Soprano Paula Sides and pianist Sergey Rybin have teamed up for this vibrant new recording of works by the French 20th Century composer Francis Poulenc.

The album that made Lenny Kravitz a superstar and left his mark on 90s rock is now available as a new remaster.

52nd Street is the sixth studio album by American singer-songwriter Billy Joel, released on October 11, 1978, by Columbia Records.

Dodgers' Dive releases The Trilogy: Part II, featuring a mix of rock, blues, and funk. Reflecting Niklas Bursell’s 20-year journey, it combines old and new material. Notable tracks are "Flying," a personal diary entry, and "Babe Ain't Rockin'," a playful take on fatherhood.

Daisy Goodwin's novel Diva is a beautiful homage to Maria Callas and inspired by her tumultuous life, centered around her passionate romance with Onassis.

The Boy Named If is the 32nd studio album by English singer-songwriter Elvis Costello and The Imposters. The album was released on 14 January 2022 by EMI Records and Capitol Records.

Camelot, Jennifer Castle’s extraordinary, moving chronicle of the artist in early middle age, charts a realer place than the legendary Camelot of the British Early Middle Ages, but it too is a space more psychic than physical. In Castle’s Camelot, the fantastic interpenetrates the mundane, and the Grail, if there is one, distills everyday experience into art and art into faith, subliming terrestrial concerns into sublime celestial prayers to Mother Nature, and to the unfolding process of perfecting imperfection in one’s own nature: “Back in Camelot / I really learned a lot / circles in the crops and / sky-high geometry …” Camelot, the legendary seat of King Arthur’s court in Early Middle Ages Britain, was probably not a real place. A corruption of the name of a real Romano-Briton city, the word “Camelot” accumulated symbolic, mythic resonances over centuries, until achieving its present usage as a near-synonym of “utopia.” In the mid-20th century alone, Camelot inspired an explosion of representations and appropriations, among them the violent, affectless Arthurian court of Robert Bresson’s 1974 film Lancelot du Lac and the absurdist iteration of Monty Python’s 1975 Holy Grail, both of which feature armored knights erupting into fountains of blood; the mystical Welsh world of novelist John Cowper Powys’s profoundly weird 1951 novel Porius, with its Roman cults, wizards and witches, and wanton giants; and the nationalist nostalgia of President John F. Kennedy’s White House. Unsurprisingly there are fewer Camelots in more recent memory.

Although it follows the same patterns and approach as Cycles, My Way is a stronger album, with a better, more varied selection of material and a more focused, gutsy performance from Frank Sinatra. Built around the hit single "My Way," the album again alternates between rock covers ("Yesterday," "Hallelujah, I Love Her So," "For Once in My Life," "Didn't We," "Mrs. Robinson"), a couple of adapted French songs, and a handful of standards. This time out, Don Costa has written more engaging charts than the previous Cycles. The Beatles' "Yesterday" is given an affecting, melancholy treatment that brings out the best in Sinatra, as does the new arrangement of "All My Tomorrows," which is lush and aching. If Sinatra doesn't quite pull off the R&B of "Hallelujah, I Love Her So," he does sing the light Latin stylings of "A Day in the Life of a Fool" beautifully, and he has fun with Paul Simon's "Mrs. Robinson," changing the lyrics dramatically so they become a tongue-in-cheek, swinging hipster tribute. For that matter, most of the record is successful in creating a middle ground between the traditional pop Sinatra loves and the contemporary pop/rock that dominated the charts in the late '60s. My Way doesn't have the macho swagger of his prime Rat Pack records, but its reflective, knowing arrangements show that Sinatra could come to terms with rock & roll at some level.

The release of Opeth's Heritage in 2013 marked a fork in the road for the band and many of their fans. All but abandoning death metal in favor of creating a muscular prog rock of their own, the group's musical persona followed that direction on 2016's Sorceress and to its glorious extreme on 2019's In Cauda Venenum. Last Will and Testament, their first studio album in five years, integrates most of their musical aspects into a unified whole. Singer, songwriter, guitarist, and multi-instrumentalist Mikael Åkerfeldt brings back guttural death metal vocals alongside his clean singing.

Torch is the 10th studio album by American singer-songwriter Carly Simon, released by Warner Bros. Records, in August 1981.

Autobiography is the debut studio album by American singer-songwriter Ashlee Simpson. Released in the United States by Geffen Records on July 20, 2004, the album debuted at number one on the US Billboard 200 and was certified triple platinum by the Recording Industry Association of America (RIAA).

Gianmario Liuni began studying piano pianoforte At a young age he had dedicated himself to the study of guitar, music theory and harmony, with M Mario.

Giorgia Tomassi started her piano studies with her mother at the age of 7, whereafter she was taught by Anna Maria Pennella.

She studied jazz piano and singing at the prestigious Royal Conservatory of The Hague, graduating cum laude and with a special mention from the committee and later on she earned her master’s degree from Codarts Conservatory and University of Arts in Rotterdam.

This double album of Dubra's organ music, performed by Ilze and Aigars Reinis on the famous F E Walcker organ of Riga Cathedral, was recorded in the composer's anniversary year, collecting everything he has composed for organ, thus far.