It would very much seem that the 19th- and 20th-century Czech piano concerto repertoire begins and ends with Dvořák and Martinů. The present recording, however, serves to prove that this is far from being the case. It contains three piano concertos that have been – undeservedly – overlooked. Vítězslava Kaprálová wrote the Piano Concerto in D minor, characterised by brilliant instrumentation and an engrossing solo part, at the age of 20 as her graduation work.

Composer/conductor Julius P. Williams leads the Prague Radio Symphony Orchestra in a recording of works by Black composers. In addition to Williams' compositions, there are works by the Dean of African-American composers, William Grant Still, Augustus O. Hill, and a work by Edmund Thornton Jenkins restored and arranged by his nephew Tuffus Zimbabwe. Julius P. Williams was named one of Musical America's Top 30 Professionals of the Year in 2022. His career has taken him to musical venues around the globe and he has been involved in virtually every musical genre. He is currently Artistic Director and Conductor of the Berklee Contemporary Symphony Orchestra and was composer-in-residence with the Boston Symphony.

Mahan Esfahani’s first concerto album for Hyperion is everything the listener could wish for: definitive performances of three marvellous—and unexpected—works by three of the last century’s Czech masters.

Bohuslav Martinu was a violinist himself, yet the piano colour in many of his symphonic scores is his actual signature. The two instruments are assigned solo roles in the Concerto for Violin, Piano and Orchestra (1953), commissioned by Benno and Sylvia Rabinof, who duly premiered it in May 1954.