide provides recipes to help you unravel common problems and perform useful tasks when working with Go. Each recipe includes self-contained code solutions that you can freely use, along with a discussion of how and why they work. Programmers new to Go can quickly ramp up their knowledge while accomplishing useful tasks, and experienced Go developers can save time by cutting and pasting proven code directly into their applications.

100 years in the future, planetary colonization missions have begun as a necessity to help secure the survival of the human race. The first of these missions on a spacecraft known as Ark One encounters a catastrophic event causing massive destruction and loss of life. With more than a year left to go before reaching their target planet, a lack of life-sustaining supplies and loss of leadership, the remaining crew must become the best versions of themselves to stay on course and survive.

Filled with tips, tricks, and techniques, this easy-to-use book is the perfect resource for intermediate to advanced users of Excel. You'll find complete recipes for more than a dozen topics covering formulas, PivotTables, charts, Power Query, and more. Each recipe poses a particular problem and outlines a solution that you can put to use right away—without having to comb through tutorial pages.

Il Trovatore was always one of Herbert von Karajan‘s favourite operas. He conducted it at the very beginning of his career and his first studio recording in 1956 was made in Milan with Maria Callas and Giuseppe di Stefano, but „his“ Trovatore really made its mark in the legendary performances given at the Salzburg Festival in 1962, which formed the basis for this successful revival in Vienna. He once declared in an interview that what he loved about this opera was its archetypal human passions, its compression of highly dramatic situations into the smallest conceivable space and Verdi‘s genius for translating such situations into music.