Tags
Language
Tags
May 2024
Su Mo Tu We Th Fr Sa
28 29 30 1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31 1

Gianandrea Noseda, BBC Philharmonic - Dallapiccola: Tartiniana; Variazioni; Due Pezzi (2004)

Posted By: ArlegZ
Gianandrea Noseda, BBC Philharmonic - Dallapiccola: Tartiniana; Variazioni; Due Pezzi (2004)

Gianandrea Noseda, BBC Philharmonic - Dallapiccola: Tartiniana; Variazioni; Due Pezzi; Frammenti Sinfonici dal Balletto «Marsia» (2004)
EAC | FLAC | Image (Cue & Log) ~ 278 Mb | Total time: 73:07 | Scans included
Classical | Label: Chandos | CHAN 10258 | Recorded: 2004

While Luigi Dallapiccola is most remembered for his serial compositions, listeners may be surprised to find that much of his output is quite approachable and highly enjoyable. Dallapiccola occasionally wrote openly tonal works in a neo-Classical vein, and several of his milder twelve-tone pieces lean toward tonality in their triad-based rows and beautifully crafted themes. This 2004 release presents some of Dallapiccola's most accessible music, warmly performed by Gianandrea Noseda and the BBC Philharmonic, and richly recorded by Chandos. The CD opens with the bright Tartiniana (1951), an antic divertimento based on themes by Giusseppe Tartini that could be compared to Stravinsky's Pulcinella in its spicy harmonies and wryly humorous treatment of eighteenth century material. Dallapiccola's music is more complex and challenging in his ballet suite Frammenti Sinfonici dal Balletto, Marsia (1942-1947), but its quasi-Impressionistic orchestration and dramatic rhetoric are appealing, and the use of twelve-tone technique is barely perceptible. The darker-hued Due Pezzi (1947), the mysteriously evocative Piccola Musica Notturna (1954), and the profusely inventive Variazioni per Orchestra (1953-1954) are all dodecaphonic works, yet Dallapiccola's continuous lines and serene atmospheres are far removed from the agitated Expressionism of the Second Viennese School and the dense complications of the postwar avant-garde.
–Blair Sanderson

Performer:
James Ehnes, violin (1-4)
BBC Philharmonic
Gianandrea Noseda, conductor

Track List:
Tartiniana (1951) Divertimento for Violin and Orchestra
01. 1. Larghetto; molto espressivo, ma semplice
02. 2. Allegro misurato
03. 3. Molto sostenuto (Tempo I) – Più mosso e scorrevole, ma sempre serioso (Tempo II) – Tempo I, molto sereno «Qui Post Me Venturus Est, Ante Me Factus Est» – Tempo II – Tempo I (Funebre)
04. 4. Allegro assai, ma non precipitato – (À la Musette)
Due Pezzi (1947) per Orchestra
05. Sarabanda. Lento; Flessibile – Appena Più Mosso (Sempre Flessibile) – Tempo I
06. Fanfara E Fuga. Mosso, Ma Non Tanto (Deciso) – Un Poco Meno (Allegro Marcato) – Molto ritmato
Piccola Musica Notturna (1954)
07. Molto tranquillo, ma senza trascinare
Frammenti Sinfonici dal Balletto «Marsia» (1942-43; 1947)
08. Danza Magica. Calmo, molto flessibile – Rubato; con molta fantasia – Pochissimo più mosso e sempre flessibile – Calmo, molto flessibile (Tempo I)
09. Ostinato. Presto – Poco moderato – Presto (Tempo I) – Calmo, molto flessibile –
10. Sostenuto, ma deciso (Recitando) – Danza di Apollo. Allegro molto sostenuto e pomposo – Molto flessibile – Come prima
11. Ultima Danza di Marsia. Andante Lento – Mosso, ma non tanto – Andante lento – Rapidissimo (Quasi cadenza ma in tempo) – Andante lento (Più Stanco) – Mosso, ma non tanto – Andante lento
12. La Morte di Marsia. Non troppo lento – Lo stesso movimento; con violenza – Flessibile – Con Violenza – Flessibile
Variazioni Per Orchestra (1953-54)
13. Variazione I. Quasi lento, misterioso – Appena più scorrevole – Tempo I – [Tempo II] – Tempo I
14. Variazione II. Allegro; con fuoco
15. Variazione III. Mosso; scorrevole
16. Variazione IV. Tranquillamente mosso
17. Variazione V. Poco allegretto; «alla serenata»
18. Variazione VI. Molto lento; con espressione parlante
19. Variazione VII. Andantino amoroso
20. Variazione VIII. Allegro; con violenza
21. Variazione IX. Affettuoso; cullante
22. Variazione X. Grave – Ancora più lento; misterioso – Grave (come prima)
23. Variazione XI. Molto lento; fantastico


Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 1. May 2019, 23:43

BBC Philharmonic, Gianandrea Noseda / Dallapiccola - Tartiniana; Variazioni; Due Pezzi

Used drive : ASUS SDRW-08U7M-U Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:09.23 | 0 | 9697
2 | 2:09.23 | 2:52.40 | 9698 | 22637
3 | 5:01.63 | 6:10.15 | 22638 | 50402
4 | 11:12.03 | 3:39.35 | 50403 | 66862
5 | 14:51.38 | 8:11.50 | 66863 | 103737
6 | 23:03.13 | 4:13.50 | 103738 | 122762
7 | 27:16.63 | 9:00.25 | 122763 | 163287
8 | 36:17.13 | 2:53.20 | 163288 | 176282
9 | 39:10.33 | 5:14.05 | 176283 | 199837
10 | 44:24.38 | 3:08.50 | 199838 | 213987
11 | 47:33.13 | 3:58.50 | 213988 | 231887
12 | 51:31.63 | 4:59.25 | 231888 | 254337
13 | 56:31.13 | 3:32.50 | 254338 | 270287
14 | 60:03.63 | 0:38.25 | 270288 | 273162
15 | 60:42.13 | 1:28.50 | 273163 | 279812
16 | 62:10.63 | 0:49.40 | 279813 | 283527
17 | 63:00.28 | 0:27.50 | 283528 | 285602
18 | 63:28.03 | 1:26.60 | 285603 | 292112
19 | 64:54.63 | 1:06.50 | 292113 | 297112
20 | 66:01.38 | 1:38.00 | 297113 | 304462
21 | 67:39.38 | 1:25.25 | 304463 | 310862
22 | 69:04.63 | 2:24.25 | 310863 | 321687
23 | 71:29.13 | 1:37.62 | 321688 | 329024


Range status and errors

Selected range

Filename C:\temp\Dallapiccola - Tartiniana; Variazioni; Due Pezzi - 2004\Dallapiccola - Tartiniana; Variazioni; Due Pezzi.wav

Peak level 97.7 %
Extraction speed 5.4 X
Range quality 100.0 %
Test CRC 5A494925
Copy CRC 5A494925
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 11) [FFC194A8] (AR v2)
Track 2 accurately ripped (confidence 11) [F2290645] (AR v2)
Track 3 accurately ripped (confidence 11) [AE423B03] (AR v2)
Track 4 accurately ripped (confidence 11) [0AB6BEE2] (AR v2)
Track 5 accurately ripped (confidence 11) [73696D02] (AR v2)
Track 6 accurately ripped (confidence 11) [A99985AC] (AR v2)
Track 7 accurately ripped (confidence 11) [BAF2DA6B] (AR v2)
Track 8 accurately ripped (confidence 11) [EC2BDF2E] (AR v2)
Track 9 accurately ripped (confidence 11) [A6BC810B] (AR v2)
Track 10 accurately ripped (confidence 11) [660EFA11] (AR v2)
Track 11 accurately ripped (confidence 11) [A0BA2D00] (AR v2)
Track 12 accurately ripped (confidence 11) [E920A1CE] (AR v2)
Track 13 accurately ripped (confidence 11) [2585E0AD] (AR v2)
Track 14 accurately ripped (confidence 11) [A7C941C2] (AR v2)
Track 15 accurately ripped (confidence 11) [2D7E30B3] (AR v2)
Track 16 accurately ripped (confidence 11) [F83D0581] (AR v2)
Track 17 accurately ripped (confidence 11) [0FC67F8C] (AR v2)
Track 18 accurately ripped (confidence 11) [22113C79] (AR v2)
Track 19 accurately ripped (confidence 11) [1B000399] (AR v2)
Track 20 accurately ripped (confidence 11) [67CF97D3] (AR v2)
Track 21 accurately ripped (confidence 11) [DD2E8E9C] (AR v2)
Track 22 accurately ripped (confidence 11) [360C0F05] (AR v2)
Track 23 accurately ripped (confidence 10) [CBB18D9C] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 988C4E60FBEB30A43E9D963C3BDCA1DB123746FF435753838ACBABEB94C75B1E ====

Gianandrea Noseda, BBC Philharmonic - Dallapiccola: Tartiniana; Variazioni; Due Pezzi (2004)

Thanks to the original releaser