Sarah Vaughan - Sarah Vaughan with Clifford Brown (1955/2020) [Vinyl Rip 24/192]

[size=2]https://i.imgur.com/YsqEZkrl.jpg
Sarah Vaughan
Sarah Vaughan
(EmArcy / B0032413-01) (US)
Originally released as EmArcy / B0032413-01 on 30 Oct 2020
Lineage: Rega P10 Turntable with Rega P10 PSU > Virgin Vinyl > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter > AudioQuest Carbon USB cable > USB-IN
Post Processing: 24bit Audition WAV > ClickRepair 10/0 > Boost volume +1.43/1.1 DB > Remove DC Bias > 24bit WAV > FLAC

A1. Lullaby Of Birdland (04:03)
A2. April In Paris (06:23)
A3. He's My Guy (04:14)
A4. Jim (05:50)
B1. You're Not The Kind (04:46)
B2. Embraceable You (04:52)
B3. I'm Glad There Is You (05:12)
B4. September Song (05:48)
B5. It's Crazy (04:57)



Total Time and File-Size: 00:46:05, 1.58 GB
Total Replay-Gain Value: +0.04 dB


Produced by Bob Shad, Remastered by Ryan Smith
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This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for Vaughan's voice. Ironically though, neither Brown nor Quinichette or Mann appear on the album's highlight, "Embraceable You," which Vaughan performs with close accompaniment from the rhythm section: Jimmy Jones on piano, Joe Benjamin on bass, and Roy Haynes on drums. Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued, Sarah Vaughan is one of the most important jazz-meets-vocal sessions ever recorded.[/size]

foobar2000 1.6.1 / Dynamic Range Meter 1.1.1
log date: 2021-01-19 18:55:17

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Analyzed: Sarah Vaughan / Sarah Vaughan
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DR Peak RMS Duration Track
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DR12 -2.46 dB -17.93 dB 4:03 A1-Lullaby Of Birdland
DR11 -2.99 dB -19.21 dB 6:23 A2-April In Paris
DR11 -2.33 dB -16.97 dB 4:14 A3-He's My Guy
DR13 -2.55 dB -18.36 dB 5:50 A4-Jim
DR11 -2.76 dB -16.87 dB 4:46 B1-You're Not The Kind
DR10 -3.71 dB -20.70 dB 4:52 B2-Embraceable You
DR10 -5.39 dB -19.39 dB 5:12 B3-I'm Glad There Is You
DR11 -3.66 dB -18.36 dB 5:48 B4-September Song
DR11 -2.74 dB -16.61 dB 4:57 B5-It's Crazy
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Number of tracks: 9
Official DR value: DR11

Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4930 kbps
Codec: FLAC
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