Verve Records releases the latest editions in its breakout Great Women of Song series, which pays homage to the ground-breaking work and lasting impact of some of the greatest female vocalists of all time. Known internationally as “The First Lady of Song”, Ella Fitzgerald was also, importantly, the first lady of Verve Records—the label that was essentially created for her by her manager and the label’s founder, Norman Granz. This collection brings together Ella’s most cherished recordings in the company of American music’s greatest performers and composers—Louis Armstrong, George & Ira Gershwin, Irving Berlin and Jerome Kern, among many others.

A Collection Of Jazz Classics. 13 Tracks. Billie Holiday, Jimmy Smith, Dizzy Gillespie, Ella Fitzgerald, Nina Simone, Louis Armstrong, Stan Getz, Gene Ammons, Mose Allison, John Coltrane, Charles Mingus, Oscar Peterson Trio, Coleman Hawkins & Ben Webster.

An appearance in Hollywood for a first-rate jazz vocalist was not necessarily an opportunity to broadcast the singer's visage and pander to everyone from Tacoma to Tallahassee. It could also include a date at the Crescendo. The Sunset Strip's best chance to find premier jazz, Gene Norman's nightclub hosted dozens of jazz legends (and a comic or two), and produced more than its share of excellent LPs recorded on location. Better even than Mel Tormé's 1954 classic, the Ella Fitzgerald LP that resulted from her May 1961 appearances generated one of the best (and certainly most underrated) live records in her discography. All of her hallmarks - technical wizardry, breakneck scatting, irrepressible humor and warmth - are on full display, with a small but expressive quartet backing her performance (including pianist Lou Levy, guitarist Herb Ellis, drummer Gus Johnson, and bassist Wilfred Middlebrooks)…

The voices of Ella Fitzgerald and Louis Armstrong are among the most personal and beautiful that the history of music has given us, transcending eras, genres and languages. In this wonderful 6-CD box we can find the legacy of this immortal duet including all their key tracks and also some rarities that connoisseurs will surely appreciate. With remastered sound and beautiful cover art, The Complete Anthology is the definitive album of Ella & Louis, which should be on every music collection.

4CD Box Set. 72 tracks featuring Miles Davis, Dave Brubeck, Gerry Mulligan, Thelonious Monk, Charlie Parker, Dizzy Gillespie, Chet Baker, Duke Ellington, Oscar Peterson, Claude Thornhill, Nat King Cole, Charles Mingus, Billie Holiday, Ella Fitzgerald, Lester Young, Louis Armstrong, Eartha Kitt, Julie London, Art Pepper and many, many more…

Avid Jazz presents three classic Ella Fitzgerald albums plus including original LP liner notes on a finely re-mastered double CD.
A live set kicks off our Ella Fitzgerald tribute, “Mack The Knife” was recorded in 1960 in Berlin as part of the Jazz at the Philharmonic International tour. It features Paul Smith on piano, Jim Hall on guitar, Wilfred Middlebrooks on bass and Gus Johnson on drums. A rather portentious title greets our next selection “Let No Man Write My Epitaph” featuring Paul Smith again on piano recorded in L.A. in 1960.This album features the music from a film of the same name Ella had appeared in plus numbers that Ella just felt were right to complete the record. A year on from “Mack the Knife” featuring Ella in Berlin, we have “Ella in Hollywood”…

Recognized worldwide as "The First Lady of Song," Ella Fitzgerald is arguably the finest female jazz vocalist of all time. Blessed with a highly resonant voice, wide range, and near-perfect elocution, Fitzgerald also possessed a deft sense of swing, and with her brilliant scat technique, could hold her own against any of her instrumental contemporaries. She came to initial popularity as a member of drummer Chick Webb's band in the 1930s, scoring a hit with a "A-Tisket, A-Tasket," before ascending to wide acclaim in the 1940s with Jazz at the Philharmonic and Dizzy Gillespie's Big Band, and issuing landmark performances like "Flying Home" and "How High the Moon." Working with producer/manager Norman Granz, she gained even more acclaim with her series of albums on Verve, recording definitive versions of the music of the Great American Songbook composers, including 1956's Sings the Cole Porter Songbook. Over her 50-year career, she earned 13 Grammy Awards, sold over 40 million albums, and picked up numerous accolades including a National Medal of Arts and the Presidential Medal of Freedom. A hugely important cultural figure, Fitzgerald made an immeasurable impact on the development of jazz and popular music, and remains a touchstone for fans and artists decades after her passing.

Ella recorded some incredible live albums-and this one, taped at a jazz festival on the French Riviera in '64, is among the best. Ella, Tommy Flanagan, Roy Eldridge and the rest of her band thrill the crowd with Hello, Dolly!; Day In, Day Out; The Lady Is a Tramp; Them There Eyes; A-Tisket, A-Tasket; Blues in the Night; Summertime , and 42 more. The first time all the music from both nights has been available; more than half the cuts are unissued!

