At the time this album was recorded, Jefferson Airplane had expanded from a rock group into something of a San Francisco collective of musicians and launched its own record label, Grunt, necessitating a flow of product. As a result, there was a flurry of releases by the Airplane itself and several offshoots, with each of these records featuring several members of the loose aggregation informally dubbed PERRO (the Planet Earth Rock 'N' Roll Orchestra). Papa John Creach, violinist for the Airplane and its spin-off group, Hot Tuna, was the leader on this set, which featured members of the Airplane (Grace Slick, for example, duets with Creach on the lead-off track, "The Janitor Drives a Cadillac"), Quicksilver Messenger Service, and the Grateful Dead. The result sounds like the Airplane records of the period, with a bit more of Creach's electric violin soaring over the proceedings.

On Air – Live at the BBC Volume 2 is a 2013 live/compilation album featuring 40 previously unreleased tracks from the Beatles' 1963–1964 BBC Radio broadcasts (accompanied by 23 interview tracks from the associated broadcasts). It was released on 11 November 2013, along with a remastered and repackaged Live at the BBC Volume 1, which was originally released in 1994. The album is available as a two-CD set and a three-LP set. An exclusive limited edition lithographic print is also available from the Beatles online store.

Live at the BBC is a 1994 compilation album featuring performances by the Beatles that were originally broadcast on various BBC Light Programme radio shows from 1963 to 1965. The mono album, available in multiple formats but most commonly as a two-CD set, consists of 56 songs and 13 tracks of dialogue; 30 of the songs had never been issued previously by the Beatles. It was the first official release by the Beatles of previously unreleased performances since The Beatles at the Hollywood Bowl in 1977 and the first containing previously unreleased songs since their final studio album, Let It Be, in 1970.

There are two quite distinct faces to the world of the rock musician: faces so contrasting that it is little wonder that so many contemporary stars appear at times to have lost touch with any kind of reality. While mass adulation hounds and sometimes even destroys the successful ones, the road to that status remains a golden dream for generation after generation of young people. Show me a boy with an interest in pop music who never once imagined himself as a rock superstar and I’ll show you a liar. Jim Maclaine, the anti-hero of the film STARDUST, was such a boy. To him success as a star was an end in itself, and before he achieved it he never questioned what price he might have to pay for that goal. And it is the way in which he achieves his ambition and the resulting pressures and despairs that are the subject of the film. Jim Maclaine is a fictitious figure, created on screen by David Essex. But the problems he faces are known and understood by all of today’s top musicians. And ironically it is out of these problems that some of the best music of the last decade has sprung. Rock music is to do with contemporary life: with the way in which young people see themselves and their problems. On stage, or in the recording studio, an artist can, by virtue of his creativity, cast aside the self doubts and neuroses which were frequently responsible for much of his success.

Numbered special edition hybrid SACD in replica LP gatefold sleeve. Comes with lyric booklet. Track durations do not appear on artwork. SACD and Redbook CD audio durations match within 1 second for all tracks.

At the time of its release, Frampton Comes Alive! was an anomaly, a multi-million-selling (mid-priced) double LP by an artist who had previously never burned up the charts with his long-players in any spectacular way. The biggest-selling live album of all time, it made Peter Frampton a household word and generated a monster hit single in "Show Me the Way." And the reason why is easy to hear: the Herd/Humble Pie graduate packed one hell of a punch on-stage – where he was obviously the most comfortable – and, in fact, the live versions of "Show Me the Way," "Do You Feel Like I Do," "Something's Happening," "Shine On," and other album rock staples are much more inspired, confident, and hard-hitting than the studio versions.

Chuck Berry Is on Top is the third studio album by rock and roll artist Chuck Berry, released in July 1959 on Chess Records,

Recorded live 1990. In celebration of the album's 30th anniversary, this 5xLP set is pressed on 180g vinyl housed in a textured paper, foil-stamped box and available in a limited edition of 10,000 copies.

A Swiss rockabilly combo, the Hillbilly Moon Explosion exists in a middle ground between the traditionalism of many rockabilly revival bands and the rougher, spookier sound of psychobilly. Founded by vocalist and rhythm guitarist Emanuela Hutter and bassist and vocalist Oliver Baroni, their music has more than its share of retro twang with Hutter's polished, enigmatic singing blending with the sometimes raucous, sometimes moody guitar lines, and they add dashes of punk, lounge pop, country, and even ska to season the evocative mix.

After the overwhelming success of 'Roller Coaster', Danny Vera's musical career took off enormously. The song broke all records, topped all charts and has now been streamed almost 100 million times on Spotify. The Netherlands found massive comfort in the song during the turbulent corona period, which, among other things, gave Danny Vera the number one position in the Top2000 of 2020. Twenty years of hard work and patient progress finally paid off in platinum records and a sold-out Ziggo Dome. And all on his own terms, without compromising on the vintage aesthetic.