Stone the Crows was a tough-luck, working class, progressive soul band that came out of the pubs of Scotland in the early '70s. They had everything going for them at the start: not one, but two gritty singers, a talented guitarist, a rhythm section that had played with John Mayall, and the name recognition of having Led Zeppelin manager Peter Grant as their producer. Despite favorable reviews by the critics, however, they never managed to sell their hybridized soul music to a large audience. In addition, they lost two of their key members early on, one of whom was tragically electrocuted, and the group broke up after four albums. Their biggest contribution to rock was the immense vocal talent of one Maggie Bell. Winner of several Top Girl Singer awards in Britain, Bell had a raunchy, gutbucket voice that, although it fell short of the naked emotion and range of Janis Joplin's, came probably closer to her style than any other female singer.

Queen guitarist Brian May's first complete attempt at a solo album, Back to the Light, focuses on the hard rock sound that Queen often abandoned in the 1980s. While obviously sounding similar to some of the work by his former band, May's path is far more hard-edged and emotionally punched than the majority of Queen's work. His vocals are sometimes weak for a singer, but they also add a certain tenderness that most hard rock frontmen seem to lack. The album succeeds best on its heaviest tracks such as the cover of "Rollin' Over" or "Resurrection," which features pounding drums courtesy of Cozy Powell and thundering guitar riffs with Queen-like multi-tracked vocals.

The Magician's Birthday is the fifth album by British rock band Uriah Heep, released in 1972 by Bronze Records in the UK and Mercury Records in the US. The concept was "based loosely on a short story" written by Ken Hensley in June and July 1972. In a retrospective review, Sputnikmusic praised The Magician's Birthday, saying, "Though probably not as cohesive as it could be, it still offers plenty of highlights, earning its place among Heep's finest albums". Reviewer Daniel Dias singled out "Sunrise", noting that it was "a highlight in Heep's catalog and one of the band's finest progressive rock ballads". AllMusic noted the album's prog elements as well, and said, "The Magician's Birthday never quite hits the consistent heights of Look at Yourself or Demons and Wizards but remains a solid listen for Uriah Heep fans". The Magician's Birthday was certified Gold on 22 January 1973.

Siren's Song is the second studio album by The Union, the English rock band formed by ex-Thunder guitarist Luke Morley and Peter Shoulder (formerly of Winterville). It was released on 3 October 2011. The Union was formed by guitarist Luke Morley and vocalist/guitarist Peter Shoulder after Luke’s twenty-year career with Thunder came to an end in 2009. Peter Shoulder was the vocalist, songwriter and musical rudder of Winterville. In 2006 he won The W.C Handy Blues Foundation award, presented to him in Memphis for co-writing the American Blues Song of the Year, ‘Think of Me’. The song was performed by blues legend Little Milton. At the time of winning there were only two other British artists to have received that particular award, the others being Eric Clapton and Peter Green.

Japanese pressing features a bonus track. Temple Balls is an energetic hard rock band from Finland and "Avalanche" is the aptly titled fourth album from the quintet. It's a rocking and energetic tour de force that sees the band members pushing their musical boundaries even further. Once again under the care of producer Jona Tee (H.e.a.t, Crowne, New Horizon), "Avalanche" has all the elements of hooks, powerful rhythms and anthemic rock 'n' roll like it is meant to be played!

For the first time ever, Michael Schenker returns to his classic years with UFO, revisiting the era that catapulted both him and the British hard rock band to international stardom.

Esoteric Recordings are pleased to announce the release of a new 5CD remastered clamshell box set by the legendary American band Spirit. Formed in Los Angeles in 1967 from the remnants of The Red Roosters, Spirit was one of the great bands to emerge on the US West Coast in the Psychedelic era. Featuring the talents of 16 year old guitarist Randy California (who had played guitar with Jimi Hendrix in New York the previous year), his step-father drummer Ed Cassidy along with Jay Ferguson (vocals, percussion), John Locke (keyboards) and Mark Andes (bass), Spirit signed to producer Lou Adler’s newly established Ode Records label in late 1967. Their self-titled debut album appeared some months later and demonstrated the breadth and diversity of the band covering psychedelic, rock and jazz influences and featuring such legendary cuts as Fresh Garbage, Uncle Jack, Topanga Windows…

Deep Purple have never quite been placed in the revered 1960s canon that includes the Who, Pink Floyd, Led Zeppelin, or any of the other British rock bands who continue to reunite in various configurations to tour and even periodically release new albums, but given that the group has always been a riveting and brilliant live act, part prog, part heavy metal, part funky R&B, and imminently theatrical, that second-tier designation seems like both an oversight and a shame. Returning with this set, the band's first since 2005's Rapture of the Deep, and featuring a near-classic lineup of vocalist Ian Gillan, guitarist Steve Morse, bassist Roger Glover, drummer Ian Paice, and keyboardist Don Airey (Jon Lord, whose distorted organ parts were so much a part of the classic Deep Purple sound, left the band in 2002 and died in 2012 of pancreatic cancer), one can only marvel at how timeless it sounds, as if it were actually recorded in the early '70s and not tracked a little more than a decade into the 21st century…

Everybody’s favorite source for the hard stuff is back in business, with ten more lethal doses of rare hard rock, heavy psych and proto-metal! Hard to believe we’re eight Trips in and we haven’t lost any steam since the get-go. As usual, we’re laying the heaviness on you in the most legit way possible. These obscure tracks have all been licensed, the bands have been paid, and the sources are all analog. The quality of tracks seems increase along with the number of Trips and this cohesive collection comes outta the gate with both guns blazing!

For Three Man Army's second album, their power trio lineup stabilized with the recruitment of Tony Newman for the drummer's chair (the first album, A Third of a Lifetime, had featured several drummers). A Third of a Lifetime had been journeyman early British hard rock with a few glimpses of more satisfyingly gentle and melodic moods. Unfortunately, Three Man Army put even greater emphasis on their pedestrian hard rock chops and even more pedestrian material, which at its best could only approximate a sub-Led Zeppelin (as the chorus of "Come Down to Earth" certainly does). Sure, you could hear differing inflections from time to time, like the funky rhythm of "Can't Leave the Summer," the tender pop melodics in sections of "Take a Look at the Light," and - weirdest of all - the pompous instrumental arrangement of "My Yiddish Mama," which segues into the far more conventional strutting hard rock of "Hold On."