Even though Just Family was produced by Stanley Clarke and employs a lot of musicians who had jazz backgrounds – including Chick Corea, George Duke, Airto Moreira, and Bobby Lyle – this is an R&B album first and foremost. Dee Dee Bridgewater would return to jazz in a major way in the 1980s, but in the late 1970s, she was emphasizing adult-oriented R&B and going after fans of artists like Phyllis Hyman and Minnie Riperton.

Vocalist Dee Dee Bridgewater's 2015 effort, Dee Dee's Feathers, is a vibrant jazz showcase that pays homage to the history of New Orleans and marks the tenth anniversary of Hurricane Katrina. A collaboration between Bridgewater, New Orleans trumpeter Irvin Mayfield, and the New Orleans Jazz Orchestra (NOJO), the album finds Bridgewater combining her love of New Orleans' musical past with the Crescent City's vibrant present. Recorded at Esplanade Studios, a historic 1920s church turned music studio in heart of the Treme neighborhood in New Orleans, Dee Dee's Feathers has a lush, organic sound. Bridgewater is backed here by Mayfield and his band, featuring guitarist/banjo player Don Vappie, drummer Adonis Rose, pianist Victor Atkins, and bassist Khari Allen Lee. Also featured on the album are several guests, including such New Orleans icons as keyboardist Dr. John and percussionist Bill Summers…

Dee Dee Bridgewater performs 13 of Horace Silver's songs on her very well-conceived release. On most selections she is accompanied by her French quintet, but there are also two guest appearances apiece for organist Jimmy Smith and pianist Silver ("Nice's Dream" and "Song for My Father"). Bridgewater uplifts Silver's lyrics, proves to be in prime form, and swings up a storm. Other high points include "Filthy McNasty," "Doodlin'," and "Blowin' the Blues Away." A gem.

13 years after her prior in-performance release Live in Paris, Bridgewater has not so much matured or refined her approach as she has gotten bolder. This CD was recorded on what would have been her idol Ella Fitzgerald's 80th birthday weekend at Yoshi's in Oakland, CA. She scats in the style of Fitzgerald on most of these numbers – not quite in the higher range, but comfortably in the middle – while also displaying some of Sarah Vaughan's more deeply soulful traits. It's a combination of the two, with a little bawdiness for spice, that has made Bridgewater a prime purveyor of excitable jazz vocalizing these days.

These Parisian café tunes bring out the best in this stellar jazz singer, particularly on the opening title track. Accompanied by accordion, which introduces the song, Dee Dee Bridgewater takes you from Paris down to the French Riviera with a warm, slightly island sound as she sings en français. And she has no problem creating her soothing jazz pipes regardless of language. It's as if she's been influenced by the greats but also by the late Henry Mancini in terms of some of the arrangements. A cover of "La Mer (Beyond the Sea)" is a faster, up-tempo approach far different than the swinging version by Bobby Darin.

This release is more properly identified as a various artists compilation, which includes the pop sounds of the Hollywood Bowl Orchestra. Most of the orchestrations and arrangements are pleasant, even if they're not blatantly original. Alto saxophonist Bobby Watson is superb on "Mood Indigo" and the exotic "Fleurette Africaine." The orchestra does a fine job with the rarely heard suite "Night Creature." Singer Dee Dee Bridgewater shines frequently; backed by a superb quartet including Wynton Marsalis, she delivers a delightful cover of "I'm Beginning To See The Light."

Dee Dee Bridgewater - Eleanora Fagan (1915-1959): To Billie with Love (2010) {DDB Records–EmArcy 0602527241555}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 349 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (jpg) -> 40 Mb | 5% repair rar
© 2010 DDB Records / EmArcy | 0602527241555
Jazz / Vocal Jazz / Bop / Standards / Contemporary Jazz

It shouldn't come as much of a surprise that Dee Dee Bridgewater chose to record a tribute album to Billie Holiday. In quick succession beginning in the mid-'90s Bridgewater cut tribute albums to Ella Fitzgerald, Horace Silver, and Kurt Weill, and prior to that, in the late '80s, she was nominated for an award for her one-woman star turn in a European theater production of Lady Day, the Holiday story. That Bridgewater would eventually turn to Holiday (whose given name of Eleanora Fagan explains the title) for an album-length exploration was almost a given – it was just a question of when. It's one of her grandest efforts, too.