This 14 tracks compilation from Master Music label features a bunch of starring artists and titles. From Muddy Waters and Johnny Cash to Elvis Presley. From Dinah Washington to Etta James. From Ben E. King and Eddy Cochrane to Manfred Mann's Earth Band. All is here.

Originally released in 1964 on Columbia, produced by fellow Country Music Hall of Fame inductee Don Law, and featuring note-for-note re-recordings of several staples Johnny Cash made for Sun Records – including the title track, "Hey Porter", and "Big River" – as well as several new originals, I Walk the Line cemented the singer's place as the leading country artist of the era. Indeed, as the original liner notes state, "I Walk the Line offers Johnny Cash, renowned storyteller-in-song, at his creative and performing best". The album was certified Gold by the RIAA in 1967.

At Folsom Prison is a live album by Johnny Cash, released on Columbia Records in May 1968. After his 1955 song "Folsom Prison Blues", Cash had been interested in recording a performance at a prison. His idea was put on hold until 1967, when personnel changes at Columbia Records put Bob Johnston in charge of producing Cash's material. Cash had recently controlled his drug abuse problems, and was looking to turn his career around after several years of limited commercial success. Backed by June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom State Prison in California on January 13, 1968.

At Folsom Prison is a live album by Johnny Cash, released on Columbia Records in May 1968. After his 1955 song "Folsom Prison Blues", Cash had been interested in recording a performance at a prison. His idea was put on hold until 1967, when personnel changes at Columbia Records put Bob Johnston in charge of producing Cash's material. Cash had recently controlled his drug abuse problems, and was looking to turn his career around after several years of limited commercial success. Backed by June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom State Prison in California on January 13, 1968.

Silver is the 62nd album by American country singer Johnny Cash, released on Columbia Records in 1979. It peaked at #28 on the Billboard albums chart. "(Ghost) Riders In The Sky" peaked at #2 on the singles chart; the two other singles, "Bull Rider" and "I'll Say It's True", reached #66 and #42, respectively. Recordings of "Cocaine Blues" had previously appeared on At Folsom Prison and Now, There Was a Song!, under the title "Transfusion Blues" on the latter. The album was produced by Brian Ahern, who controversially introduced digital elements into the songs to the disapproval of some listeners. This is the last album that Marshall Grant, the original Tennessee Two bass player, played on. He departed from Cash's band the following year. Silver was re-released in 2002 through Legacy Recordings, with remakes of two early Cash songs, "I Still Miss Someone" and "I Got Stripes," as bonus tracks; both are duets with George Jones.

Originally released in 1958, Johnny Cash's second album was a smash success, with singles such as "Walk The Line" and "Ballad of a Teenage Queen" shooting to the top of the charts and earning Cash a reputation as one of country's greatest songwriters and performers.

Johnny Cash was an American singer-songwriter, actor, musician and author, born February 26, 1932 in Kingsland, Arkansas, USA as J.R. Cash…

Featured were four original songs by Cash, along with eight covers including takes of "I Heard the Bells on Christmas Day," "Silent Night," "Blue Christmas," and others. This is a solidly enjoyable entry from Cash, and a must-have for die-hard aficionados of the country icon.

The idea of a live album as a documentary is a naïvely outdated one. For decades, fans have understood that, if one wanted to hear a tip-to-tail, warts-and-all live performance by one of their favorite musicians, a bootleg would be just about the only way, since the "live" albums typically released by most acts were usually cobbled together from multiple performances (and sometimes even across multiple tours).

When Johnny Cash and June Carter Cash passed, they left behind what John Carter Cash, their son and Johnny Cash: Forever Words co-producer, describes as a "monstrous amassment" of things, including a treasure trove of undiscovered material that includes Johnny Cash's handwritten letters, poems and documents, penned across the entirety of his life.

Jack White’s Nashville-based Third Man Records continues its quarterly series of unique, collectible recordings with the upcoming release of Vault Package 45, A Night to Remember, by Johnny Cash. Memorializing a previously unavailable 1973 concert at the Ahmanson Theatre in Los Angeles, the vinyl package includes a double vintage-white LP and gold-foil LP jacket.

All six of the iconic Johnny Cash American Recordings LP's are now available in their entirety in one box for the first time. Produced by legendary producer Rick Rubin these 6 180gsm LP's are housed in a beautiful 12x12 cloth covered box.
Albums included are: American Recordings (1994), Unchained (1996), American III: Solitary Man (2000), American IV: The Man Comes Around (2002), American V: A Hundred Highways (2006), American IV: Ain't No Grave (2010).

One of Cash's earlier pseudo-concept albums, this doesn't exactly follow a specific theme like farming or hymns of the American land the whole way through. Rather, it's a collection of a dozen songs that generally are on the folkier and more Americana-centered side of Cash's repertoire, though of course such songs have always had a prominent place in his material.

Ride This Train was the first explicit Americana concept album that Johnny Cash recorded. As the title implies, the album is about railroads, how they developed, and how they changed the land. Apart from a couple of songs, Ride This Train isn't comprised of traditional folk ballads - they are songs that tell the history of trains and rails, offering an educational lesson. Cash expounds on the songs with brief spoken narratives. Though it is hard to fault Cash's intentions, the songs aren't very good (although "The Shifting Whispering Sands" is a standout) and the history is a bit simplistic and silly. On the whole, Ride This Train sounds as if it were of a piece with the Walt Disney educational features produced at the same time, and like those films, it is more interesting as an historical artifact than a piece of art.

Even if the best and most popular songs on this 1965 album are the ones most likely to show up on greatest-hits compilations ("The Long Black Veil, "Orange Blossom Special," "It Ain't Me Babe"), it certainly rates as one of Cash's finer non-greatest-hits releases. If nothing else, it would have historical importance for the inclusion of three Bob Dylan covers, at a time when Dylan was just starting to get heavily covered by pop musicians (and not often covered by country ones).