Fall 1989: The Long Island Sound - is a box set from the Jerry Garcia Band and Bob Weir & Rob Wasserman released on Round Records in 2013. This new archival release features two complete performances with over 5 1/2 hours of previously unreleased music from September 5th, 1989 at the Hartford Civic Center in Hartford, CT and September 6th, 1989 at Nassau Coliseum in Uniondale, NY. Fall 1989: The Long Island Sound celebrates the storied East Coast 1989 run which featured acoustic duo Bob Weir and Rob Wasserman setting the stage for two nightly sets from the Jerry Garcia Band.

Today, with Rhino's surprise release of From The Mars Hotel: The Angel's Share, the Grateful Dead vaults have once again been opened. Featuring 16 newly unearthed session recordings, the digital collection brings listeners directly into San Francisco's Coast Recorders during the spring of 1974, revealing the band's real-time process as they crafted such eternal staples as "Scarlet Begonias," "Ship Of Fools," "China Doll," "U.S. Blues," "Unbroken Chain" and more that would make up their classic From The Mars Hotel LP. The evolution of all of those songs and other album highlights is charted throughout this fourth edition of the band's fan-favorite Angel's Share series. Like previous installments that accompanied milestone reissues of Workingman's Dead, American Beauty and Wake Of The Flood, From The Mars Hotel: The Angel's Share brings together hours of expertly-curated outtakes, alternate versions, acoustic mixes, ​​unexpected moments and revelations that have never been heard or available on DSPs until now.

This compilation, in celebration of the 50th anniversary of the Monterey International Pop Festival, contains previously unreleased recordings from The Grateful Dead and Laura Nyro, as well as iconic performances from the likes of Jimi Hendrix, Otis Redding, The Who and Jefferson Airplane. As the key event leading up to the Summer of Love in 1967, the Monterey International Pop Festival jumpstarted the musical culture of the 60s and 70s and continues to shape the global concert industry of today.

Some time ago the former Grateful Dead (also Rythm Devils/New Riders of the Purple Sage/The Warlocks/ect) bassist and occasional vocalist put together an fantastic line up of his favorite Jam artist for a new fresh experience and and possibly a new Grateful Dead. He chose Warren Haynes (The Allman Brothers/Gov't Mule/Solo/ect) for guitar, Rob Barraco (Zen Tricksters/Chris Robinson & The New Earth Mud/ect) from piano, Jimmy Herring (The Allman Brothers/Aquarium Rescue Unit/Jazz is Dead/ Frogwings/ect) also for guitar, and John Molo (Bruce Hornsby/ModeReko/ect) for the band. Each member shows so much skill, and jam caulities.

The Grateful Dead have opened the vault once again for another box set. "July 1978: The Complete Recordings" featuring 12 CDs and five complete shows. All five shows that are collected in the box set were taped by Betty Cantor-Jackson and are the first official release from the long-lost “Betty Boards” that were recently returned to the band’s vault. Included within are recordings of the Grateful Dead’s visits to Arrowhead Stadium in Kansas City (7/1/78), St. Paul Civic Center in St. Paul (7/3/78), Omaha Civic Auditorium in Omaha (7/5/78) and the band’s debut at Red Rocks Amphitheater in Morrison, Colorado (7/7/78 and 7/8/78).

Before he co-founded the Grateful Dead, Bob Weir spent a summer working and living on a ranch in Wyoming, sparking a lifelong fascination with the stories and songs of the American West. "Blue Mountain", Weir's first solo album in over 10 years, brings his musical journey full circle. Working with producer Josh Kaufman, acclaimed songwriter Josh Ritter, guitarists Aaron and Bryce Dessner and bassist Scott Devendorf, Blue Mountain is a moody, highly textured modern interpretation of Weir's unforgettable experience.

Less a homage than an interpretation, less a rereading than a resurrection, Deadjazz gives new life to the music of the Grateful Dead, the legendary group of the psychedelic era. Drawing inspiration from a cult repertoire, played by musicians who have had an unwavering bond with the Belmondo brothers for decades, this collective project is an immersion in a crucial moment in the history of music: when jazz became electric to the rhythms of rock and rock freed itself from the constraints of the song format through improvisation.

"American Beauty" is the timeless masterpiece by the Grateful Dead. Their sixth studio album is one of their strongest efforts to date. Following the success of Workingman’s Dead, the band continues with their effortless blend of folk rock. The work develops with intricate melodies and includes the standouts “Box of Rain,” “Friend of The Devil” and “Truckin’.” American Beauty is included on Rolling Stone’s “500 Greatest Albums of All Time” and is an undeniable classic.

"Workingman’s Dead" is the seminal masterpiece from psychedelic folk-rock band, the Grateful Dead. The group embodied the term jam band and developed one of the most loyal followings in rock history. "Workingman’s Dead" found the group returning to their traditional roots, blending together elements of country, folk, rock and blues. The album includes the band’s first radio hit and one of their definitive classics, “Uncle John’s Band”. "Workingman’s Dead" is included on Rolling Stone’s “500 Greatest Albums of All Time” and was voted by its readers as one of the best albums of the 1970s.

30 year spanning collection of essential live tracks + an early "pre-Dead" Emergency Crew track featuring Pig Pen! "30 Trips Around the Sun: The Definitive Story (1965-1995)" serves as an introductory sampler to the Dead’s live canon, including 30 unreleased performances - one from each concert in the boxed set - along with the 1965 recording of “Caution”.

Available for the first time on vinyl is the complete OLYMPIA THEATRE, PARIS, FRANCE 5/3/72 show from the Grateful Dead’s legendary Europe ‘72 Tour. 6-LP, 180-Gram, Limited Edition of 10,000 worldwide.

“Welcome to the unique, enduring phenomenon of the Grateful Dead in New York City, a mutual devotion, forged in concert, that ran for nearly as long as the band itself—from June 1, 1967, a free show in Tompkins Square Park on the Lower East Side (ahead of the band’s official, local bow at the Cafe Au Go Go), to the Dead’s last Garden run, six nights in October 1994… the Dead’s affinity for New York City… was instant and arguably their most profound with any city aside from San Francisco.” - David Fricke

"Where the Beat Meets the Street" is the second studio album by Grateful Dead rhythm guitarist Bob Weir and his side-project, Bobby and the Midnites. The album reached number 166 on the Billboard 200.

"What fans heard in these four {Lyceum} shows was both a history of the Dead and a survey of their unique vision of American music, from folk to rock, with blues and R&B and country-and-western and Bakersfield all included, all melded together by the improvisational spirit of American jazz in a small-group format that owed much to European classical music."

About the new project, David told us, "'Workingman's Dead' was released when I was a teenager and was one of my first exposures to country and folk music. I tried to keep my performances in the spirit of the originals as much as possible — not so much re-invention, but simply enjoying those great feelings again from so long ago."