'The Best of the Pogues' was the sixth album released by The Pogues and marked a watershed for the band. They had sacked founder, principal songwriter and lead singer Shane MacGowan and the album was intended as a end of an era before their projected renascence.

Vocalist Catherine Russell's third album for World Village is a wonder, pure and simple. On this collection of 13 songs, titled Inside This Heart of Mine, the thread that ties it all together, is the special place these songs hold inside the heart of the singer. Let's describe that heart. It's warm and effusive, bluesy and erudite, bold yet vulnerable, passionate yet ethereal. Starting to get the drift? If not, then listen to Catherine's masterful reading of 'Troubled Waters,' a seldom heard tune scored by the Duke Ellington Orchestra, performed here as a sultry meditation, reaching deep into the cockles of one's being. This decades spanning collection, originally performed by the likes of Louis Armstrong, Duke Ellington, Peggy Lee, Maxine Sullivan, Howlin' Wolf, Wynonie Harris, Fats Waller, and Catherine's father, Luis Russell, draws from Vaudeville wit, Tin Pan Alley tune craft, New Orleans swagger, Swing Era sock, the European Cafe, Jump Blues jive, modal Delta Blues, and Django-esque swing, with an immediacy and a timeless quality that's refreshingly oblivious to current 'trends.' Catherine's third album represents a deepening of a well-established, tried and true, approach.

Carly Simon's best album, No Secrets was also her commercial breakthrough, topping the charts and going gold, along with its leadoff single, "You're So Vain." That song set the album's saucy tone, with its air of sexually frank autobiography ("You had me several years ago/When I was still quite naïve") and its reflections on the jet-set lifestyle. But Simon's honesty meant that her lyrical knife was double-edged; now that she felt she had found true love ("The Right Thing to Do," another Top Ten hit, was her celebration of her relationship with James Taylor), she was as willing to acknowledge her own mistakes and regrets as she was to point fingers. But it wasn't only Simon's forthrightness that made the album work; it was also Richard Perry's simple, elegant pop/rock production, which gave Simon's music a buoyancy it previously lacked. And Perry paid particular attention to Simon's vocals in a way that made her more engaging (or at least less grating) to listen to.

Sean Costello was one of the most brilliant blues-based artists of his generation. His deeply soulful singing, songwriting and guitar playing crossed effortlessly between genres. Sean entered the scene as a child prodigy, and soon became regarded as a torchbearer, one of the leading lights of the new century. He had already gained international recognition when he died tragically in 2008, on the eve of his 29th birthday. IN THE MAGIC SHOP is Sean Costello’s previously unreleased 2005 studio album, produced in New York City by his longtime friend, collaborator and advocate, four-time Grammy Award winner Steve Rosenthal, in his recording studio, The Magic Shop. This is Sean Costello at his best, performing his stunning original compositions and well-chosen covers with band mates Paul Linden, Melvin Zachery and Ray Hangen, along with a few guests. This should have been Sean’s breakthrough record — but it remained unmixed and unheard for almost ten years.

The Tigers Have Spoken is a 2004 live album by Neko Case. The album was recorded at three live shows, one in Chicago and two in Toronto, in the spring of 2004. Guest musicians include The Sadies, Carolyn Mark, Kelly Hogan and Jon Rauhouse, and the album was produced by Case and Darryl Neudorf.

No one knows quite when tango was established in Finland, but the style has a long history there – still little known to outsiders – and combines rhythmic interest and yearning melody with a distinctively Nordic melancholy. In this ingeniously curated programme, two Finnish tangos from the 1950s and a tango-based work by Finnish classical composer Aulis Sallinen are woven into a bold tapestry of music from the Eastern Baltic seaboard. Longing, sadness, and a heightened sense of nature infuse all of these works, which also reveal intriguing stylistic connections: the rocking accompaniment of Sibelius’ 'Einsames Lied' seems to prefigure the ‘Baltic minimalism’ of Vasks, Pärt and Zita Bružaité, while Olli Mustonen’s 'Toccata' alternates rhythmic verve with a rich vein of reflective memory. These original compositions are complemented by Robert McFall’s own sensitive arrangements, for a core McFall’s lineup of five strings and piano, and the programme culminates in a truly unique version of Sibelius’s famous 'Finlandia' Hymn.

Collection includes 5 studio albums by Culture Club, 7 studio albums by Boy George and also one general compilation.

A very versatile and talented vocalist, Tracy Nelson is better known for her role as lead singer of Mother Earth. Collection includes four studio albums by Mother Earth feat. Tracy Nelson and nine solo studio albums by Tracy Nelson.

