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Arianna Savall, Petter Udland Johansen, Hirundo Maris - El cant de la Sibil.la & Draumkvedet (2023)

Posted By: ciklon5
Arianna Savall, Petter Udland Johansen, Hirundo Maris - El cant de la Sibil.la & Draumkvedet (2023)

Arianna Savall, Petter Udland Johansen, Hirundo Maris - El cant de la Sibil.la & Draumkvedet (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 1:23:31 | 191 / 365 Mb
Genre: Classical / Label: Carpe Diem Records

Mystical chants between the visible and the invisible: The great ancient mystery chants of Spain and Norway. Ensemble Hirundo Maris presents the enigmatic chants of the Middle Ages, Spain's El cant de la Sibil.la and Norway's Draumkvedet. Both convey profound, apocalyptic visions of the world's end and the dawn of a new era, traditionally sung on Christmas night. This album evokes the mysteries of winter, blurring the boundaries to the otherworld, transporting the listener to mystical realms.

Arianna Savall, Philippe Pierlot, Ricercar Consort - Sopra la Rosa (2002)

Posted By: ArlegZ
Arianna Savall, Philippe Pierlot, Ricercar Consort - Sopra la Rosa (2002)

Arianna Savall, Philippe Pierlot, Ricercar Consort - Sopra la Rosa (2002)
EAC | FLAC | Image (Cue & Log) ~ 360 Mb | Total time: 52:23 | Scans included
Classical | Label: Mirare | # MIR 9931 | Recorded: 2002

There’s no way around it. Arianna Savall sounds exactly like a young Emma Kirkby, and if you like that straight-toned, sharply focused soprano quality, with just the bare hint of a vibrato at the very ends of phrases, then you’ll find Savall very satisfying and you’ll easily appreciate her superb interpretations of these rarely heard vocal works from 17th-century Italy. She begins with a magnificent cantata by Marco Marazzoli that sets the tone for the whole program–a “moral canzona” that focuses on the “literary theme of the rose”–and her vocal prowess is evident in her ability to lend enough dramatic force to the work to keep us interested for its entire 13 minutes. She lends a particularly warm and ingratiating quality to the beautifully wrought final minutes of the same composer’s “moral cantata” O mortal, whose text refers to the fate of the Biblical Samson, and repeatedly urges, “Do you desire even greater glories? Then learn how to conquer yourself.”