The cinema of the scenes as told from the heart and spirit of the omniscient narrator shines through the awe-inspiring oeuvre of Glenn Donaldson's canonical titan that is The Reds, Pinks and Purples. The storied and esoteric histories of every underserved underdog becomes immortalized in records and poignantly penned paeans that evoke the eras and underachievers that became synonymous with their own respective corresponding localized micro-movements.

The sixth album from Still Corners is Dream Talk. Beautifully arranged, elegant and wistful, Dream Talks is a set of ten carefully crafted classic songs. From the autumnal opener "Today is the Day" to the hot summer night finale of "Turquoise Moon", Still Corners have created a sound that is focused, stylish and seductive. Tessa Murray says, "The genesis for a lot of these songs came from dreams. Every night I would write down the dreams I could remember. While recording I would pull out my book of dreams and sing over various looped phrases Greg had been working on, the repetitive nature of the looping and singing almost felt like going into a trance. A lot of the songs came from that process, it was fun and what I thought were sort of ramblings ended up surprising us with their various meanings and imagery."

Scottish alt/post/progressive-rock outfit Midas Fall release their Fifth studio album, ‘Cold Waves Divide Us’ on March 8th, 2024 worldwide on Monotreme Records. Michael Hamilton joins founding members Elizabeth Heaton and Rowan Burn for the follow-up to their 2018 Prog Magazine Awards ‘Limelight Award’ winning album, ‘Evaporate’. ‘Cold Waves Divide Us’ sees Midas Fall at their most confidently visceral, each song moving beautifully between quiet and loud, gentle and crushing.

Born from troubled times, a final blast of resilience against the crush of these dead years. Onwards, as the world sinks! This is 'edgeland music' beamed from the lonely suburbs and towns, where prejudice is cultivated, marginalisation breeds contempt and misinformation is spread. It's best to just embrace 'nowhere' and unlink yourself from the incessant noise. The fields are waiting. Always underneath the houses.

Irish alt / rock collective NewDad release their debut album, MADRA on Fair Youth / Atlantic. Awash with spiralling guitars and a hypnotic bassline, singer/guitarist Julie Dawson finds inspiration in TV show Euphoria, as she ruminates on the destructive relationship of characters, Rue and Jules: a storyline that she herself gravitated towards.

HOLY SHIP is Stockholm based Jonatan Westh, formerly of late 00's shoegazers BLACKSTRAP (SWE).
After BLACKSTRAP disintegrated by 2013 developing into various sonic particles (I BREAK HORSES, THE HEART OF THE SUN) Westh regrouped with building his own studio, Pink House Studios in Stockholm. Expanding from his shoegaze roots with inspiration from the synths of TrenteMöller, John Maus, and Clark.

On Birthmark’s latest album, Birth of Omni, songwriter and multi-instrumentalist Nate Kinsella delivers his most thematically dynamic and experimental album to date. The album highlights the gargantuan shift in perspective that comes along with becoming a parent, including core themes of identity, duality, sexuality, overwhelming responsibility, feminism, and fear of men. Over the courseof the album’s ten songs, Kinsella takes the listener on a wild ride, full of emotions and inner thoughts. On “Rodney,” Kinsella enlists Shudder to Think’s Craig Wedren on vocals for a track that explores sexuality and desires, while “Boyfriend” touches on how things change between partners in a relationship while raising children.

After a decade-long hiatus, Bristol-based shoegaze ensemble, The Fauns, have reemerged from their secret bunker with eagerly anticipated third album, How Lost via Invada. The Fauns’ journey began in 2007, self-releasing their eponymous debut album in 2009, followed by the 2013 release of Lights.

Heart Under, Just Mustard's second album, asks you to forget what you know. At every turn, this remarkable record reconfigures and stretches the ideas and ambition of a rock band, and turns a year of lockdown and personal struggles into a breathtaking artistic statement. The music the five friends from Dundalk, Ireland make is strikingly untraditional. Though to look at them, it appears that the band are a five-piece with uniform make-up of a vocalist, two guitarists, a bassist and a drummer, not a single one of them utilizes their instrument in a confined or regular fashion.

The Same Again: ANRM (Tiny Telephone Session) places Madeline Kenney in a light of which many have never seen before — unless you caught her immaculate mid-pandemic livestream performance for Outside Lands’ Inside Lands at the Saint Joseph’s Art Society, that is. Recorded at Tiny Telephone in Oakland, CA in just one day, Kenney rerecorded her latest studio album A New Reality Mind in full with only a grand and an open upright piano (aside from the occasional inclusion of backing vocalists).

English indie rock group Black Box Recorder formed in London in 1997 and featured Sarah Nixey, Luke Haines (of The Auteurs), and John Moore (of The Jesus and Mary Chain). Their debut album, England Made Me, was released on Chrysalis Records in 1998. The album was named after the eponymous Graham Greene novel and fuses indie rock and easy-listening pop stylings with lyrics that explore life and the experience of growing up in England.

A duo with a knack for making music that sounds unearthly yet familiar. The beautiful strangeness of Sarah Versprille and Daniel Hindman's music dominated their 2013 debut album Moon Tides; on later albums, such as 2015's Pray for Rain and 2019's Night Pass, they streamlined their sound and put their catchy songwriting front and center.

Aging, the third solo album from Broken Social Scene’s Kevin Drew, was the inevitable title of his meditative new record because he was living everything that comes with it. Influenced by the recent passing of friends and mentors, as well as the declining health of close family, Aging brings together songs written over a decade marked by the signifiers of midlife – love, loss and illness – all while wrestling with the hard truths of aging.

Because Hold, Jack Tatum’s fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness used it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchie’s Harriette Pilbeam, first single “Headlights On” features an acid house-worthy bass groove and breakbeat that prove Tatum is playing for the rafters.

A "pop savant of the first order" (AllMusic) who "projects an outsize persona from the stage" (Pitchfork), Mike Adams has created a singular homespun entertainment universe since 2011's Oscillate Wisely. He's an appealingly confident showman on his cable access-style variety show (The Mike Adams Show), and an affably humble Hoosier touring musician on his podcast (Tan Van Tour Talk). As Mike Adams at His Honest Weight, he's a hooky songwriter and multi-instrumentalist with a knack for embodying contradictions. The latest in a prolific stream of recordings, Guess for Thrills gets deep, blending 70's-inspired pop songs with synthesizer-driven atmospherics and emerging with a wild and searching album that treats ambiguity as a place of discovery.