"Levert – Sweat – Gill" is a 1997 album by the supergroup LSG, which consists of three prominent R&B artists: Gerald Levert, Keith Sweat, and Johnny Gill. These three powerhouse vocalists combined their talents to create an album that showcases their smooth, soulful sounds, blending classic R&B with more contemporary elements of the '90s.

"Mitote: The Dream Of Reality" is a compilation album released in 2021, compiled by Agz. It features a collection of electronic and experimental music, blending various genres such as ambient, downtempo, and psychedelic sounds. The album title, "Mitote," refers to a concept rooted in indigenous Mexican traditions, particularly in the teachings of the Toltec people. In Toltec wisdom, Mitote represents the illusion or dream world that individuals navigate in their minds, which can obscure one's understanding of true reality.

"LSG2" is the second and final studio album by the R&B supergroup LSG, released on August 5, 2003, by Elektra Records. The group LSG (which stands for Luther Vandross, Shaquille O'Neal, and Gerald Levert) was originally formed in the late 1990s, and the members combined their distinctive styles of R&B, soul, and hip-hop influences to create a unique sound.

"Kima, Keisha & Pam" is the second studio album by the American R&B group Total, released on July 28, 1998, by Bad Boy Records. This album marked a significant step in the group's evolution, following their successful debut album, Total (1996). The trio, consisting of Kima Raynor, Keisha Spivey, and Pamela Long, had already built a reputation for their contributions to hip-hop and R&B with their collaborations with artists like The Notorious B.I.G. and Puff Daddy (now Diddy).

"Damage - Forever" is a 1997 album by the British R&B group Damage, released on Columbia Records. Damage was known for their smooth vocal harmonies and blend of contemporary R&B with soul influences. The band formed in 1994 and achieved significant success in the late 90s, particularly in the UK. The album "Forever" includes a mix of R&B, soul, and pop influences, showcasing the group's ability to deliver emotional ballads as well as more upbeat tracks. It contains some of their most well-known songs, which helped them gain popularity in the 90s.

Philly Joe Jones Sextet - Blues For Dracula (1958) is an album by the legendary jazz drummer Philly Joe Jones, who was known for his work as a sideman in prominent jazz bands and for his own projects. This particular album features a sextet and is known for its blend of hard bop and blues influences, combining tight rhythms with energetic and emotive playing.

Absoluuttinen Nollapiste - Sortovuodet 1994-2004 (2004) is a compilation album by the Finnish progressive rock band Absoluuttinen Nollapiste. The album, which marks a decade of the band's existence, brings together a selection of tracks that highlight their unique musical journey from 1994 to 2004. The title, Sortovuodet, translates to The Years of Oppression, and this collection serves as a reflection on the band's evolution and growth over its first ten years.

Upright - Opinion (2004) is an album by Upright, a jazz ensemble or project known for blending elements of jazz, funk, and soul into a cohesive sound. This album is recognized for its engaging mix of energetic grooves, smooth melodies, and tight arrangements that span several jazz subgenres, including jazz fusion and contemporary jazz.

Absoluuttinen Nollapiste - Seitsemas Sinetti (2003) is an album by the Finnish progressive rock band Absoluuttinen Nollapiste. The band is known for its eclectic blend of progressive rock, alternative rock, and experimental sounds, often incorporating poetic and introspective lyrics in Finnish. Seitsemas Sinetti, which translates to The Seventh Seal, is one of the key releases in the band's discography and showcases their distinctive style.

J'accuse..! - Abbandono Del Tempo E Delle Forme (2007) is an album by the Italian experimental rock band J'accuse..!. This album is known for its unique blend of avant-garde, progressive, and experimental rock, with influences from post-rock and the darker, more atmospheric side of experimental music.

Benny Golson - New York Scene (1957) is a seminal album by Benny Golson, a highly respected American jazz saxophonist and composer. Released during the peak of the hard bop era, New York Scene features Golson’s distinctive tenor saxophone playing and his sharp compositional skills. The album is known for its sophisticated arrangements, tight rhythm section, and rich harmonic textures.

Kazumi Watanabe - Milky Shade (1976) is a groundbreaking album by Kazumi Watanabe, a highly influential Japanese jazz guitarist. Released in the mid-70s, Milky Shade is considered one of the key albums in Watanabe's early career and an important release in the Japanese jazz fusion scene.

Ben Webster & Georges Arvanitas Trio - Autumn Leaves (1972) is a beautiful live recording featuring Ben Webster, one of jazz's most celebrated tenor saxophonists, and Georges Arvanitas, a French jazz pianist, along with his trio. The album captures a performance of intimate, expressive jazz, showcasing Webster's masterful saxophone playing in a small combo setting.

Robin Taylor - November (2003) is an album by Robin Taylor, an accomplished jazz saxophonist and composer. November is a contemplative and introspective work, featuring Taylor’s skillful saxophone playing combined with a deep sense of atmosphere and mood. The album is rooted in jazz but features a variety of influences and textures, blending elements of improvisation and structured composition.

Cory Wong - The Optimist (2018) is an album by Cory Wong, a talented guitarist and composer known for his funky, groove-driven style. The Optimist is a highly energetic and rhythm-focused record that blends elements of funk, jazz, and electronic music, showcasing Wong's unique approach to the guitar and his ability to merge tight rhythms with smooth melodies.