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Philippe Herreweghe, Orchestre des Champs-Élysées - Joseph Haydn: Die Jahreszeiten (2014)

Posted By: ArlegZ
Philippe Herreweghe, Orchestre des Champs-Élysées - Joseph Haydn: Die Jahreszeiten (2014)

Philippe Herreweghe, Orchestre des Champs-Élysées - Joseph Haydn: Die Jahreszeiten (2014)
EAC | FLAC | Image (Cue & Log) ~ 533 Mb | Total time: 2 h 09 | Scans included
Classical | Label: PHI | # LPH013 | Recorded: 2013

Impressed by the Handel works that he heard in London, Haydn felt the need to compose oratorios. First came Die Schöpfung (‘The Creation’), which met with resounding success; then Baron Gottfried van Swieten proposed to Haydn an arrangement of James Thomson’s poem ‘The Seasons’. Initially, Haydn was little attracted by the text, which deviates from the classic oratorio based on a religious text, but subsequently let himself be convinced. The result, for three soloists, chorus and orchestra, is a vast pictorial fresco of Nature that describes landscapes and the feelings that they arouse. For the first time, Philippe Herreweghe gives us his own vision of an oratorium by Haydn.

Philippe Herreweghe, Collegium Vocale Gent - Carlo Gesualdo: Responsoria 1611 (2013)

Posted By: ArlegZ
Philippe Herreweghe, Collegium Vocale Gent - Carlo Gesualdo: Responsoria 1611 (2013)

Philippe Herreweghe, Collegium Vocale Gent - Carlo Gesualdo: Responsoria 1611 (2013)
EAC | FLAC | Image (Cue & Log) ~ 520 Mb | Total time: 02:06:36 | Scans included
Classical | Label: PHI | # LPH010 | Recorded: 2012

The second project of Collegium Vocale Gent and Philippe Herreweghe for Phi to focus on Renaissance music is devoted to one of the most remarkable of all composers: Carlo Gesualdo. Both his life, characterised by extravagant and excessive behaviour, and his compositions left their mark on the history of music. Although best known for his secular music, he also wrote an almost equivalent number of sacred works that demonstrate his fervent faith.

Philippe Herreweghe, Collegium Vocale Gent - Johann Sebastian Bach: Du treuer Gott (2017)

Posted By: ArlegZ
Philippe Herreweghe, Collegium Vocale Gent - Johann Sebastian Bach: Du treuer Gott (2017)

Philippe Herreweghe, Collegium Vocale Gent - Johann Sebastian Bach: Du treuer Gott (2017)
EAC | FLAC | Image (Cue & Log) ~ 272 Mb | Total time: 62:26 | Scans included
Classical | Label: PHI | # LPH 027 | Recorded: 2016

For the third time on the Phi label, Philippe Herreweghe gives us the opportunity to (re)discover three cantatas by Johann Sebastian Bach – Nimm von uns, Herr, du treuer Gott, BWV 101, Ihr werdet weinen und heulen, BWV 103 and Mache dich, mein Geist, bereit, BWV 115. After two albums of cantatas written during the composer’s first year in Leipzig (LPH006 and LPH012), the Belgian conductor and his Collegium Vocale Gent, orchestra and choir, will be performing three cantatas he composed during his second year as Kantor at St Thomas’s. The choir and vocal soloists are once again challenged to produce performances of subtlety and refined virtuosity, and the instrumentarium is as rich and colourful as those heard previously in this series.

Philippe Herreweghe, Collegium Vocale Gent - Carlo Gesualdo: Dolcissima mia vita (2021)

Posted By: ArlegZ
Philippe Herreweghe, Collegium Vocale Gent - Carlo Gesualdo: Dolcissima mia vita (2021)

Philippe Herreweghe, Collegium Vocale Gent - Carlo Gesualdo: Dolcissima mia vita (2021)
EAC | FLAC | Image (Cue & Log) ~ 220 Mb | Total time: 55:08 | Scans included
Classical | Label: Phi | # LPH036 | Recorded: 2020

Philippe Herreweghe records his third disc devoted to a controversial figure in the world of music and art in general: Carlo Gesualdo, who had his wife murdered and is suspected of having his son smothered. This time Collegium Vocale Gent performs his fifth book of madrigals (1611), published two years before his death. A collection that even today contributes to the eternal debate: to what extent does art become impregnated with reality, and how can it be appreciated when it emanates from a mind living so close to horror? Here the bold dissonances and sometimes tortured expressiveness that can be perceived in his harmonic language offer food for thought. Can we speak of redemption through art for a murderous composer in the twilight of his life?

