No Room For Squares is comprised of two unforgettable 1963 sessions by Hank Mobley. The star-studded performances feature Lee Morgan, Donald Byrd, Andrew Hill, Herbie Hancock, John Ore, Butch Warren and Philly Joe Jones. Standouts include “Me 'N You”, “Carolyn” and the title-track. This is gritty hard-bop at its finest. Essential.

"Point Of Departure" is not only one of the greatest jazz recordings of 1964, but of all time. The stellar lineup (Eric Dolphy, Kenny Dorham, Joe Henderson, Richard Davis and a teen aged Tony Williams) was given a set of challenging compositions by the brilliant pianist and composer Andrew Hill. This group created the album known as Point of Departure, an acknowledged modern day classic and one of Blue Notes most extraordinary recordings. Andrew Hill was a quiet revolutionary, but he was every bit as original in his conception as Thelonious Monk. Hill extended, twisted and turned hard bop into his own very fresh and personal music. Like Eric Dolphy, Hill spawned few imitators. His conception was so pure, and so unique, both as a player and as an arranger-composer that nearly a half century later, Point Of Departure remains a brilliant touchstone of modern jazz.

Jazz pianist Andrew Hill wasn't a household name but his music had a far-reaching influence on jazz music of the 1960s. "Black Fire", his debut for Blue Note, was produced by Alfred Lion who called the pianist his "last great discovery." Hill is joined on this album of all-original material by a superb group of studio musicians including Joe Henderson on tenor saxophone, bassist Richard Davis and drummer Roy Haynes, performing in various trio and quartet combinations.

"No Room For Squares" is comprised of two unforgettable 1963 sessions by Hank Mobley. The star-studded performances feature Lee Morgan, Donald Byrd, Andrew Hill, Herbie Hancock, John Ore, Butch Warren and Philly Joe Jones. Standouts include “Me 'N You”, “Carolyn” and the title-track. This is gritty hard-bop at its finest. Essential.

This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.