Just in time for his 80th birthday, Daniel Barenboim was honoured with the Gramophone Award 2022 for his life's work. The career of the famous Argentinian-Israeli pianist and conductor began early, Wilhelm Furtwängler already said about him: "The eleven-year-old Daniel Barenboim is a phenomenon". Later, as chief conductor, Barenboim led world-class orchestras such as the Orchestre de Paris, the Chicago Symphony Orchestra and, since 1992, the Staatskapelle Berlin. With the founding of the West-Eastern Divan Orchestra, the UN peace ambassador united musicians from Israel, Palestine and the Arab states. As a soloist, the pianist has worked with renowned conductors; with Sir John Barbirolli, for example, he recorded Brahms’ piano concertos. Barenboim's discography is impressive; with his first wife, the cellist Jacqueline Du Pré, he formed a musical dream team. Other legendary recordings of works by Mozart, Beethoven, Bruckner and Wagner were made with the Staatskapelle Berlin and the Berlin Philharmonic, among others.

For the 200th anniversary of the birth of Frédéric Chopin, the renowned Ruhr Piano Festival in Essen invited the Staatskapelle Berlin to give a truly special program: the rare combination of Chopin‘s two piano concertos in one concert. For this purpose Daniel Barenboim, the orchestra‘s principal conductor, handed over the reins of „his“ ensemble to up-and-coming young conductor Andris Nelsons, assuming the role of piano soloist instead. The press raved: „Storms of applause for a dream couple: Daniel Barenboim and Andris Nelsons won over the audience […] with their rousing Chopin interpretations“.

Just in time for his 80th birthday, Daniel Barenboim was honoured with the Gramophone Award 2022 for his life's work. The career of the famous Argentinian-Israeli pianist and conductor began early, Wilhelm Furtwängler already said about him: "The eleven-year-old Daniel Barenboim is a phenomenon". Later, as chief conductor, Barenboim led world-class orchestras such as the Orchestre de Paris, the Chicago Symphony Orchestra and, since 1992, the Staatskapelle Berlin. With the founding of the West-Eastern Divan Orchestra, the UN peace ambassador united musicians from Israel, Palestine and the Arab states. As a soloist, the pianist has worked with renowned conductors; with Sir John Barbirolli, for example, he recorded Brahms’ piano concertos. Barenboim's discography is impressive; with his first wife, the cellist Jacqueline Du Pré, he formed a musical dream team. Other legendary recordings of works by Mozart, Beethoven, Bruckner and Wagner were made with the Staatskapelle Berlin and the Berlin Philharmonic, among others.

Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.

Just in time for his 80th birthday, Daniel Barenboim was honoured with the Gramophone Award 2022 for his life's work. The career of the famous Argentinian-Israeli pianist and conductor began early, Wilhelm Furtwängler already said about him: "The eleven-year-old Daniel Barenboim is a phenomenon". Later, as chief conductor, Barenboim led world-class orchestras such as the Orchestre de Paris, the Chicago Symphony Orchestra and, since 1992, the Staatskapelle Berlin. With the founding of the West-Eastern Divan Orchestra, the UN peace ambassador united musicians from Israel, Palestine and the Arab states. As a soloist, the pianist has worked with renowned conductors; with Sir John Barbirolli, for example, he recorded Brahms’ piano concertos. Barenboim's discography is impressive; with his first wife, the cellist Jacqueline Du Pré, he formed a musical dream team. Other legendary recordings of works by Mozart, Beethoven, Bruckner and Wagner were made with the Staatskapelle Berlin and the Berlin Philharmonic, among others.