Worthy of audiophile treatment. Not every Christmas tune meets that high standard. But each song on this SACD, with each song chosen by Acoustic Sounds owner and CEO Chad Kassem, sound better than it ever has before. These are some of the most familiar - and well-recorded - Christmas tracks ever. We feel we're bringing you a record that you and your family will enjoy every year forevermore. These truly are The Wonderful Sounds Of Christmas. From the peaceful solemnity of Harry Simeone Chorale's "The Little Drummer Boy" to the festive spirit of Jose Feliciano's "Feliz Navidad," The Wonderful Sounds Of Christmas brings you the very best examples of holiday songs ever recorded. With wonderful music in abundance, this Christmas compilation offers a celebration of the season's most joyous and cherished songs. Truly, Christmas has never sounded better!

Ella Fitzgerald, Louis Armstrong Recognized worldwide as "The First Lady of Song," Ella Fitzgerald is arguably the finest female jazz vocalist of all time. Blessed with a highly resonant voice, wide range, and near-perfect elocution, Fitzgerald also possessed a deft sense of swing, and with her brilliant scat technique, could hold her own against any of her instrumental contemporaries. She came to initial popularity as a member of drummer Chick Webb's band in the 1930s, scoring a hit with a "A-Tisket, A-Tasket," before ascending to wide acclaim in the 1940s with Jazz at the Philharmonic and Dizzy Gillespie's Big Band, and issuing landmark performances like "Flying Home" and "How High the Moon."

In 1934, 17-year-old Ella Fitzgerald took the stage at Harlem's legendary Apollo Theater on Amateur Night, winning first prize and launching an extraordinary, decade-spanning career. Ella 100: Live at the Apollo! was recorded during the 2016 tribute concert at the Apollo, honoring the First Lady of Song's 100th birthday & commemorating the discovery of her talent. Features vocalists Patti Austin with David Alan Grier, Lizz Wright, Cassandra Wilson, Ledisi, The Count Basie Orchestra and more.

Though her career stretched from the '30s to the '80s and she's widely considered possibly the greatest female jazz singer or all time, Ella Fitzgerald will probably forever be best known for a mid-'50s collection of albums collectively called the Songbooks, where she devoted entire albums to the works of such composers as Harold Arlen, Cole Porter, and Duke Ellington. THE BEST OF THE SONGBOOKS: THE BALLADS is one of the many compilations based on these recordings, and one of the best. From its beautiful, informative packaging to its gorgeously remastered sound, this 16-track, 64-minute collection treats the material with the respect it deserves. The material, of course, is first-rate, wall-to-wall standards from Johnny Mercer's wistful "Laura" to Ellington's sly "Do Nothin' Til You Hear From Me." Fitzgerald's performances are equally outstanding, as are the mostly big-band arrangements. This is as good as jazz ballad collections get.

From a label with no shortage of first-rate jazz material come this very attractive vocal sampler. Staying true to the Compact Jazz ethos, Best of the Jazz Vocalists favors quality over hits and comes with a budget price tag. The majority of songs are from the label's prime '50s and '60s run, including a cloud-bound "Summertime" by Helen Merrill and one of the all-time great versions of "If You Could See Me Now," compliments of Billy Eckstine. Continuing with this balancing act between the sexes, the collection also includes fine work by Bill Henderson, Ella Fitzgerald, Louis Armstrong, Abbey Lincoln, Jon Hendricks, Shirley Horn, and Anita O'Day; latter-day entries include Lincoln's "I've Got Thunder and It Rings" from her 1990 Verve debut and Horn's "I Got Lost in His Arms" from 1988's Close Enough for Love. Nicely wrapped up with Nina Simone's Afro-percussion clarion call "Come Ye," this Verve roundup works as the perfect primer for more adventurous trips through the label's fertile stores of essential jazz.

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. There isn't much one can say about an album whose title is Ella And Louis Again. The "again" obviously means they've already done one album together and beyond that, what can you say about two people like Ella and Louis? I doubt that there's anyone today who loves music, who doesn't know Ella Fitzgerald and Louis Armstrong. The backing, with the Oscar Peterson Trio and Louis Bellson substituting for Buddy Rich, remains, as in the first album, quiet, discreet, swinging.

2008 release. The show presented on this CD comes from a previously unreleased live performance recorded for a radio show. Some of the tunes performed on the show are reprises from their second album together, Fitzgerald & Pass Again. Four of the tracks featured here mark the only known versions of those songs from Ella and Joe's collective discography. This is the case with 'Them There Eyes, Feelings' (performed here twice), 'Perdido', and 'Little Girl Blue'. Ella and Joe's interaction at the Hamburg concert is, as usual, delightful, and both play with incredible beauty on this previously unknown concert we are very happy to present. Gambit.