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Atrium Musicae - Tarentule-Tarentelle (1976) FR 1st Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Atrium Musicae - Tarentule-Tarentelle (1976) FR 1st Pressing - LP/FLAC In 24bit/96kHz

Atrium Musicae De Madrid - Tarentule-Tarentelle
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Harmonia Mundi France/HM 379 | Released: 1976 | Genre: Ancient-Music

A1 –Anonyme* Antidotum Tarentulae 4:08
A2 –Anonyme* Chorea 2:48
A3 –Anonyme* Primus Modus Tarentella – Secundus Modus Tarentella – Tertius Modus Tarentella 0:55
A4 –François Couperin Les Barricades Mystérieuses 2:37
A5a –Anonyme* Tarentella Neapoli Tonum Phrygium
A5b –Gregorio Paniagua Prélude & Fugue En Sol Mineur (D’après Une Basse Obstinée De Buxtehude)
A5c –Anonyme* Ritornello Tarentella Neapoli
A5d –Claudio Monteverdi Laetatus Sum. Psalmus 121
A6 –Anonyme* Tarentela 0:39
A7 –Anonyme* Tarentela. Alia Clausula 2:42
A8 –Anonyme* Tarentelas 1a, 2a & 3a 1:12
A9 –Anonyme* Tarentella. Tono Hypodorico 1:51
-
B1 –Gaspar Sanz La Tarentela 2:11
B2 –Anonyme* Scotish Gigg 1:16
B3 –Anonyme* Tarentela 0:41
B4 –Santiago de Murcia Tarentelas 2:35
B5 –Anonyme* Country Dance: Running Footman 0:40
B6 –Diego Fernández de Huete La Tarentela 1:39
B7 –Michael Praetorius Ballet Des Sorciers 1:29
B8a –Joseph Recuero* Tarentela I
B8b –Anon. Apuglia* Tarentela II
B8c –Anonyme Italia* Tarentela III
B8d –Anonyme Italia* Tarentela IV
B8e –Anonyme Italia* Tarentela V
B8f –Anonyme Italia* Tarentela VI
B9 –Anonyme* Nana Andaluza 1:07
B10 –Gregorio Paniagua Taranto D’Almeria 2:07


