The young Wolfgang, aged only 10, composed the oratorio Die Schuldigkeit des ersten Gebots (The Duty of the First Commandment) in 1767 on his return to Salzburg after a fabulous tour of Europe with his father Leopold and his sister.

John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote much later. “You’re not really seeing the personality.” Indeed, Cale’s personality as a polyglot seemingly interested in everything emerged more and more on his next two solo albums, his only two for Reprise: 1972’s bracing and exploratory classical sojourn, The Academy in Peril, and 1973’s masterclass in anxious but accessible songcraft, Paris 1919. By reissuing both records in tandem, it reaffirms the artistic fearlessness Cale then fostered at the edge of 30, when all of music seemed like one inviting playpen.

SOMM Recordings is pleased to present Music for Two Pianos by the French virtuoso pianist and composer, Camille Saint-Saëns (1835 – 1921), whose output for solo and duo pianists totals almost 200 compositions.

The Huelgas Ensemble is a Belgian early music group formed by the Flemish conductor Paul Van Nevel in 1971

John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote much later. “You’re not really seeing the personality.” Indeed, Cale’s personality as a polyglot seemingly interested in everything emerged more and more on his next two solo albums, his only two for Reprise: 1972’s bracing and exploratory classical sojourn, The Academy in Peril, and 1973’s masterclass in anxious but accessible songcraft, Paris 1919. By reissuing both records in tandem, Domino—Cale’s home now for a dozen years—affirms the artistic fearlessness Cale then fostered at the edge of 30, when all of music seemed like one inviting playpen. This artist-sanctioned reissue of The Academy In Peril is remastered from the original tapes.

Bach to the Future gained considerable publicity from being the last recording made on the 1868 Cavaillé-Coll organ at Notre-Dame cathedral before the devastating fire of 2019. It might just as well, however, have become renowned if there had been no fire: it is one of the most exciting organ releases of recent years.

South coast bassist and composer Lucy Clifford is proud to release her full-length album 'Between Spaces Of Knowing' – an instrumental offering of jazz and improvised music that captures the spirit of collaboration, and sheds light on the often-unsung instrument, the electric bass.

Man muss es als eine glückliche Fügung des Himmels bezeichnen, dass diese drei Musiker zusammengefunden haben: Am Kontrabass der Schwede Anders Jornim, einer der wichtigsten Tieftöner der europäischen Jazz-Szene mit acht Alben als Bandleader für ECM und einer prallvollen künstlerischen Vita mit Touren und Aufnahmen an der Seite von Legenden wie Elvin Jones, Albert Mangelsdorff, Joe Henderson, Lee Konitz oder Kenny Wheeler.

‘405 miles later, Corrie met Norman in Glasgow. they drove a further 145 miles to Aberdeen to board the 14-hour ferry across the North Sea to the Shetland Islands, Norman’s childhood home.

Nessa started her TikTok and quickly gained followers from posting lip syncs, dances, and relatable content.

“Supernatural“ is LIONVILLE’S sixth studio album, following the acclaimed “So Close To Heaven” and shows Lionville's new course with the addition of the singer extraordinaire Alexander Strandell (Art Nation) Melodic rock/AOR fans have always held Lionville in high regard and “Supernatural” will do nothing to dissuade them from this line of thinking.

101, MILKY WAY' is a real treasure from Klaus Schulzes musical legacy. It is one of those KS works that absolutely need to be presented to the world, and as such it is part of our obligation to share all of his music with all of you.

Available on 2 LPs for the first time, this 40th anniversary edition of Don Henley’s triple platinum classic album Building the Perfect Beast has been remastered from the original analog tapes and is pressed on 180-gram vinyl.

Filles de Kilimanjaro (French for "Girls of Kilimanjaro") is a studio album by American jazz trumpeter Miles Davis. It was recorded in June and September 1968. The album is a transitional work for Davis, who was shifting stylistically from acoustic recordings with his second "great" quintet to his "electric" period. Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz.

Massimo Farao' is a wonderful Italian pianist who has played and recorded with Red Holloway, Albert "Tootie" Heath, Tony Scott, Franco Ambrosetti, Nat Adderley, Jeff Tain Watts, Jack DeJohnette and Chris Potter, among others. Farao's passionate style and stoic romanticism are very attractive along with the rich harmonies he creates. For this release he is adapts and interprets Ennio Morricone's famous songs such as "Nuovo Cinema Paradiso", "Once Upon A Time In America", "Mission", "Playing Love", and more. Piano, guitars, trumpets blend the moving feelings of jazz and films. Venus's Hyper Magnum Sound is transparent and beautiful.