Originally released only in Japan, "Flood" is a classic jazz/funk album. Herbie Hancock's eighteenth album features songs from previous albums "Thrust", "Head Hunters", and "Man-Child".

Bitches Brew is called the monument of "Electric Miles", a popular work that became Miles's first gold disc. It was originally released in March 1970, which was popular not only for jazz fans since its launch. Recording is taking place in New York in August 1969 the day after Woodstock is over. This 2018 Limited Edition Japanese Multichannel Hybrid SACD release comes in a deluxe 7" packaging and features the first release of reviving the 1970s Quadraphonic mix in over 40 years. Stereo layer is also features the latest mastering from analog master.

The follow-up to the breakthrough "Headhunters" album was virtually as good as its wildly successful predecessor: an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force.

"High Blues Pressure" is the thirteenth album by trumpeter Freddie Hubbard. It was his second release on the Atlantic label and features performances by Hubbard, James Spaulding, Bennie Maupin, Herbie Lewis, Roman "Dog" Broadus, Weldon Irvine, Kenny Barron, Freddie Waits, Louis Hayes, Howard Johnson, and Kiane Zawadi.

"Mr. Hands" was originally released in 1980 and is Herbie Hancock's thirtieth album. It was one of the last albums on which Hancock played more "straight" electric jazz before moving on to focus more on R&B influences. The track "4 A.M." features the late great bassist Jaco Pastorius.

"Bitches Brew" is a studio double album by American jazz musician, composer, and bandleader Miles Davis, originally released in 1970 on Columbia Records. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed "In a Silent Way". With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation.

"Bitches Brew" is a pivotal document in music history. Widely considered one of the greatest jazz albums ever made, it is Miles Davis’ first Gold-certified work. The music legend continues his experimentation with electric instruments, bridging together jazz and rock. Davis’ innovative masterpiece mixed the best elements of free jazz, electric rock textures and blues phrasings. It is one of Q Magazine’s “Best Jazz Albums of All Time” and one of Rolling Stone’s “500 Greatest Albums of All Time”. It reached #1 on Billboard’s Top Jazz Albums and won the GRAMMY for Best Large Jazz Ensemble Performance.

Originally released only in Japan, Flood is a classic jazz/funk album. Herbie Hancock's eighteenth album features songs from previous albums Thrust, Head Hunters, and Man-Child.

Released in 1975, "Man-Child" is one of Herbie Hancock's most funk-influenced albums. It was produced by David Rubinson and Herbie Hancock, and was the final album featuring the core group of the Headhunters (Paul Jackson, Bill Summers, Harvey Mason, Bennie Maupin, and Mike Clark).

Jack Johnson, later reissued as A Tribute to Jack Johnson, is a 1971 studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. In 1970, Davis was asked by boxing promoter Bill Cayton to record music for a documentary he was producing, on the life of boxer Jack Johnson. Johnson's saga resonated personally with the musician, who wrote in the album's liner notes of Johnson's mastery as a boxer, his affinity for fast cars, jazz, clothes, and beautiful women, his unreconstructed blackness, and his threatening image to white men. This was the second film score Davis had composed, after Ascenseur pour l'échafaud in 1957.

Head Hunters is the twelfth studio album by American jazz musician Herbie Hancock, originally released on Columbia Records in the United States. Recording sessions for the album took place during September 1973 at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California. Head Hunters is a key release in Hancock’s career and a defining moment in the genre of jazz funk. In 2003, the album was ranked number 498 in the book version of Rolling Stone magazine’s list of the 500 greatest albums of all time. In 2007, the Library of Congress added it to the National Recording Registry, which collects “culturally, historically or aesthetically important” sound recordings from the 20th century.

"Sunlight" originated as a UK import album in 1978. The album is viewed as more funk than jazz and encounters the beginnings of Herbie's electro-funk stage heard in some of his later albums. Sunlight features the UK single "I Thought It Was You".

Head Hunters is the twelfth studio album by the American pianist and composer Herbie Hancock. Recording sessions for the album took place during evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California. Head Hunters is a key release in Hancock's career and a defining moment in the genre of jazz. In 2003, the album was ranked number 498 in the book version of Rolling Stone magazine's list of the 500 greatest albums of all time. In 2007, the Library of Congress added it to the National Recording Registry, which collects "culturally, historically or aesthetically important" sound recordings from the 20th century.

"Headhunters" is a monumental release in Herbie Hancock’s career and a defining moment in jazz-funk. It reached #1 on Billboard’s Top Jazz Albums and #2 on Billboard’s Top R&B Albums. This is one of the most endearing works in the jazz/funk legacy. In 2007, Headhunters was inducted into the National Recording Registry and is included on Rolling Stone’s “500 Greatest Albums of All Time”.

"A Tribute to Jack Johnson" is a soundtrack composed by Miles Davis to accompany a documentary film about the life of boxer Jack Johnson. For the score, Davis said he wanted to put together what he called "the greatest rock and roll band you have ever heard." The line-up featured John McLaughlin and Sonny Sharrock (guitars), Herbie Hancock and Chick Corea (keyboards), Bennie Maupin (clarinet), and Jack DeJohnette and Billy Cobham (drums). Produced by Teo Macero, the soundtrack was recorded in two sessions between February and April of 1970. Both sessions took place at the 30th Street Studio in New York City.