The Acoustic Folk Box presents a masterful overview of folk music from the British Isles, encompassing some 40 years of history and dozens of artists. Each of the four discs covers an era, the '60s, '70s, '80s, and '90s, and carries over an hour of music. Basically, The Acoustic Folk Box begins with the British folk revival of the 1960s and follows echoes that reverberate into the present. Many of the artists are well-known to general audiences (Martin Simpson, Richard Thompson, and June Tabor), while others (Shirley Collins, Anne Briggs, and John Renbourn) are perhaps less known than one might hope, especially in the United States. Where to begin? First of all, there's Alexis Korner and Davy Graham's lovely duet "3/4 AD," perhaps the mother of all fine British fingerpicking, and fellow picker Bert Jansch's definitive version of "Angi." Briggs offers a chilling version of "She Moves Through the Fair," leaving little doubt where Sandy Denny drew her inspiration several years later.

This comprehensive overview of the anti-tank weapons utilised by the Wehrmacht and the conduct of operations in the field was compiled and introduced by Emmy Award winning historian Bob Carruthers. It draws heavily on contemporary Allied intelligence reports to build a unique primary source representation of how events unfolded on the battlefield. The reports and images form an absorbing study drawn from a unique series of primary sources and images.

Choir of King's College, Cambridge L'un des plus anciens et célèbre choeurs d'université au monde, le Choeur du King's College de Cambridge est fondé en 1441 sur ordre du roi Henri VI. L'ensemble choral composé de seize jeunes garçons et quatorze adultes officie au sein de la chapelle de l'université de Cambridge, où sont réalisés la plupart des enregistrements, sous la direction d'un chef de choeur et d'un organiste attitrés.