Journey to the Centre of the Eye is the debut album from English progressive rock band Nektar that came out in late 1971. Because of its narrative nature, it has been called a rock opera and/or dense concept album. The music of the album is commonplace in early 70's progressive rock. It uses a range of musical effects. The guitar used psychedelic distortion and the wah-wah, as well as screeching distortion. It has psychedelic influences, as well.

Remember the Future is the fourth album from English progressive rock band Nektar. It is a concept album featuring one song divided into two parts. On the original LP, each side contained one of the two parts. In 2004 Remember the Future was once again re-released, but this time by the UK's Eclectic Discs/Dream Nebula Recordings. For this reissue the remastered version was used and they added a third Radio edit of the title track. This version was also released as a SACD, with a 5.1 surround mix on the SACD layer; the 2 channel audio CD layer contains the 2002 remix. Track 3 ("Remember the Future") is an edit released on a various artists compilation album titled "Made In Germany". Tracks 4 and 5 are radio promo only single edits.

This 50th Anniversary edition comprises 4 CDs and a multi-region Blu Ray disc and features a newly remastered original stereo mix of the album along with and additional two CDs featuring a previously unreleased concert recorded at the Stadthalle, Munster, Germany in January 1974 and stunning new 5.1 Surround Sound and Stereo mixes of the album from the original multi track tapes.

Journey to the Centre of the Eye is the debut album from English progressive rock band Nektar that came out in late 1971. Because of its narrative nature, it has been called a rock opera and/or dense concept album. The music of the album is commonplace in early 70's progressive rock. It uses a range of musical effects. The guitar used psychedelic distortion and the wah-wah, as well as screeching distortion. It has psychedelic influences, as well.

Nektar are a band that has to be caught live to be fully appreciated. This is a live recording of the band in its prime from 1974 in a city where they always seem to play at their best, New York. It is also the band in its original line-up with Roye Albrighton on guitar and vocals, Ron Howden on drums, Mo Moore on bass and vocals with Taff Freeman on Hammond organ and vocals. The band is young and hot, its chemistry obvious as its technical prowess and hooks.