Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4

Boris Khaikin, Igor Stravinsky - Rimsky​-​Korsakov: Symphony No.1; Stravinsky: Symphony Op.1, Scherzo fantastique, Op.3 (2022)

Posted By: ArlegZ
Boris Khaikin, Igor Stravinsky - Rimsky​-​Korsakov: Symphony No.1; Stravinsky: Symphony Op.1, Scherzo fantastique, Op.3 (2022)

Boris Khaikin, Igor Stravinsky - Nikolay Rimsky​-​Korsakov: Symphony No. 1; Igor Stravinsky: Symphony Op. 1, Scherzo fantastique, Op. 3 (2022)
WEB FLAC | Tracks ~ 435 Mb | Total time: 79:55 | Scans included
Classical | Label: Praga Digitals | PRD 250 341 | Recorded: 1966, 1965, 1962

Master and pupil? A youthful venture on the part of the composer of Scheherazade while naval officer, this symphony of Rimsky-Korsakov deploys fine rhetoric worthy of Haydn’s ‘military’ model incorporating contemporary material. His ‘cadet’ applies himself studiously - Stravinsky’s approach is more casual although the da capo appear in their entirety. A mere ad libitum experiment, his Scherzo fantastique is disappointingly lacking in metronomic rigour but not in inventivity. These two pieces appear together for the first time in over a century and are showcased with consummate skill.

Boris Khaikin, The Bolshoi Opera Chorus and Orchestra - Mussorgsky: Boris Godunov (2005/1978)

Posted By: Vilboa
Boris Khaikin, The Bolshoi Opera Chorus and Orchestra - Mussorgsky: Boris Godunov (2005/1978)

Boris Khaikin, The Bolshoi Opera Chorus and Orchestra - Mussorgsky: Boris Godunov (2005/1978)
NTSC 4:3 (720x480) | Русский (Dolby AC3, 2 ch) | 7.10 Gb (DVD9) | 175 min
Classical | Kultur | Sub.: English

Universally acknowledged as the greatest of all Russian operas, this is a faithful and often dazzling production of the standard Rimsky-Korsakov version taped ³live² at the Bolshoi in 1978. As Boris, the renowned Yevgeni Nesterenko is as justifiably identified with the role in his generation as Chaliapin, London and Kipness were in theirs. Nesterenko gives a remarkably vivid, human portrait of the tormented half-crazed Tsar, and is supported by a first rate ensemble in a richly designed and costumed production that represents opera at its grandest.