Netflix Music will release a soundtrack album for the streamer’s original documentary series Our Living World. All across its thin green-blue veneer, the Earth pulses with life. Building on astonishing scientific revelations and featuring stunning footage of the planet's incredible natural networks.Pinar Toprak is a Turkish-American Emmy-nominated composer, conductor and performer, who specializes in creating thematic scores for everything from superhero sagas and blockbuster comedies to TV series and dramas. With her work on Captain Marvel and Fortnite, Pinar is the first female composer to score both a film and video game with gross revenues of over $1 billion and $5 billion respectively.

Fallout is an upcoming American post-apocalyptic drama television series created by Lisa Joy and Jonathan Nolan, and executive produced by Geneva Robertson-Dworet and Graham Wagner for Amazon Prime Video.

Alexandre Desplat (The Grand Budapest Hotel, The King’s Speech, The Shape of Water, Harry Potter and the Deathly Hallows, Godzilla) & Alex Heffes (The Last King of Scotland, Mandela: Long Walk to Freedom, Touching the Void, Queen of Katwe, State of Play) have composed the original music for the new HBO limited series The Regime. The Regime is an American political satire television miniseries from HBO.

Ripley is an upcoming American psychological thriller television series based on Patricia Highsmith's 1955 crime novel The Talented Mr. Ripley. Starring Andrew Scott as Tom Ripley, Johnny Flynn as Dickie Greenleaf and Dakota Fanning as Marge Sherwood, the eight-episode limited series was created, written and directed by Steven Zaillian. Ripley was originally set to air on Showtime, but in February 2023, the series moved to Netflix. It is scheduled to premiere on April 4, 2024.
Jeff Russo was born on 31 August 1969. He is a composer and actor, known for Fargo (2014), The Man Who Fell to Earth (2021) and Lucy in the Sky (2019).

While award winning and Emmy nominated composer Richard Band is primarily known to many as a composer for Horror and Genre films, but he has often stepped well outside the horror genre and diversified his body of work demonstrating his ability to tackle any genre and style presented to him.Richard outlines his approach to the music and the inspiration that lies behind it –“I’ve always been a firm believer in the importance of themes in film scoring and this score cried out for an epic theme perhaps in the classical manner of a Steiner, Herrmann or Rozsa, or perhaps even a Goldsmith, Williams, Jarre or Shore. It was movies from my childhood like ‘Lost Horizon’ and ‘Jason and the Argonauts’ as well as epics like ‘Dr. Zhivago’ and ‘Ben-Hur’ that had the import I was searching for. This film was a true joy to score and well worth the roughly 20 odd years I waited to do it.”

Presenting Ghostbusters: Frozen Empire (Original Motion Picture Soundtrack) by academy award-winning composer Dario Marianelli. This album features an original score written by Marianelli for the latest instalment in the Ghostbusters film franchise. For his second collaboration with Ghostbusters: Frozen Empire director Gil Kenan, Marianelli initially took inspiration from the iconic soundscape crafted by Elmer Bernstein for director Ivan Reitman’s original 1984 blockbuster. The result is a nostalgia-inducing score that captures the spirit of Bernstein’s well-loved soundtrack while establishing a distinct sound for the franchise’s new chapter.

Eric Serra Multi-instrumentiste, compositeur, entrepreneur : Eric Serra a plus d’une corde à son arc ! Elevé par un père chansonnier, le garçon apprend la guitare dès ses cinq ans avant d’étudier guitare électrique, batterie, basse, piano mais aussi synthétiseurs. A quinze ans, le jeune musicien forme son premier groupe de rock progressif avant de devenir musicien de studio et de rencontrer Pierre Jolivet puis Luc Besson qui lui propose de composer les musiques de L’Avant dernier, Le Dernier Combat et Subway en 1985. Il remporte une Victoire de la Musique et une nomination aux Césars. La BO de Le Grand Bleu en 1988 consacre Eric Serra qui remporte un César, le Grand Prix de la SACEM et va jusqu’à être nommé Chevalier des Arts et des Lettres.

Godzilla x Kong: The New Empire[a] is an upcoming American monster film directed by Adam Wingard. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, it is a sequel to Godzilla vs. Kong (2021), and the fifth film in the MonsterVerse franchise.

Ralf Hildenbeutel signs the music for the Italian series by Francesca Manieri, a biopic on Rocco Siffredi. Supersex is an Italian biographical drama television series based on the life of Rocco Siffredi, a famous Italian pornographic film actor. It was released on Netflix on 6 March 2024. Ralf Hildenbeutel (born 6 March 1969) is a German composer and producer. His style is shaped by his eclectic background through his classical education and his passion for electronic music since the early 80'ies.

20 great songs. 'Up Where We Belong', 'Take My Breath Away', 'I Just Called to Say I Love You', 'Time of My Life', 'Stand by Me', 'What a Wonderful World', 'It Must Have Been Love', '(Everything I Do) I Do It for You', 'The Crying Game' and more, and more…

Damsel is an upcoming American dark fantasy film directed by Juan Carlos Fresnadillo and written by Dan Mazeau. The film stars Millie Bobby Brown, Ray Winstone, Nick Robinson, Shohreh Aghdashloo, Angela Bassett, and Robin Wright. Damsel is scheduled to be released by Netflix on March 8, 2024.David Fleming is known for Mr. & Mrs. Smith (2024), The Last of Us (2023) and Dune: Part Two (2024).

The unique collaboration stemmed from a suggestion by the film’s director Johan Renck, with Richter creating the music for the track before Sparks contributed melody and lyrics to create the melancholic finale to the film’s soundtrack.

Armand Amar’s music is always inspirational and emotional, he creates subtle and very melodic compositions that work perfectly in the context of the film, regardless of the subject or genre, his music stands on its own and can be heard away from any storyline or images. One of the most recent releases is Autumn and the Black Jaguar, which is a really beautiful party.

Spring 2016 will be the 50th anniversary of the music for A Man and a Woman, Francis Lai's birth-certificate as a film-music composer. To commemorate the event, Play-Time is proud to present this 7CD boxed set entitled Francis Lai Anthology, a collection whose simple aim is to present the (very) original soundtracks composed by the great Lai, now carefully restored for the occasion. Each album in the set has its own concept: Lelouch-Belmondo for example, with the music from Itinerary of a Spoiled Child and Love is a Funny Thing, or Lelouch-Hallyday, notably for the electrifying score from L'Aventure, c'est l'aventure (Money Money Money), a pop tsunami that was never published after the film's release… until now. The set also includes the CD Double polars (from the films Body of my Enemy and The Crook), the iconic original score of Bilitis, here for the first time in its splendid unabbreviated version, and also a CD devoted to the productive association between Francis Lai and René Clément (with the music from their films And Hope to Die and The Baby sitter). Along the way, the contents reveal previously unreleased music and other rarities: the complete signature-tunes that Lai composed for FR3 Television; pieces written for short films (notably works directed by Claude Pinoteau); and an iconoclastic reading of Les Etoiles du Cinéma, specially recorded by the brilliant pianist and composer Jean-Michel Bernard in tribute to his master.

Scoring Serenity was David Newman, whose vast and diverse filmography lent him well-prepared for anything the film might throw at him. From worldbuilding to character comedy to harrowing action, the score runs the gamut—but always hews to a sense of family and “home” for the Serenity and her offbeat crew. Solo cello and folksy percussion are found alongside eerie “ethnic” approaches, which turn dark and brutal for the barbaric villains, the Reavers, as the film explores their secret origin. But Newman balances the weirdness with familiar, dramatic orchestral scoring, ultimately creating an eclectic tapestry for Whedon’s unique vision.