Every Sun Ra album is unique. Yet even by Ra's standards, DISCO 3000 is an outlier. However, it sits comfortably in the Sun Ra discography — because it's weird.

"The Plan of Paris" can be interpreted as a book of individual short stories with detailed, very specific cinematic set pieces conceived as narratives, an intimate, fluid hybrid of jazz, folk and blues. His longtime main ensemble - Wilson on guitar and vocals accompanied by Blue Note recording artist Gerald Clayton on piano and keyboards, bassist David Piltch and Jay Bellerose on drums and percussion - helps bring the tales to life with these musical settings much as, say, Jonny Greenwood's score does in Power of the Dog.

Carl Vine is one of Australia's most eminent and internationally admired composers. His four piano sonatas span three decades and trace his diverse musical development. The earliest sonata is exuberant, pulsating with driving rhythms, while No. 2 enshrines a jazz-inspired toccata alongside memorable virtuoso pyrotechnics. Vivid fantasia elements mark out No. 3, juxtaposing the aphorism, reflection and turbulence of No. 4. With their traditional forms Vine's sonatas are sophisticated, lyrical, urgent and compelling contemporary statements. Pianist Xiaoya Liu has captured the imagination of worldwide audiences through her pro-found artistry and charismatic performances as concerto soloist, recitalist, and chamber musician across Asia, Europe, and the United States with orchestras such as the Fort Worth Symphony Orchestra, Ann Arbor Symphony Orchestra, Marquette Symphony Orchestra, Round Rock Symphony, University of Michigan Symphony Orchestra, GSIM Festival Orchestra and in venues including Carnegie Hall, the Kennedy Center, Hill Auditorium, Palazzo Biscari, and Shanghai Concert Hall.

Composers: Canova da Milano, Francesco (1497-1543); Capirola, Vincenzo (1474-c.1548); Cutting, Francis (before 1571-1596); Dowland, John (1563-1626); Holborne, Antony (?1545-1602); Narvaez, Luys de (fl.1526-49).

Carl Vine is one of Australia's most eminent and internationally admired composers. His four piano sonatas span three decades and trace his diverse musical development. The earliest sonata is exuberant, pulsating with driving rhythms, while No. 2 enshrines a jazz-inspired toccata alongside memorable virtuoso pyrotechnics. Vivid fantasia elements mark out No. 3, juxtaposing the aphorism, reflection and turbulence of No. 4.

Composers: Canova da Milano, Francesco (1497-1543); Capirola, Vincenzo (1474-c.1548); Cutting, Francis (before 1571-1596); Dowland, John (1563-1626); Holborne, Antony (?1545-1602); Narvaez, Luys de (fl.1526-49).

In Pond’s universe nothing stays still for long. Although no one who heard 2019’s Tasmania could possibly describe its pulsating psych-pop as straight, Pond wanted to try a more spontaneous way of working for their next record.

An imaginative and electrifying performer, Zee Zee, is unique among the young generation of pianists. Described as “full of enthusiasm and glamour, radiating the vigor of youth” (Chinese Gramophone), her interpretations and communicative abilities have been praised as “taking us to another reality… bright, expressive and moving to the extreme” (Belgischer Rundfunk), while her creative maturity has been hailed as “a powerful, passionate and compelling representation of pure artistry” (Los Angeles Times).

When Porridge Radio’s Dana Margolin, one of the most vital new voices in rock, began to consider the themes of her new album, three vivid words began to emerge: joy, fear and endlessness. The artwork of the band’s third full-length, Waterslide, Diving Board, Ladder To The Sky, is a surreal image that evokes the ducks and dives, slippery slopes and existential angst of life in recent times.

With their new album, If I Never Know You Like This Again, Soak has finally shaken the hangover of their starry debut Before We Forgot How To Dream, and the pressures that came with it, hiding in the wings of their ambitious follow up album, Grim Town. Having come up through BBC introducing at the tender age of 15 before signing to Rough Trade Records as well as winning the RTE Choice Music Prize, The Northern Irish Music Prize and the youngest ever Mercury Prize nominee, Soak has again and again been described as ‘the voice of a generation.’

For Eliza and The Delusionals, making music has not only been a unifying force between them as a band of like-minded individuals, but it’s proven to be a mode of escape, into a soundscape marked by vibrancy and emotion. The group’s journey ‘til this point has seen them grow up on stages around Australia, their music arresting and speaking to music fans who yearn for that same sense of belonging and escapism.

Flume kicks off a new cycle with his highly anticipated third album, Palaces. The 13-track LP shows off his ability to expertly push the boundaries of a sound he helped define, while delivering songs that are still undeniably "Flume."

AM Gold is the new album from multi-GRAMMY Award-winning band TRAIN. This will be the group’s first release of all-new original music in five years, and is their 11th studio album.

The dynamic Chicago rock band Wilco returns with its 12th studio album, the first of its kind. Cruel Country is the band's exploration of the genre they've often been defined by but, until now, never fully embraced. The double album features 21 Jeff Tweedy-penned tracks, made almost entirely of live takes, created with all six members together in The Loft for the first time since the 2011 release The Whole Love.

Born 25th August, 1925 in Montreal, Canada, Oscar Emmanuel Peterson grew up in Little Burgundy, a predominantly black neighbourhood in greater Quebec. He took up piano and trumpet at age five, quickly becoming adept on both instruments. At seven he was diagnosed with tuberculosis which prevented him from playing the trumpet, he thus concentrated on the piano during this time, practising four to six hours a day. Studying under the Hungarian-born player Paul de Marky - himself a student of virtuoso Istvan Thoman - the young Oscar began learning classical piano but later switched to jazz styles, most notably 'boogie-woogie'. By 1961, with the piano-bass-drums line up now firmly established, the OPT performed a week's residency at The London House, a renowned jazz spot in Chicago. These performances were among the finest the new line-up ever gave, and were released on Verve as four separate albums; The Trio, Something Warm, The Sound Of The Trio and Put On A Happy Face, in '61 and early '62. The following year, Peterson's most commercially successful record Night Train (Verve, 1963), was released, another Trio masterpiece that due to its shorter track times, received considerable radio play.