Acclaimed sextet One for All makes its much-anticipated return with BIG GEORGE, its first release in seven years and its 17th. The album reunites Eric Alexander, Jim Rotondi, Steve Davis, David Hazeltine, John Webber, and Joe Farnsworth, who are joined on three tracks by a very special guest saxophonist, their mentor and hero, NEA Jazz Master George Coleman.

Rock-solid work from One For All, easily one of the greatest straight jazz combos going, thanks to some tremendous tenor work from Eric Alexander, sweet piano work from David Hazeltine, and snapping rhythms from drummer Joe Farnsworth. The sextet also features Jim Rotondi on trumpet, Steve Davis on trombone, and John Webber on bass, all working here at the height of their powers, and also coming across with a bit more sharpness and soul than even other recent sessions on the Venus label. Arrangements are by all members of the group; the tunes are long and roll out beautifully with a solidly soulful feel — no surprise, given that most of them are covers of classic soul tunes from the '70s.

Known for their hard-bop style of jazz, the sextet One For All was formed in 1997 and features Eric Alexander (tenor saxophone), Jim Rotondi (trumpet), Steve Davis (trombone), David Hazeltine (piano), David Williams (bass) and Joe Farnsworth (drums). The group has been compared to 1960s-era Blue Note jazz and Art Blakey's Jazz Messengers, and borrowed the name One For All from the Jazz Messengers' last album. Jazz Times' critic David Adler has called One For All "New York's premier hard-bop supergroup".

One for All have been an active New York City-based collective with fairly steady personnel except for the bass chair, which has rotated between several players. On this 2003 session for the Japanese Venus label, Ray Drummond joins tenorist Eric Alexander, trombonist Steve Davis, trumpeter Jim Rotondi, pianist David Hazeltine, and drummer Joe Farnsworth, the latter members all being part of the core group back to its creation in the mid-'90s. Most of the selections on this date are associated with Art Blakey's Jazz Messengers, having been written for the late drummer's band or popularized by him, while the band's name was the title of Blakey's final album as a leader.

Quintet of Jazz aficionados explore standards on this SACD from Venus Records. Pianist David Hazeltine joins Eric Alexander, Steve Davis, Peter Washington, Jim Rotondi, and Joe Farnsworth for this set of standards including "Corcovado", "Skylark" and "Stolen Moments". More detailed descriptions are really unnecessary for those familiar with the gentlemen that make up One For All; these guys have each developed their individual voices and are among the most in-demand musicians of the current set. And for the uninitiated, this set comes highly recommended as a consummate example of modern mainstream know-how.

My Favorite Things is the seventh studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records. It was the first album to feature Coltrane playing soprano saxophone. An edited version of the title track became a hit single that gained popularity in 1961 on radio. The record became a major commercial success.

Nights of Ballads & Blues is the third album by the jazz pianist McCoy Tyner, released on the Impulse! label in 1963. It features performances by Tyner with Steve Davis and Lex Humphries. The jazz critic Harvey Pekar said in his August 29, 1963, review for Down Beat magazine, "Tyner's playing has many virtues, but one in particular is his tastefulness. There is nothing trivial about his music; he is, to quote an often used phrase, a 'musician's musician'."

My Favorite Things is the seventh studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records. It was the first album to feature Coltrane playing soprano saxophone. The record became a major commercial success. In 1998, the album received the Grammy Hall of Fame award. It attained gold record status in 2018, having sold 500,000 copies.

One for All have been an active New York City-based collective with fairly steady personnel except for the bass chair, which has rotated between several players. On this 2003 session for the Japanese Venus label, Ray Drummond joins tenorist Eric Alexander, trombonist Steve Davis, trumpeter Jim Rotondi, pianist David Hazeltine, and drummer Joe Farnsworth, the latter members all being part of the core group back to its creation in the mid-'90s. Most of the selections on this date are associated with Art Blakey's Jazz Messengers, having been written for the late drummer's band or popularized by him, while the band's name was the title of Blakey's final album as a leader.

On this fantastic audiophile recording, Tyner is accompanied by the formidable pair of drummer Lex Humphries and bassist Steve Davis as the trio performs an eclectic mix of standards and bebop classics. Infused with his unique touch and styling, Tyner reinvents classics such as Parker’s “Star Eyes”, and Ellington and Strayhorn’s “Satin Doll”. Also included is a chilling take on the classic “‘Round Midnight”. This intimate listen is essential for any jazz lover's library.

Throughout his illustrious career, the legendary Ron Carter has played it all jumping in headlong as an integral member of Miles Davis' classic 60s quintet, anchoring the groove for almost every CTI Records session in the 70s, then launching into multifarious new projects, including his cello-infused, chamber-jazz nonet and his piano-guitar-bass trio. But in his lifelong calling to find the right notes, Carter had never recorded a big-band album. So, the time was ripe for the 73-year-old maestro of the upright bass to break new ground. The result is the delightful and swinging album "Ron Carter's Great Big Band", set into motion by esteemed arranger Bob Freedman and Somerled Charitable Foundation trustee Wendy Macdonald (who serves as producer) and featuring an all-star cast of supporting musicians.

Trombonist/composer Steve Davis offers a master class on his new release, "Think Ahead", in art of reacting to the unpredictable with an elite group of jazz all-stars whose ability to create spontaneously borders on the clairvoyant. To render these new compositions, Davis assembled a stellar group of masters: the trombonist is joined by saxophonists Steve Wilson and Jimmy Greene, pianist Larry Willis, bassist Peter Washington and drummer Lewis Nash, each deserving the title of B“jazz giant” in their own right.

Trombone master Steve Davis pays tribute to the music of legendary jazz trombonist and brilliant composer J.J. Johnson, including rare Johnson gems as well as perhaps his most famous composition, "Lament". For SAY WHEN, he's enlisted the support of the very best - Eddie Henderson, Eric Alexander, Harold Mabern, Nat Reeves and Joe Farnsworth - to breathe new life into six Johnson compositional gems, as well as Cole Porter's classic "What Is This Thing Called Love", Warren and Gordon's "There Will Never Be Another You" and Coltrane's "Village Blues".

Jazz drummer Steve Davis was born in Santa Barbara, California in 1958. Following the advice of drumset teacher Alan Dawson, Steve moved to New York City in the early 1980s to begin his career as a jazz drummer. Throughout the 1980s Steve built up a reputation in the New York scene, playing and recording with many big names.