The astonishing twenty-one tracks on Cosmo Sheldrake's forthcoming album, Eye To The Ear, range from celebratory anthems to soulful elegies to irresistible dance numbers.

Poetic and romantically surreal, Ciro Vitiello's debut is a meditation on nostalgia and adulthood that threads quirky vocals through tender, enigmatic soundscapes, repeating themes and phrases until they turn into half-remembered dreams.

Boogie Belgique's latest EP, 'Postlude to Machine,' strikes a unique balance between the mellow vibes of chill-out and lo-fi and the invigorating energy of danceable tracks. Featuring an eclectic mix of remixes from amazing artists like Poldoore, Moderator, and Proleter, along with two original compositions that encapsulate the band's knack for blending past and present sounds, this EP is an invitation to explore a diverse musical landscape where each remix adds a new dimension to Boogie Belgique's renowned style.

Nia Archives is the star at the forefront of the latest era of jungle. Since her emergence in 2020, her collagist soundscapes have helped bring the sound to a new generation of clubgoers (though fair warning: don't call her a revivalist - she's the first to point out that the scene never went away.) So, when it comes to talk of the 24-year-old DJ/producer/singer-songwriter's much-anticipated debut album, Silence Is Loud, the odds are you're thinking of a full-length record of weightless jungle tracks with basslines so intense they'll leave your ears ringing.

Following his highly acclaimed 2021 album "Atotal" (Aesthetical) and 2022 "Magnetoscope" (Raster), Vigroux returns with eight heavyweight tracks composed in 2023 and 2024. Vigroux states about his current work: "I am not very talkative about my music unless I am specifically questioned, the immaterial dimension of music partly spares us from the major questions which are the prerogative of theatrical forms for which I am also very active, in this sense for me music is a real outlet where things are done intuitively, for pleasure". Always pushing forth and expanding his now classic rigidly cold analog sounds and rhythmic structures entwined with lush atmospheric synth compositions, "Grand Bal is another milestone in his ever growing discography.

Abbey Road Masters is a unique label of cinematic music, producing soundtrack music for films that haven’t been made yet, all recorded at Abbey Road Studios. Working in collaboration with Universal Music’s Globe: Soundtrack & Score division, Abbey Road Masters is rooted in the traditions of the great library labels, but with a forward-thinking approach to A&R and production. "Cinematic electronica, combining organic instrumentation with contemporary electronica production. Perfect for advertising and sports."

A definitive producer of his era, Vegyn (Dean Blunt, Frank Ocean, Travis Scott, JPEGMafia), marks up his 5th and most impressive LP, dripping with ohrwurming hooks, lavish strings, and guest vox by John Glacier and co.

Puzzles is Kasper’s love letter to the sound of early 2000s New York - merged with his Scandinavian sense of producing songs that goes beyond conventional club music; combining disco tinged instrumentations mixed with elements of 80s funk, jazz and contemporary pop songwriting, creating something familiar yet, something very fresh and innovative at the same time.

NEW BINAURAL HEADPHONE VERSIONS OF STEREO TRACKS - from MW Gilbert and featuring Adam Holzman.

Aussie concrète innovator James Rushford continues to scrape the outer rim on 'Turzets', coughing alien text-to-speak voices into meditative piano phrases and tweezed electro-acoustic drones on the first side, then deconstructing medieval organ music on the flip, combining gusty archaic melodies with sci-fi tinted Yamaha CS-80 zips. Mind-boggling stuff - RIYL Oren Ambarchi, Sam Kidel, Jim O'Rourke or even OPN.

The Belgian-Congolese rapper and visual artist Baloji held the world premiere of his feature debut Omen at the 76th edition of the Cannes Film Festival. Omen, which is in competition in Un Certain Regard, centers around a rejected Congolese man named Koffi (Marc Zinga). He returns to the Democratic Republic of Congo with his pregnant European fiancée Alice (Lucie Debay) after a lengthy exile to share their happy news, only to be faced by the traditional demands of a family who still view him with disregard.

Durban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.

We Belong, is the eighth studio album from Sinkane, a band led by multi- instrumentalist Ahmed Gallab. And like much of Sinkane’s previous releases, it resists genre. It’s pop. It’s funk. It’s electronic. It blends the gritty punk newness of a 70s and 80s New York with the steady, foundational soul of the rhythms of his native Sudan. Though We Belong comes deep into the catalog of a long career, it also resists stagnation. It moves and travels—through words and eras, through emotion and healing. Gallab calls this album his “love letter to Black music,” and each track pulses with the energy of different eras and forms: the gospel-soaked “Everything Is Everything,” the dreamy, Quiet Storm-influenced Afro-beats of “Rise Above,” the 70s-funk of “We Belong” and its Sly Stone influence, the Stevie Wonder-edged “Another Day”—they tell a story about Black music and Black people.

Phantom Limb boss and musician James Vella - aka A Lily - with Saru l-Qamar, setting archival Maltese home recordings to new music for an album of nostalgic quasi-ambience and cross-generational dialogue.

The Sunset Violent began in a disused frat house in the American Yucca Valley. Kimbie’s founding members Dominic Maker and Kai Campos began work on their first proper album together since 2017’s Love What Survives – the decision was made to leave London. Campos and Maker relocated for a month to a town in the middle of a desert. The resulting album, finished in London with longtime confidante Dillip Harris and their band mates Andrea Balency-Béarn and Marc Pell, is 37 minutes of Mount Kimbie at simultaneously their most daring and their most giddily infectious.