A unique slip-case hardcover box containing all three CDs and the DVD. The original Eleven Eleven album on digipak CD. A second CD featuring 9 songs recorded live on the official Eleven Eleven US Tour at the Ark in Ann Arbor, MI on July 2, 2011 including Dave’s classic songs “Fourth of July', 'Out Of Control'. A bonus CD including 3 unreleased bonus tracks from the original Eleven Eleven recording session, including 'Never Trust A Woman' (duet with Candye Kane), 'Signal Hill', and 'Beautiful City ‘Cross the River' which was featured on a recent episode of FX’s hit television show 'Justified'. A DVD [NTSC] of live performance footage featuring Dave Alvin and The Guilty Ones live at The Ark in Ann Arbor, MI including a live performance of 'Abilene'.

2004 compilation for artist whose beautiful high-tenor voice graced many of the most enchanting pop songs of the '50s & '60s. This three disc, 60-track collection covers his entire recording career with all the hits & more. Three standard jewelcases housed in a slipcase.

Wisely, Shout! Factory has picked up Maria Muldaur's two early-'90s recordings – this one and Louisiana Love Call – from the defunct Black Top label for reissue. While both these recordings are excellent, it's Meet Me at Midnite that offers a portrait of the artist as a hardcore R&B singer of the highest order. Produced by John Porter, Muldaur surrounds herself with crack studio players including Rick Vito, Johnny Lee Schell, Hutch Hutchinson, Bill Payne, and a slew of others. Where Louisiana Love Call focused on the music of New Orleans, Meet Me at Midnite digs deep into various dimensions of the Memphis sound – soul, R&B, and blues – and concentrates on the myriad stages and phases of love. While it's true that the set opens with "Trouble With My Lover" by the Crescent City's Allen Toussaint, its vibe is pure Memphis: funky, dirty grooves, packed in a tight cut-time beat and Muldaur shouting the blues with a big, clear ringing voice that wrenches emotion from every syllable. Likewise, the title cut by Vito and John Herron crawls down into the blues alley with killer slide guitar riffs winding their way around Muldaur's seductive vocals.

Collection of solo hits from the vocalist in Enigma & Arabesque. Sandra's solo recordings mix the atmospheric sounds of Enigma with the crisp, upbeat vibe of Europop. Outside of the U.S., she is musical royalty to millions of fans. Her albums appeal to fans of Dance Music, World Music and contemporary Pop. Although she is far more commercial than the Enigma recordings, she certainly will appeal to their fans as well. Features 18 tracks including 'Maria Magdalena', 'In The Heat Of The Night', 'Everlasting Love' and more.

As an improviser of unsurpassed lyricism and technique Fred Hersch is at his most intimate and revealing in a solo setting. With 'Solo', the pianist kicks off a creatively fecund yearlong celebration of his 60th birthday with a definitive statement of his solo artistry. In many ways, 'Solo' distills the essence of Hersch's pianistic expression. Recorded in a jewel-like Catskills church at the 2014 Windham Chamber Music Festival, the set evolves with a compelling internal emotional logic all its own, flowing through Hersch's familiar solo touchstones (Jobim, Ellingtonia, Monk, originals) that turn into vessels for his supremely graceful invention. His 10th solo recording, 'Solo' joins an illustrious collection of albums that started with his riveting 1994 addition to Concord Jazz's Live at Maybeck series.

Weber’s chamber music – just these three pieces if you don’t count the duos – clearly shows him on the cusp between Classical and Romantic. The Quartet for piano and strings, written in his early twenties between 1807 and 1809, begins with a Haydnesque gracefulness and politeness which is gradually invaded by more unruly harmonies and textures; the dramatic slow movement looks ahead to Schumann, while the closing fugue of the finale dresses 18th-century procedures in 19th-century colours. Then there’s the element of virtuosity which is a hallmark of the early Romantic era, in the showy piano part of the Quartet, which Weber wrote for himself, the concerto-like clarinet part in the Quintet with strings, designed for the pioneering Heinrich Baermann, and all three parts of the tuneful Trio for flute, cello and piano. The talented members of the pan-European Gaudier Ensemble are perfectly equipped to convey these different aspects of Weber’s musical personality, with the fleet-fingered pianist Susan Tomes leading the way in the Quartet and Trio, and Richard Hosford in the Clarinet Quintet recalling contemporary descriptions of Baermann’s own effortless brilliance.

The first anthology from one of the most important South American bands of the 60's. These are the best recordings the band made from 1968 to 1971 for legendary labels Sono Radio and Mag. On Yellow Sea Years, the evolution of the band can be fully appreciated, with their roots in the acid blues-rock of Jimi, Cream or the Yardbirds, to a solid Latin-rock sound with psychedelic touches and immensely inspired folk.