A selection of 5 classic studio albums packaged together in a new slim-line slipcase by the legendary prog guitarist and former Genesis member, the Rock and Roll Hall of Fame inductee Steve Hackett. Includes the albums: Voyage Of The Acolyte, Spectral Mornings, Defector, Highly Strung and Please Don’t Touch. Stephen Richard Hackett is an English musician, songwriter, singer, and producer who gained prominence as the lead guitarist of the progressive rock band Genesis from 1971 to 1977. Hackett contributed to six Genesis studio albums, three live albums, seven singles and one EP before he left to pursue a solo career. He was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010.

On the Threshold of a Dream was the first album that the Moody Blues had a chance to record and prepare in a situation of relative calm, without juggling tour schedules and stealing time in the studio between gigs – indeed, it was a product of what were almost ideal circumstances, though it might not have seemed that way to some observers…

Nucleus were a pioneering jazz-rock band from Britain who continued in different forms from 1969 to 1989. They were led by Ian Carr, who had been in the Rendell–Carr Quintet during the mid and late 1960s, and was a respected figure in British jazz for more than forty years. Their jazz-based music evolved from an early sound incorporating elements of progressive and psychedelic rock toward combination with a funkier sound in the mid and late 1970s. Elastic Rock is Nucleus' first album. Recorded in January 1970, it was a pioneering work in emerging genre of jazz-rock fusion.

The latest Zappa-themed album curated for Cordelia Records by the Idiot Bastard.

The 12 tracks that appear on The Best of the Alan Parsons Project include some of their greatest singles, like "I Wouldn't Want to Be Like You" from 1977's I Robot and the inducing "Games People Play" off of The Turn of a Friendly Card. Even though these songs are splendid all by themselves, they seem to lose their conceptual weight when taken away from their original albums. As singles, they do act as a fine representation of how The Alan Parsons Project's music sounds and conveys its mysterious air, but even with a dozen singles on this album there's just too much of their other worthy material that is sadly left off.

Asturcon was a band based in the Asturias region of Spain, and was formed sometime in the second half of the 70's as the creative vehicle of composer and multi-instrumentalist Victor Carrizo, taking the band name from a race of local horses. Blending elements from local and celtic folk music with symphonic art rock was the stylistic expression pursued; according to the critics with a fair degree of success, in particular on the longer creations on this production. The sound is akin to Mike Oldfield from his "QE2" period, and there are Latino guitars and bagpipes that create a very strong sense of place especially in a European sense.

his is the album that solidified Uriah Heep's reputation as a master of gothic-inflected heavy metal. From short, sharp rock songs to lengthy, musically dense epics, Demons and Wizards finds Uriah Heep covering all the bases with style and power…

Perhaps the busiest man in progressive music, multi-instrumentalist/composer Robin Taylor is here with another release from his outfit Taylor's Universe, this one titled Evidence. Joined by longtime bandmate Karsten Vogel (sax, clarinet), the group also features Klaus Thrane (drums), Claus Bøhling ( guitars), and Thomas Thor Viderø Ulstrup (synthesizer), with Taylor contributing guitars, keyboards, bass, flute, and percussion, and guest vocalist Louise Nipper on one track. Though there are only four songs here on Evidence , you get over 40-minutes of material, so that's a lot of bang for your buck. The music is squarely in the instrumental prog-rock/jazz-fusion mold, the songs lengthy and expansive, allowing for plenty of atmosphere as well as dazzling solos…

As interesting and fun as the Daevid Allen period was, the name Gong became more meaningful in the context of the music as percussionist Pierre Moerlen assumed the role of bandleader. An emphasis on percussives of all sorts became clear on Gazeuse!, the band's first completely instrumental album, and the music became much jazzier, though never considered jazz. Expresso II finds Pierre Moerlen's Gong at their peak. Like their previous studio release, Gazeuse!, the album is instrumental, the music is very polished, the sound very clean. Vibes and xylophone dominate on this album, somewhat reminiscent of the sound Zappa achieved through Ruth Underwood on One Size Fits All just three years earlier.

Excellent 70’s Spanish symphonic progressive rock album with a powerful progressive musical prowess. "Intención" is very reminiscent at times of Pink Floyd (Meddle era) with great guitar soloing and a ton of great keyboard work (Hammond and moog). Originally issued in 1976, "Intención" is the perfect follow-up to The Beginning of the End, with Atila offering further pieces led by the strong guitar licks of Eduardo Niebla, Benet Nogué's organ & Moog, and Joan Punyet's drums melting in top progressive freakouts, plus the addition of wordless vocal parts and even some Catalan sung parts, besides adding a symphonic edge to the general sound. Side A offers three killer tracks in that vein, while the B-side is a new recording of the bands' signature theme "El Principio Del Fin," with updated overtones, Moog passages and a much better recorded sound than the one appearing on their debut LP…

Mario Schifano was a leading Italian pop artist, and a friend of The Rolling Stones and other prominent 1960s countercultural figures. Inspired by Andy Warhol's association with The Velvet Underground, in 1967 he decided to sponsor a band. The album that resulted combines a lengthy improvisation with five shorter, psychedelic-influenced tracks, and is a landmark in the development of Italian rock. Pressed in tiny quantities, it was released in November 1967 (with artwork designed by Schifano), and original copies have sold for thousands of Euros, making this long-awaited CD reissue especially welcome. Includes background notes.

Adult Cinema is a remarkable one-man project helmed by multi-instrumentalist Mike Weston. A winning blend of Meddle-era Pink Floyd, beguiling psych-folk and classic rock riffing. Mike Weston is an accomplished songwriter and musician who deserves a wider audience. Adult Cinema manage to negotiate that precarious edge, nodding a head back to the fine music of the past, and yet also making sounds and songs that are vibrant and contemporary. This is an Adult Cinema that hosts modern sonic movies that we all need to hear.