Acclaimed sextet One for All makes its much-anticipated return with BIG GEORGE, its first release in seven years and its 17th. The album reunites Eric Alexander, Jim Rotondi, Steve Davis, David Hazeltine, John Webber, and Joe Farnsworth, who are joined on three tracks by a very special guest saxophonist, their mentor and hero, NEA Jazz Master George Coleman.

Rock-solid work from One For All, easily one of the greatest straight jazz combos going, thanks to some tremendous tenor work from Eric Alexander, sweet piano work from David Hazeltine, and snapping rhythms from drummer Joe Farnsworth. The sextet also features Jim Rotondi on trumpet, Steve Davis on trombone, and John Webber on bass, all working here at the height of their powers, and also coming across with a bit more sharpness and soul than even other recent sessions on the Venus label. Arrangements are by all members of the group; the tunes are long and roll out beautifully with a solidly soulful feel — no surprise, given that most of them are covers of classic soul tunes from the '70s.

This release from Eric Alexander is a notable one. Venus Records asked the readers of Swing Journal what they would like to hear Alexander play. From that long list of requested songs, Alexander selected the tunes included on My Favorite Things. Many of the selections are well-known jazz tracks heavily associated with tenor saxophone giants of the past. Some of them include "Sugar" by Stanley Turrentine, "Airegin" by Sonny Rollins, and "My Favorite Things" and "Lazy Bird" made famous by John Coltrane.

Since finishing second to Joshua Redman in the Thelonious Monk Institute's tenor sax competition, Eric Alexander has built an impressive discography as a leader, while also drawing a lot of attention in both the U.S. and Japan. This Venus release, recorded in 2005 and one of the last sessions by pianist John Hicks, primarily focuses on standards, with the exception of Hicks' tense hard bop vehicle 'Avotcja.' A loping treatment of 'Sunday in New York' is a solid opener, conveying the image of a brisk walk in Central Park on a cool autumn day.

What a totally delightful laid-back jazz quartet outing! No free jazz, no unwhistlable tunes, no overpowering drums (in spite of Cobb being the leader) – just ten mostly ballads, played in a super-relaxed fashion and reproduced with a realism in hi-res surround that fulfills the label’s slogan of “You can hear the difference”.

Hearing tenor saxophonist Eric Alexander is one of the great treats in jazz. There are few artists on stage today who combine chops, imagination and technique with a fluidity of ideas as he does. This imposing improviser is reunited here with pianist David Hazeltine and they're joined by another jazz great , the always daring trumpeter Jon Faddis on a couple of the tracks. Add in the swing engendered by bassist John Webber and drummer Joe Farnsworth and you have a formula for excellence, if ever there was one. Alexander produced the session and there is a strong latin feel throughout thanks to the contributions of vibrant percussionist Alex Diaz spurring the band on with a whole trunk load of Latin percussion instruments. In addition to the Sergio Mendes & Brazil '66 title tune, the set-list features a satisfying mix of originals and covers all given the patented Alexander treatment.

Dan Nimmer is an American jazz pianist and composer. As the title suggests, Nimmer's second release for Venus Records is a tribute to Wynton Kelly, who was a swingy, bluesy and funky genius and a groove master who worked with Miles Davis and others. Jimmy Cobb, the veteran drummer who played with Kelly in the historic "Kind of Blue" session, bridges the two generations and validates Nimmer's efforts with his impeccable groove.