Mörk have consistently been producing some of the finest jazz funk and psych soul for years now. A central player in the Budapest jazz scene, their performances as a band are energised and effortless. It's their songwriting which really places them on another level though. Tight hooks, delivered by vocalist (and occasional electric sitarist) Mark Zentai, glide across a rhythm section that can oscillate from driving and syncopated to comfortably laid back without effort. Astral Visions is a new collection of songs that displays the full range of inspirations and influences of the band. From psychedelic soul to disco infused jazz and afrobeat. A deep feature from Brother Portrait really projects the cosmic ambitions of this beautiful set of songs.

After nearly 10 years as Argo, the name of Chess Records’ jazz imprint was supposed to be the only thing about it that changed. But as Cadet Records assumed its new identity in the mid-’60s, the influence of the dawning psychedelic era, a boom of recording technology advances and, crucially, the arrival of a cadre of eager artists and brilliant producers put the label on a new, bewildering course to greatness. Tragic circumstances would bring about the label’s unraveling almost as rapidly as its meteoric rise, but not before Cadet released some of most audacious, boundary-pushing jazz, soul, blues and rock albums of the ’60s and ’70s — music that’s inspired generations of superstars, DJs and cratediggers ever since.

Pull the Rope, the new record by Ibibio Sound Machine, casts the Eno Williams and Max Grunhard–led outfit in a new light. The hope, joy, and sexiness of their music remain, but, further honing the edge of their acclaimed 2022 album Electricity, the connection they aim to foster has shifted venues from the sunny buoyancy of a sunlit festival to a sweat-soaked, all-night dance club. Williams and Grunhard attribute this shift to a matter of collaborators, recording Pull the Rope with Sheffield-based producer Ross Orton (Arctic Monkeys, M.I.A.) over the course of two weeks. The way the pair wrote songs changed significantly rather than Eno penning lyrics to music generated by Max and company’s jamming, Orton started with Eno and Max writing together before adding the band.

His Majesty’s Pop Life (subtitled "The Purple Mix Club") is a compilation album of Prince’s studio work, initially released in 1985 as a promotional record in Japan only, following the commercial release of Around The World In A Day and its associated singles. At that time, it was Prince’s third promotional compilation album (after a 1984 sampler and Strange Tales From the Rain). His Majesty’s Pop Life was re-released worldwide in a limited quantity (14 000 copies) for the Record Store Day on 13 April 2019, becoming Prince’s eight compilation album and the fifth posthumous release. In 2020, the album received a wider retail release in Japan only, including its first release on CD.

b. Eddy Conrad, 1959, Gary, Indiana, USA. Conrad grew up in Indiana obsessed by the sound of Isaac Hayes’ ‘Theme From Shaft’. The first record he ever purchased, Conrad would spend his pocket money continually attending reruns of the film at local cinemas. ‘As a kid you always have heroes but with John Shaft [the film’s protagonist] it was serious. He had that certain macho feeling that every kid wishes he had too.’ In 1985 he fulfilled a long-held ambition by re-recording the track, which became a number 13 UK chart hit. It might well have charted higher had another version of ‘Theme From Shaft’ by Van Twist not been released at the same time. Afterwards, however, Conrad and his band disappeared from view completely.

Produced by Quincy Jones, written by Jon Anderson and Vangelis. Many States Of Independence showcases a handful of this monumental track, featuring some of its most popular remixes on this special RSD release.

"Analog Love" is Dabeull's first proper full-length album after several key releases, including "Intimate Fonk," "Fonk Delight," and the highly sought-after compilation, "InDaStudio." For Dabeull, analog production is his favorite playground as evidenced by this new 9-track album which was recorded using Michael Jackson's "Thriller" console. - 100% analog!

After the release of the first volume of music selected by Klinkhamer Record shop owner Michel Veenstra in 2022, the anticipation and expectation amongst the heads for a follow up compilation has been building. Now BBE Music can announce that Klinkhamer Volume 2's collection of music from the 70's and 80's is ready to add to the series.

Expanded reissue of the 1975 Eurodisco classic and global sensation. Includes the Grammy-winning #1 hit “Fly Robin Fly,” plus “Save Me,” and five bonus tracks. Silver Convention (named after songwriter Sylvester Levay’s nickname of “Silver”) was formed in Munich, Germany and burst onto the music scene in 1975 with their recording of “Save Me”—a track originally sold into 16 countries (including the US) at MIDEM, the global music business conference. It became the title track of their debut album, which hit #1 on the Billboard R&B chart and #10 Pop, introducing the world to “The Munich Sound,” which would soon be known as Eurodisco.

Wewantsounds is delighted to release 'Sharayet el Disco' a selection of Egyptian 80s Disco and Boogie tracks curated by Egyptian DJ Disco Arabesquo from his vast collection of cassettes. Most tracks have never been released on any other format and are making their vinyl debut with this set. A journey through the funky sound of 80s Egypt, Sharayet El Disco (which can be translated by "Disco Cassettes") features Simone, Ammar El Sherei and more obscure names from Cairo‘s cassette culture. The audio has been remastered for vinyl by David Hachour at Colorsound Studio in Paris and features artwork by young Egyptian graphic designer Heba Tarek.

This edition entitled "4 Hits" offers on side A two cult tracks by Karen Cheryl in English ("Show Me You're Man Enough", "Tchoo Tchoo") et sur la face B deux autres en français ("Les nouveaux romantiques", adapté du "Sarà perché ti amo" de Ricchi e Poveri, et "Pense à moi, quand même").

Hazell Dean (née Poole; born 27 October 1952) is an English dance-pop singer, who achieved her biggest success in the 1980s as a leading hi-NRG artist. She is best known for the top-ten hits in the United Kingdom "Searchin' (I Gotta Find a Man)", "Whatever I Do (Wherever I Go)" and "Who's Leaving Who". She has also worked as a songwriter and producer.

Hailing from North Paris and Northern England, F.I.D.E.L pays tribute with Out Of Sight to the great Post-Disco, Boogie and New Wave pop songs that shaped the world’s collective unconscious at the twilight of the Thatcher / Cold War Era.

THE LOVE LETTER LP IS COMING!!!! Life is nothing will also be featured on the lp.. Remember Life is nothing without LOVE!!!
- Darryn Jones

'Happy Ending' is a psychedelic electronic soul soundtrack written and recorded at the top of an East London tower block and mixed in a beach house on the south coast.