Released to herald a reunion of the band and superseding several out-of-print predecessors, The Best of Roxy Music is an excellent summary of the group's hits and album highlights between 1972 and 1982.

Look at Yourself is the third studio album by British rock band Uriah Heep, released in September 1971. Characterized as heavy metal and progressive rock, the album came to be viewed as a high point in the band's career, and is today regarded by many fans and critics as Uriah Heep's finest album along with Demons and Wizards, released the following year.

The 19 song set features The Ideal Husband, Sally Hatchet, and new songs She Cleans Up, Being You, and God’s Trash.

This live concert album, recorded at two packed shows at Carnegie Hall in November 1956, contains the biographical narration that accompanied the music during the concerts, recited by Gilbert Millstein of The New York Times. Billie Holiday is backed by the Chico Hamilton Quintet featuring guitarist Kenny Burrell and two horn sections including Coleman Hawkins and Al Cohn on tenor sax and Roy Eldridge and Buck Clayton on trumpet.

"Tonight You're Mine" is the fourth solo album by Eric Carmen. There is speculation that its title was inspired by the opening line in The Shirelles song "Will You Still Love Me Tomorrow", though this is not confirmed. It peaked at #160 on the Billboard album chart. It contained the singles "It Hurts Too Much" (#75 Billboard Hot 100) and "All For Love".

"Elvis At Stax" celebrates the fortieth anniversary of these legendary recordings. Following the success of "Elvis: Aloha From Hawaii via Satellite", Presley returned to his hometown of Memphis and spent time at Stax Recording Studios. "Elvis At Stax" bristles with energy and dynamism. Included are the hits “Promised Land”, “Raised on Rock”, “I've Got a Thing About You Baby”, “My Boy”, and much more.

Taylor Authin Dye is an up and coming country singer/songwriter based in Nashville, TN; originally hailing from the hollers and hills of eastern Kentucky. Her brand of in-your-face music comes straight from her rowdy country roots.

The title of this reissue LP is a bit ironic for jazz was really struggling commercially in 1967 and the "hits" were few and far between. In fact flugelhornist Art Farmer, who leads the notable hard bop quintet, would be moving to Europe the following year where he would work much more often than he had in the U.S.

"Bad to the Bone" is the fifth studio album by American Blues-Rock band George Thorogood & The Destroyers. It was released in 1982 by the label EMI America Records and contains their best known song, "Bad to the Bone". The album also features The Rolling Stones side-man Ian Stewart on keyboards and piano.

Candido Camero was born on April 22nd, 1921 in Barrio Cerro, Havana, Cuba. Candido has become an important star in the jazz world, as well as the Afro Cuban genre, performing and recording with Machito's Afro Cubans, Billie Holiday, Billy Taylor, Dizzy Gillespie, Charlie Parker, Duke Ellington, Stan Kenton and recently with Tony Bennett. The list goes on and on. He has transformed the conga drum into an international instrument used in all genres of music.

A part of Gilles Peterson’s expanded network, Future Bubblers is backed by Arts Council England, which continues to focus on uncovering unsigned talent and growing the audience for innovative, experimental music.

Claus Ogerman was a German arranger, conductor, and composer best known for his work with Billie Holiday, Antonio Carlos Jobim, Frank Sinatra, and Diana Krall. Also he's charted with his own Orchestra in the middle of 60s.

MEMENTO ODESA is an inspiring musical project initiated by Sebastian Studnitzky and Anastasiia Pokaz to raise awareness and support for Ukraine, particularly in light of the ongoing war and the hardships faced by the people of Odesa.

Onwards, always onwards. ON&ON&ON. Who knows exactly where the journey will take us.”

Born in 1942, trumpeter Terumasa Hino has been the leader of Japanese jazz for many decades, and one of the most internationally recognized among Japanese jazz musicians. His technique is amazing and his lyrical and emotional performance is something to behold. Recorded live in concert at Tokyo Yubin Chokin Hall on June 2, 1973, Hino and his quintet clearly showed that they were steeped in the "free" mode of operation, but their performance is engaging and does not leave the audience behind. Wild and unpredictable improvisations coexist with lyrical and rhythmic playing. A brilliant performance with many instances of amazing interplay.