Mahler famously stated, that “a symphony must be like a world; it must contain everything”. Guided by this saying the British conductor Daniel Harding and the Verbier Festival Orchestra, capture the colossal spectrum of emotions in Mahler’s last completed symphony (1908–1909). Their performance of the 9th Symphony has been recorded live at the 2017 Verbier Festival and will be released on February 2. The symphony’s rustic second movement is now available to listen to.

Leading Swedish composer Jesper Nordin’s soundscape lies at the crossroads of Swedish traditional music, rock and improvised music. On this recording, Daniel Harding and the Swedish Radio Symphony Orchestra perform Röster (‘voices’), a trilogy whose works are each based on different kinds of Swedish music which the composer sees as being part of his background. In Åkallan (‘Invocation’), Nordin has used the traditional vocal technique called kulning as his starting point.

Swedish singer Miah Persson throws her hat into the lyric soprano ring with Sempre Libera, a selection of arias to showcase her talents, recorded live in concert. She has a sweet voice, though not saccharine, and an assured technique. Like Tebaldi, her trill is not her strength (though, unlike that soprano, at least she includes them). However the voice never opens up at the top, where it remains quite polite, and her coloratura, though fluent, is not scintillating.

Seven musical character images – each one immensely sensual and expressive, and standing on its own like a monument. The British composer Gustav Holst, fascinated by (esoteric) astrology, chose the planets of our solar system and the characteristics attributed to them as the basis for what he referred to as musical ""mood pictures"" or ""embodiments"". Ultimately, the seven movements of his orchestral suite “The Planets”, op. 32, composed between 1914 and 1916, can also be understood as general explorations of human traits.