In an essay penned for NPR in advance of the release of his ninth studio long-player, Josh Ritter said of creating Gathering: "I had that feeling you get when the sky is suddenly dark before a summer storm; the thunder heads looming at the edge of the fields, the birds quiet. The smell of the gathering electricity in the atmosphere, the certainty of lightning." It's an apt summation of this 12-track set, which eases the listener in with a balmy, a cappella country-gospel opener ("Shaker Love Song [Leah]"), before letting the clouds open up with the one-two punch of "Showboat," a soulful and self-effacing countrypolitan rocker that sounds like a funked-up version of Glen Campbell's "Gentle on My Mind," and "Friendamine," an affable, country-blues boogie with an out-of-nowhere backwards organ solo.

Josh Ritter has been thinking a lot about space exploration. It has nothing to do with his spellbinding new album, Spectral Lines, except that in a way, it really does. “The Voyager spacecraft went up in ’77 and now it’s out there in a place that no one’s ever been before, and it’s sending back all these messages,” Ritter says. “I feel like songs do that in their own little way. They’re probes: they go out into the world, and sometimes you hear stories back from them, but really, they go off on their own.”

An American singer/songwriter with a deep, expressive voice, a keen wit, and an evocative way with words, Josh Ritter has built a loyal following as one of the leading lights on the Americana scene with his incisive songwriting. Emerging in 2000 with his eponymous debut album, Ritter hit his stride in 2007 with the release of The Historical Conquests of Josh Ritter, which introduced elements of rock, country, and blues into the mix. What followed was a string of acclaimed outings like Beast in Its Tracks (2013), Gathering (2017), and Fever Breaks (2019) that continued to push the boundaries of folk and Americana, furthering Ritter's ascension to modern singer/songwriter royalty.