Philippe Herreweghe, Collegium Vocale Gent - Claudio Monteverdi: Vespro della Beata Vergine (2017)

Posted By: ArlegZ
Philippe Herreweghe, Collegium Vocale Gent - Claudio Monteverdi: Vespro della Beata Vergine (2017)

Philippe Herreweghe, Collegium Vocale Gent - Claudio Monteverdi: Vespro della Beata Vergine (2017)
EAC | FLAC | Image (Cue & Log) ~ 350 Mb | Total time: 87:41 | Scans included
Classical | Label: Phi | # LPH 029 | Recorded: 2017

Philippe Herreweghe and Collegium Vocale Gent present a highly accomplished version of one of the masterpieces of seventeenth-century sacred music. Composed shortly after L’Orfeo and dedicated to Pope Paul V, Monteverdi’s Vespers constantly surprise us with their audacity and their great emotional power. Stile antico and stile moderno combine here to wonderful effect, with Renaissance-style polyphony, accompanied monody and concertato style coexisting harmoniously. The importance accorded to the text (a key feature in Monteverdi), the virtuosity of the vocal writing and the independence of the part-writing are among the characteristics of this astonishing work. Philippe Herreweghe and Collegium Vocale Gent prove themselves to be Monteverdi interpreters of the first rank. Their lively, refreshing reading, enhanced by the presence of eight internationally renowned soloists, will ensure the success of this release.

Collegium Vocale Gent & Philippe Herreweghe - Herz und Mund und Tat und Leben - Bach: Cantatas BWV 6-99-147 (2023)

Posted By: Rtax
Collegium Vocale Gent & Philippe Herreweghe - Herz und Mund und Tat und Leben - Bach: Cantatas BWV 6-99-147 (2023)

Collegium Vocale Gent & Philippe Herreweghe - Herz und Mund und Tat und Leben - Bach: Cantatas BWV 6-99-147 (2023)
WEB FLAC (tracks, digital booklet) - 287 MB | MP3 CBR 320 kbps - 145 MB
1:02:12 | Classical | Label: Phi

After a St John Passion that won widespread critical acclaim (Gramophone Editor's Choice, BBC Music Magazine's Choice, Trophee de Radio Classique), Philippe Herreweghe and his ensemble Collegium Vocale Gent continue the journey to the heart of Bach's oeuvre that has made them world-famous with a programme of cantatas. The three recorded here were composed between 1723 and 1725 for St Thomas's Church in Leipzig, where the composer held the post of Kantor from 1723 until his death in 1750.

Philippe Herreweghe, Chœur et Orchestre du Collegium Vocale, La Chapelle Royale - Jean-Baptiste Lully: Armide (1993)

Posted By: ArlegZ
Philippe Herreweghe, Chœur et Orchestre du Collegium Vocale, La Chapelle Royale - Jean-Baptiste Lully: Armide (1993)

Philippe Herreweghe, Chœur et Orchestre du Collegium Vocale, La Chapelle Royale - Jean-Baptiste Lully: Armide (1993)
EAC | FLAC | Image (Cue & Log) ~ 784 Mb | Total time: 78:42+77:21 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901 456.57 | Recorded: 1992

Cinq ans après Atys, Armide grâce à la sensibilité de Philippe Herreweghe est l’objet d’un accomplissement rare. Depuis Cadmus (1673), Lully travaille la déclamation chantée dont le meilleur exemple ici est dans les nombreuses langueurs qui étreignent le cour d’Armide, le célèbre « Enfin il est en ma puissance » (II,4), modèle de l’art lullyste, cité par Rameau pendant la Querelle des Bouffons (1753). Voici la seconde approche de l’ouvrage par le chef flamand. La lisibilité de la progression dramatique est assurée par la définition d’un orchestre, précis, fascinant, véritable acteur. Outre Acis (passacaille finale), ouvrage ultime, aucune ouvre à part Armide, n’exprime à ce degré, l’émotivité instrumentale de Lully.

