Angelika Dusk is a singer-songwriter who works on a regular basis with the award winning producer, arranger, songwriter, Rupert Christie (U2, Green Day, Coldplay, Lou Reed, Echo & The Bunnymen, Rebecca Ferguson). Her main influences are Florence and the Machine, Bjork, Etta James, Massive Attack, the Rolling Stones among others. "Beautiful Mess" is her second full-lenght album, a work through which she contemplates the balance between self-preservation and self-destruction through a pop-rock sound.

Estas Tonne’ is a charismatic being who is committed to the artistic expression and to the authentic unfolding of music. Authenticity and self-renewal makes him explore the individuality of sound and the possibilities of how the sounding source can create a space that arises creatively and that in the same time allows the listener to momentarily adapt it – for the purpose of wellbeing and for the purpose of a shift. Estas Tonne’ performs at concerts, conferences, Street, Yoga, Art or other Festivals etc., yet he is involved in collaborations that range from different film projects, poetry, meditation to dance or circus art. Internal Flight is a 3 hour Live recording!

South Wales has been home to many incredible artists, but none compare to the melancholy, heartfelt post-hardcore outfit that is Casey. Their sophomore album “Where I Go When I Am Sleeping” is a beautiful palette of some of the most raw, intense passages infused with post-rock, melodic edges that resonate in an overwhelming manner. Casey are a band whose music is not defined by their image, or where they come from; how they met, or where they’ve been before now. Casey is a means of self-expression created with no underlying motive, only the wish to experience and relate. Music is their labour of love.

10 Years is an American rock band with a sound that balances alternative metal and post-grunge, formed in Knoxville, Tennessee in 1999. To date, they have released eight studio albums, their most recent being "(How to Live) As Ghosts", released in October 2017. The album alludes to the sentiment of it being a rebirth of a band, while also alluding to the general sentiment that humanity spends too much time worrying about death rather than life.

Aja — Steely Dan's landmark sixth studio album reissue. Hybrid Stereo SACD release from Analogue Productions. Mastered by Bernie Grundman from an analog, non-Dolby EQ'd quarter-inch 15 ips tape copy. Plays in all CD and SACD players. If you were an audiophile in the late 1970s, you owned Aja. Rolling Stone, which ranks 1977's Aja at No. 63 on its latest 500 Greatest Albums of All Time list, says "this was Walter Becker and Donald Fagen's no-holds barred stab at becoming a huge mainstream jazz-pop success. "And sure enough, thanks to sweet, slippery tracks like 'Deacon Blues,' and 'Peg,' this collegiate band with a name plucked from a William Burroughs novel and a songbook full of smart, cynical lyrics became bona fide superstars, shooting to the Top Five and selling platinum. And yes, Aja even won a Grammy for Best Engineeed Album."

MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL. 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe. Limited Edition of 12,000. Van Halen did more than announce to the world the earthshaking arrival of a revolutionary guitarist. Performed by an enterprising California quartet that took its name from two of its principal members, the 1978 debut ripped headlines away from punk, injected fresh energy into a then-moribund rock 'n' roll scene, reimagined how heavy music and throwback pop could coexist, and invited everyone to experience the top-down pleasures of a beachfront Saturday night every day of the week no matter where they lived. Painstakingly restored by Mobile Fidelity Sound Lab, and the first of a multi-album series in an exciting partnership between the famous reissue label and Van Halen, Van Halen delivers feel-good thrills and hormonally charged desires like never before.

It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit …. April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit Sportatorium - April 7, 1978 when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net. Huntington Civic Centre, West Virginia – 16 April 1978 This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'… It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

The quintessential American power pop band, Big Star remains one of the most mythic and influential cult acts in all of rock & roll. Originally led by the singing and songwriting duo of Alex Chilton and Chris Bell, the Memphis-based group fused the strongest elements of the British Invasion era – the melodic invention of the Beatles, the whiplash guitars of the Who, and the radiant harmonies of the Byrds – into a ramshackle but poignantly beautiful sound which recaptured the spirit of pop's past even as it pointed the way toward the music's future. Although creative tensions, haphazard distribution, and marketplace indifference conspired to ensure Big Star's brief existence and commercial failure, the group's three studio albums nevertheless remain unqualified classics, and their impact on subsequent generations of indie bands on both sides of the Atlantic is surpassed only by that of the Velvet Underground.

Richard Steven Valenzuela, known professionally as Ritchie Valens, was a Mexican American singer, songwriter, and guitarist. A Rock and Roll pioneer and a forefather of the Chicano rock movement, Valens' recording career lasted eight months, as it abruptly ended when he died in a plane crash. In 2001 he was posthumously inducted into the Rock and Roll Hall of Fame.

Award-winning Trombonist-arranger-composer Rob McConnell and his Boss Brass big band was a fixture on the Canadian jazz scene. The group was composed of Canada’s premiere jazz musicians, and many of their over two dozen albums have become collectors’ items for big band enthusiasts world-wide. Tribute was the second of three albums released by MPS.

Late Canadian jazz musician Rob McConnell's talents as a bandleader, arranger and trombonist are spotlighted on the Juno Award-winning Present Perfect. Notably, on the standard Smoke Gets in Your Eyes, he plays an adventurously off-kilter lead-in to the melody and then delivers a brilliant valve trombone solo. McConnell and his 22-piece brass band (including rhythm and reed sections) recorded this album in 1979 in Toronto and mixed it in Germany.

While big bands seemed to be fading fast during the late '50s and early '60s, bandleader Si Zentner was one of the few to front a successful big band - enjoying both critical and commercial acclaim.

While big bands seemed to be fading fast during the late '50s and early '60s, bandleader Si Zentner was one of the few to front a successful big band - enjoying both critical and commercial acclaim.

For Girls Who Grow Plump in the Night is the fifth studio album released by the Canterbury scene band Caravan. Richard Sinclair and Steve Miller left the band prior to the recording of this album. They were replaced by John G. Perry and the returning Dave Sinclair. Viola player Geoff Richardson was added to the band.

In the Land of Grey and Pink is considered by many to be a pinnacle release from Caravan. The album contains an undeniable and decidedly European sense of humor and charm. In addition, this would mark the end of the band's premiere lineup. Co-founder David Sinclair would leave Caravan to form Matching Mole with Soft Machine drummer and vocalist Robert Wyatt in August of 1971.