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Have you ever wondered what Marilyn Monroe, Pamela Anderson, Dolly Parton, Farrah Fawcett, and Cindy Crawford all have in common? It's not just their legendary status in the entertainment industry - they've all graced the pages of Playboy Magazine at some point in their illustrious careers. Experience the timeless allure of these global icons and many more in the complete Playboy Archive!

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Teddy Wilson - St. Louis Blues (2017) [DSD128 + Hi-Res FLAC]

Posted By: HDV
Teddy Wilson - St. Louis Blues (2017) [DSD128 + Hi-Res FLAC]

Teddy Wilson - St. Louis Blues (2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 44:57 minutes | 1,99 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 44:57 minutes | 681 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Universally regarded as one of the supreme keyboard masters of the swing era, Teddy Wilson refined the stride piano tradition established by James P. Johnson and Fats Waller and introduced qualities of elegance, delicacy and finesse that earned him wide-spread acclaim and a great number of imitators.

Ben Webster - Come Sunday (2017) [DSD128 + Hi-Res FLAC]

Posted By: HDV
Ben Webster - Come Sunday (2017) [DSD128 + Hi-Res FLAC]

Ben Webster - Come Sunday (2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 40:24 minutes | 1,72 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 40:24 minutes | 672 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Ben Webster was not exactly under-recorded during his forty-year playing career but he is among that exclusive hierarchy of jazz artists to whose consistent excellence there can never be an over-abundance of recorded testimony. This album has the merit of offering a nicely balanced and thoughtfully chosen selection of tracks. Four of the tunes are associated with Duke Ellington in whose saxophone section Ben was featured for more than ten years. Our Blues is a choice example of Ben’s evocative after-hours style of blues playing. An additional bonus is the superior quality of the musicians behind Webster on all these tracks, recorded in Copenhagen between 1968 and 1970.