Skip Sempé, Capriccio Stravagante Renaissance Orchestra, Collegium Vocale Gent ‎- La Pellegrina, Intermedii 1589 (2007)

Posted By: ArlegZ
Skip Sempé, Capriccio Stravagante Renaissance Orchestra, Collegium Vocale Gent ‎- La Pellegrina, Intermedii 1589 (2007)

Skip Sempé, Capriccio Stravagante Renaissance Orchestra, Collegium Vocale Gent ‎- La Pellegrina, Intermedii 1589 (2007)
XLD | FLAC | Image (Cue & Log) ~ 405 Mb | Total time: 69:10 | Scans included
Classical | Label: Paradizo | # PA 0004 | Recorded: 2007

Florence, 19th October 1587: Francesco de Medici, Grand Duke of Tuscany dies with his wife under suspicious circumstances. His brother Ferdinando inherits the title, leaves the monkhood for worldly aspirations including finding a wife. On 2nd May 1589, he married Christine of Lorraine, granddaughter of Catherine de Medici, mother of the King of France. As was the custom at European courts, the wedding was accompanied with splendid festivities, each one outshining the last, to convey the image of the new monarchy.

Philippe Pierlot, Ricercar Consort, Collegium Vocale Gent - Johann Sebastian Bach: Soli Deo Gloria (2020)

Posted By: ArlegZ
Philippe Pierlot, Ricercar Consort, Collegium Vocale Gent - Johann Sebastian Bach: Soli Deo Gloria (2020)

Philippe Pierlot, Ricercar Consort, Collegium Vocale Gent - Johann Sebastian Bach: Soli Deo Gloria (2020)
EAC | FLAC | Image (Cue & Log) ~ 438 Mb | Total time: 83:01 | Scans included
Classical | Label: Mirare | # MIR490 | Recorded: 2018, 2020

There is no shortage of performances of the two Bach cantatas on this release by the Ricercar Consort and the Collegium Vocale Gent, under the direction of gambist Philippe Perlot. They are two of the most imposing among Bach's examples of the form, with two large sections, a variety of movement types and elaborate orchestration, and Bach strove to impress with both. Good readings are available in cycles by conductors John Eliot Gardiner, Masaaki Suzuki, and others, but there's a lot to be said for Perlot's approach, which has been developed over a deliberate set of recordings of cantatas that have something to say to each other.

Philippe Herreweghe, Collegium Vocale, Ghent, Barbara Schlick - Johann Sebastian Bach: Mass in B minor (2009)

Posted By: ArlegZ
Philippe Herreweghe, Collegium Vocale, Ghent, Barbara Schlick - Johann Sebastian Bach: Mass in B minor (2009)

Philippe Herreweghe, Collegium Vocale, Ghent, Barbara Schlick - Johann Sebastian Bach: Mass in B minor (2009)
EAC | FLAC | Image (Cue & Log) ~ 482 Mb | Total time: 54:30+52:09 | Scans included
Classical | Label: Virgin Veritas | # 6 93197 2 | Recorded: 1988

Originally recorded in 1988, this was one of the recordings that made historical performance practice the mainstream when it came to Bach's major choral works. Every moment of the mass was thought through anew, every bit of conventional piety purged. Major B minor mass recordings in the following years have developed one aspect or another further than conductor Philippe Herreweghe does here; Masaaki Suzuki's Bach Collegium Japan chisels out the counterpoint in greater detail, and for grand reverential warmth there's always John Eliot Gardiner. But for a constant sense of wonder that makes even the larger harmonic structure of the mass seem surprising as it unfolds – for a real sense of a group responding not only to a conductor's control but to his artistic vision – this reading by Herreweghe and his Collegium Vocale Ghent remains unexcelled.

Lumieres - La musique du XVIIIeme siecle (29 CD): Part 06 [2011]

Posted By: Vilboa
Lumieres - La musique du XVIIIeme siecle (29 CD): Part 06 [2011]

Lumières - La musique du XVIIIème siècle (29 CD), Part 06 - Mozart: Le nozze di Figaro [2011]
EAC (flac, image, cue, log) | TT: 45.16+57.05+69.48 | Scans | 718 Mb
Classical | Harmonia Mundi | 2908601.30 | Rec: 2003

The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.