Companies, etc.
Printed By – Glory (2)
Credits
Bells [Cloche] – Beatriz Amo (tracks: B8b), C. Paniagua* (tracks: B8f)
Bells [Clochettes] – E. Paniagua* (tracks: B8e)
Bells [Grelots D’airain] – Pablo Cano (tracks: B8b)
Bells [Grelots] – Beatriz Amo (tracks: B5)
Castanets – Beatriz Amo (tracks: B1)
Castanets [Castagnettes Andalouses] – Beatriz Amo (tracks: B8f)
Castanets [Castagnettes De Fer] – C. Ubeda* (tracks: B8b)
Castanets [Castagnettes De Ibiza] – Beatriz Amo (tracks: B8e)
Composed By – Anonyme* (tracks: A1 to A3, A5a, A5c, A6 to A9, B2, B3, B5, B8b to B9), C. Monteverdi* (tracks: A5d), D. Fernández de Huete* (tracks: B6), F. Couperin* (tracks: A4), Gaspar Sanz (tracks: B1), G. Paniagua* (tracks: A5b), J. Recuero* (tracks: B8a), M. Praetorius* (tracks: B7), S. de Murcia* (tracks: B4)
Cowbell [Sonailles] – E. Paniagua* (tracks: B8e)
Crotales – C. Ubeda* (tracks: B8d), Pablo Cano (tracks: B8a)
Crumhorn [Cromorne] – C. Paniagua* (tracks: A1, A7, A9, B1, B5, B7), C. Ubeda* (tracks: A7), E. Paniagua* (tracks: A1, A7, B1, B5, B7), G. Paniagua* (tracks: A7, B7)
Cymbal – L. Paniagua* (tracks: B7, B8f), Pablo Cano (tracks: B8c)
Cymbal [Cymbalettes] – C. Ubeda* (tracks: B8d)
Directed By, Recording Supervisor [Réalisation], Transcription By – Gregorio Paniagua
Drum [Tambour En Argile] – E. Paniagua* (tracks: B8d)
Drum [Tambour En Céramique] – C. Paniagua* (tracks: B8b)
Drum [Tambour À Friction (zambomba)] – C. Paniagua* (tracks: B8d)
Dulcimer [Doulcemelle] – E. Paniagua* (tracks: A1, A5b)
Ensemble – Atrium Musicae de Madrid
Flute [Flûte De Berger] – E. Paniagua* (tracks: B8c)
Guitar – G. Paniagua* (tracks: A1, A2, A5b, B4, B10)
Guitar [5 Cordes] – L. Paniagua* (tracks: B1)
Harp – C. Ubeda* (tracks: A1, A5b, B1, B8c)
Harpsichord [Clavecin] – Pablo Cano (tracks: A1, A2, A4, A5d, A7 to B2, B4, B6)
Idiophone [Carraca] – C. Ubeda* (tracks: B8f)
Idiophone [Guimbarde D’acier] – L. Paniagua* (tracks: B8c)
Idiophone [Guimbarde En Bambou] – C. Paniagua* (tracks: B8c), G. Paniagua* (tracks: B8c)
Illustration – J. Bosch*
Liner Notes – Don Gregorio Paniagua Rodriguez*
Lute [Luth] – G. Paniagua* (tracks: A6)
Ocarina – C. Paniagua* (tracks: A1)
Organ [Grand Orgue] – Pablo Cano (tracks: B8f)
Organ [Orgue Portatif] – Beatriz Amo (tracks: A7, A9, B1, B7)
Organ [Orgue Positif] – Beatriz Amo (tracks: A1), C. Ubeda* (tracks: A1), Pablo Cano (tracks: A1, A5d, B3, B5, B7, B8e)
Panpipes [Flûte De Pan] – E. Paniagua* (tracks: B1), G. Paniagua* (tracks: A1)
Percussion [Almirez = Egrugeoir En Bois] – C. Ubeda* (tracks: B8a)
Percussion [Caisse Roulante] – E. Paniagua* (tracks: A1, B8f)
Percussion [Jeu De Timbre Chromatique] – E. Paniagua* (tracks: A1)
Percussion [Jeu De Timbre Diatonique] – L. Paniagua* (tracks: A1)
Percussion [Jeu De Timbres] – Beatriz Amo (tracks: A1)
Percussion [Marteau Et Enclumette] – C. Paniagua* (tracks: B8a, B8f)
Percussion [Pot En Céramique] – E. Paniagua* (tracks: A1)
Performer [Coquille De St Jacques] – Beatriz Amo (tracks: B8a)
Performer [Coup De Bouchon] – C. Paniagua* (tracks: B1)
Performer [Jeu De Verres D’eau] – Beatriz Amo (tracks: A1), L. Paniagua* (tracks: A2)
Performer [Peigne En Bois] – C. Paniagua* (tracks: A1)
Piccolo Flute – E. Paniagua* (tracks: A7)
Piccolo Flute [Fifre] – C. Ubeda* (tracks: A1)
Psaltery [Psaltérion] – Beatriz Amo (tracks: A1), Carlos Paniagua (tracks: A5b)
Rattle [Crécelle] – C. Ubeda* (tracks: B8f)
Recorded By [Prise De Son], Edited By – Alberto Paulin
Recorder [Flûte À Bec] – C. Paniagua* (tracks: A1, A2, A5d, A7, B3), C. Ubeda* (tracks: A1, A2, A5d, A9, B3, B5), E. Paniagua* (tracks: A1, A2, A5d, A9, B3), G. Paniagua* (tracks: A1, B3), L. Paniagua* (tracks: A9)
Sackbut [Sacqueboute] – G. Paniagua* (tracks: B1), L. Paniagua* (tracks: B1)
Shawm [Roseau Bourdonnant] – E. Paniagua* (tracks: B8b)
Tambora [Tambour De Basque] – Beatriz Amo (tracks: B5), Pablo Cano (tracks: B8d)
Tambora [Tanbura] – L. Paniagua* (tracks: B4)
Tambourine [Tambourin] – C. Ubeda* (tracks: B8e), E. Paniagua* (tracks: B8a), L. Paniagua* (tracks: A1, B8f)
Timbales – L. Paniagua* (tracks: A1, A7, B7 to B8b, B8d to B8f), Pablo Cano (tracks: B8c)
Timpani [Tympanon] – Beatriz Amo (tracks: A5b)
Tiple [Timple] – G. Paniagua* (tracks: B1)
Triangle – Beatriz Amo (tracks: A1), G. Paniagua* (tracks: B8f)
Vielle [Zanfona] – Beatriz Amo (tracks: B8c, B8d), G. Paniagua* (tracks: B5, B8a, B8b, B8e, B8f)
Vihuela – G. Paniagua* (tracks: B8d), L. Paniagua* (tracks: A1)
Viol [Viole De Gambe] – G. Paniagua* (tracks: A1, A3, A5a, A5c, A5d, A7, A9), L. Paniagua* (tracks: A3, A5 to A7)
Vocals [Chant] – Beatriz Amo (tracks: B9)
Whistle [Oiseau Sifflet] – C. Paniagua* (tracks: B8e)
Whistle [Sifflet] – G. Paniagua* (tracks: B8f)
Wind [Tubophone] – C. Ubeda* (tracks: B7)
Notes
Medieval and Baroque dances to goal therapeutic for patients bitten by a spider Italian: the tarantula.

Enregistrement Harmonia Mundi, Octobre 1976 / Recorded in October 1976
Cover illustration: a detail of ‘Le Jardin des Délices’
Impression: Glory / Asnières.
Barcode and Other Identifiers
Other (Distribution Code): HM 57
Matrix / Runout (Run-out side A): HMO 379 LPL 4900 1Y DU1 380 CIDIS
Matrix / Runout (Run-out side B): HMO 379 LPL 4900 2Y DU1 380 CIDIS


Atrium Musicae - Tarentule-Tarentelle (1976) FR 1st Pressing - LP/FLAC In 24bit/96kHz

Atrium Musicae - Tarentule-Tarentelle (1976) FR 1st Pressing - LP/FLAC In 24bit/96kHz

Atrium Musicae - Tarentule-Tarentelle (1976) FR 1st Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2017
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

Atrium Musicae was an early music ensemble from Madrid, Spain, founded in 1964 by Gregorio Paniagua, a Spanish monk. Perhaps the group’s most famous recording is Musique de la Grèce Antique (Music of Ancient Greece), in which they performed ancient Greek music carefully taken from scattered extant fragments of papyrus. Performing the ancient compositions also meant they had to reconstruct an arsenal of ancient instruments. This ancient music was an important aspect of the group’s live performances during a series of acclaimed international tours. Another well-known recording by the group is their 1976 disc Musique Arabo-Andalouse, which delves into the Hispanic-Moslem music of southern Spain and is credited with creating new interest in the genre. From the late 1970s to the early 1980s the group made a series of recordings dealing with 15th and 16th century popular Spanish songs, then shifted their attention to the New World for the album Las Indias de España, a recording of Pre-Columbian music collected from archives.
The group dissolved in the early 1980s. Several members, including Eduardo Paniagua, began solo careers.
wikipedia.org
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