Lilting melodies and exhilarating dance rhythms; gentle pathos, brooding drama and robust high spirits; the spirit of rural Bohemia and the sophistication of Prague, Vienna, New York and London in the late 19th century: Antonin Dvořák’s music is unfailingly distinctive and captivating. In all his works – from the epic ‘New World’ Symphony and Cello Concerto to the irresistible Slavonic Dances, haunting ‘American’ String Quartet, quirky violin Humoresque and yearning Song to the Moon – he is a composer whose heart is open and generous, and whose love for his homeland always shines through. This box provides an illuminating and enriching survey of his works, including his complete symphonies. A number of the celebrated performers have Slavonic roots themselves; all their interpretations draw on a deep affinity with Dvořák’s inspiration and humanity.

Daniel Barenboim, the universally admired interpreter of Beethoven’s music, is both - pianist and conductor - in these celebrated performances of the Beethoven Piano Concertos. At the Ruhr Piano Festival, Daniel Barenboim performed these compositional masterpieces together with the Staatskapelle Berlin.

In celebration of the 75th anniversary of the greatest media event in classical music, Sony Classical released in 2015 a complete edition of all the works ever played at the Wiener Philharmoniker’s New Year’s Concerts. Performed in the “Golden Hall” of the Musikverein between 1941 and 2015, the iconic live performances were issued for the first time in a single box set of 23 CDs. Now, in 2020, this edition will be available as a 26-CD extended version, with all the new repertoire from the last five years compiled on three additional CDs.

Featuring the Great Chopin Pianists from the past and today, Deutsche Grammophon presents a 28 CD box edition highlighting the riches of its Chopin catalogue, including eight Chopin competition winners and many of the most legendary Chopin artists of all time.

Making her debut on Decca, Alisa Weilerstein presents three major works of the cello repertoire with Daniel Barenboim leading the Staatskapelle Berlin. The star vehicle, naturally, is Edward Elgar's Concerto in E minor, which Weilerstein plays with commanding presence, rich tone, and emotional depth. Most listeners will be drawn primarily to this performance because of the piece's familiarity, and Weilerstein's charisma and passionate playing make it the album's main attraction. Yet listeners should give Weilerstein and Barenboim credit for following the Elgar with an important if not instantly recognizable or approachable modernist work, Elliott Carter's powerful Cello Concerto. Weilerstein is quite bold to play this intensely dramatic and angular composition, and while it's unlikely to appeal to the majority of fans who adore the Elgar, it deserves its place on the program for its seriousness and extraordinary displays of solo and orchestral writing. To close, Weilerstein plays Max Bruch's Kol Nidrei, a Romantic work that returns the program to a mellow and melancholy mood and brings the CD to a satisfying close. Decca's reproduction is excellent, putting Weilerstein front and center with full resonance, but not leaving the vibrant accompaniment of the orchestra too far behind her.

Kiri Te Kanawa does well by these songs, avoiding the billowing excesses of sentiment that in other hands (or vocal chords) can make them sound much too soggy. Although Berlioz gathered them all together under the present title, all of the songs were composed at different times for different singers, so they aren't really a cycle at all. I seldom listen to all of them at once, and you should feel free to take them in any order that suits you. "The Death of Cleopatra" is an early cantata that perfectly suits Jessye Norman's stately delivery. She's always at her best playing royalty, and if they're dying in mortal agony, so much the better.

Otto Klemperer's Beethoven is one of the towering achievements in the history of recordings. By today's standards, these performances are hopelessly old-fashioned: dark, heavy, and frequently very slow. But they are also the grandest, most unsentimental, most purposeful versions in the catalog.

Because Daniel Barenboim is so closely associated with the German orchestral repertoire, conducting the music of English composer Edward Elgar may seem a bit of a byway, though his explorations in previous Decca recordings of the Cello Concerto in E minor with Alisa Weilerstein, and the Symphony No. 2 in E flat major with the Staatskapelle Berlin, have yielded exceptional results. This performance of the Symphony No. 1 in A flat major (1908), again with the Staatskapelle Berlin, is a powerful meditation on the human drama, and while it lacks a specific program, the music evokes a mixture of bittersweet nostalgia and darker forebodings.