Lumieres - La musique du XVIIIeme siecle (29 CD), Part 03 [2011]

Posted By: Vilboa
Lumieres - La musique du XVIIIeme siecle (29 CD), Part 03 [2011]

Lumières - La musique du XVIIIème siècle (29 CD), Part 03: Sammartini, W.F.Bach, C.P.E.Bach, J.C.Bach, Boccherini, Haydn, Mozart, Beethoven [2011]
EAC (flac, image, cue, log) | TT: 81.11+72.34+65.55+62.29 | Scans | 1.22 Gb
Classical | Harmonia Mundi | 2908601.30 | Rec: 1986-2006

The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.

Collegium Vocale Gent; Philippe Herreweghe - Carlo Gesualdo: O Dolce Mio Tesoro - Madrigali a cinque voci, Libro sesto (2016)

Posted By: Designol
Collegium Vocale Gent; Philippe Herreweghe - Carlo Gesualdo: O Dolce Mio Tesoro - Madrigali a cinque voci, Libro sesto (2016)

Carlo Gesualdo: O Dolce Mio Tesoro - Madrigali a cinque voci, Libro sesto (1611) (2016)
Collegium Vocale Gent; Philippe Herreweghe, conductor

EAC | FLAC | Image (Cue&Log) ~ 257 Mb | Mp3 (CBR320) ~ 150 Mb | Artwork included
Classical, Renaissance, Vocal | Label: Phi | # LPH 024 | Time: 01:04:34

Philippe Herreweghe, respected elder of the early choral music world, directs a pared-down version of his choir Collegium Vocale Gent in delectably careful performances of music that in less careful hands can sound plain crazy. The slippery harmonies of Carlo Gesualdo’s sixth book of madrigals, written in 1611 but sounding centuries ahead of their time, are nailed down with the sharpest, slenderest of pins thanks to the perfect tuning and clear tone of Herreweghe’s ensemble. One to each line, the singers maintain a finely balanced blend, emerging briefly as soloists at moments of emphasis. Some may find the ambience a bit churchified for these texts, in which images of frolicking cupids are heavily outweighed by the laments of unbedded lovers miserably invoking death; but the performances are full of subtle nuance, and you’re unlikely to hear passages such as the end of Io Pur Respiro, with its sliding, viscous harmonies, better done.

Philippe Herreweghe, Collegium Vocale Gent & Orchestre des Champs-Elysées - Beethoven: Christus am Ölberge (2022)

Posted By: delpotro
Philippe Herreweghe, Collegium Vocale Gent & Orchestre des Champs-Elysées - Beethoven: Christus am Ölberge (2022)

Philippe Herreweghe, Collegium Vocale Gent & Orchestre des Champs-Elysées - Beethoven: Christus am Ölberge (2022)
WEB FLAC (tracks) - 214 Mb | MP3 CBR 320 kbps - 111 Mb | Digital booklet | 00:47:34
Classical, Sacred, Opera | Label: Phi, Outhere Music

Beethoven composed the oratorio Christus am Ölberge (C hrist on the Mount of Olives ) in just ‘a fortnight, amid all sorts of tumult and other unpleasant and alarming events in my life’. It marked the first time since the two ‘imperial cantatas’ of 1790, the Cantata on the Death of the Emperor Joseph II WoO 87 and the Cantata on the Accession of Leopold II WoO 88, that he had embarked on a multi-movement vocal work. Christus am Ölberge was also Beethoven’s first composition on a religious subject and was destined to remain his only oratorio.

Philippe Herreweghe, Collegium Vocale Gent - Roland de Lassus: Cantiones Sacrae (2008)

Posted By: ArlegZ
Philippe Herreweghe, Collegium Vocale Gent - Roland de Lassus: Cantiones Sacrae (2008)

Philippe Herreweghe, Collegium Vocale Gent - Roland de Lassus: Cantiones Sacrae (2008)
EAC | FLAC | Image (Cue & Log) ~ 248 Mb | Total time: 53:35 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901984 | Recorded: 2007

The Cantiones Sacrae are the swan-song of one of the great masters of the motet, crowning his life's work. In them, Orlande de Lassus deploys with sovereign ease the essence of his art. The complex technique of vocal polyphony he employs illuminates the nuances of the text as closely as possible. In these works, we have the ideal balance between 'head' and 'heart' - a feature found in most of the greatest artistic masterpieces. Philippe Herreweghe has long been considered one of the foremost interpreters of the music of Lassus. Here he leads his hand-picked choral ensemble, Concerto Vocale, in definitive readings of these seminal works of the Renaissance choral repertoire.