For their 25th band anniversary Solar Project releases the debut album The Final Solution from 1990 together with the album EMP - A Tribute To Pink Floyd consisting of the classic tracks Echoes, Money and Pigs as a limited special edition digipak CD.
The Final Solution is a gigantic art-rock spectacle, an opulent sound setting and an intense hodgepodge of electronic-symphonic drama and baroquish friskiness.

Five years after the release of Hearts of No Light, Swiss avant garde experimentalists Schammasch return with the follow up, The Maldoror Chants: Old Ocean - set for release via Prosthetic Records on October 25. This upcoming release will be the second in an ongoing series of works by Schammasch that draws from Les Chants de Maldoror - one of the 19th century’s most fascinating literary works which would later become part of the foundation of the surrealist movement. Sonically, the album charts the continued evolution in the sound of Schammasch; dark, gothy undertones rise often to the surface with sultry spoken word taking centre stage at various points. A pulsating, monolithic rhythm flows through the album with their atmospheric take on post-black metal providing a majestic backdrop - replete with a love for detail and the use of unusual elements like accordions, classical orchestration or industrial soundscapes…

Tift Merritt has become unexpectedly (and thankfully) prolific since she signed with Fantasy Records in 2008, after going four years without releasing a record. See You on the Moon is her third album in as many years, and from the first track, the gentle and soul-infused love song "Mixtape," she demonstrates that she can maintain solid quality control at this pace and does so with ease. See You on the Moon is a more spare and intimate-sounding set than 2008's Another Country, as if she learned a bit about the value of concision with her 2009 solo acoustic live set Buckingham Solo, but Merritt clearly works well with others (the backing musicians are uniformly great, and Jim James of My Morning Jacket contributes some solid harmonies on "Feel of the World"), and while the arrangements wisely avoid cluttering the clean landscapes of her melodies, producer and engineer Tucker Martine gives the recordings a full-bodied sound even when the performances are purposefully simple. As on Merritt's other albums, the real key to See You on the Moon lies in her songs and her voice, and both are in splendid form here.