Münchener Kammerorchester, Christoph Poppen, Alexei Lubimov - Valentin Silvestrov: Bagatellen und Serenaden (2007)
Valentin Silvestrov - Bagatellen und Serenaden (2007)
Münchener Kammerorchester, conducted by Christoph Poppen; Alexei Lubimov, piano
EAC | FLAC | Image (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 209 Mb | Scans included
Genre: Classical | Label: ECM | # ECM New Series 1988, 476 6178 | Time: 01:14:54
Münchener Kammerorchester, conducted by Christoph Poppen; Alexei Lubimov, piano
EAC | FLAC | Image (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 209 Mb | Scans included
Genre: Classical | Label: ECM | # ECM New Series 1988, 476 6178 | Time: 01:14:54
Silvestrov wrote the pieces recorded here, scored for piano solo, string orchestra, and piano and strings, between 1996 and 2005, and they are all representative of his late, meditative, song-like style. After an early career as an experimentalist, Silvestrov embraced the radical simplicity – a style of tonal, melodic, and rhythmic transparency – that has won him many admirers in the general public, but little recognition by the academic community. It would be easy to hear his music as derivative, given the limited tonal palette to which he restricts himself; his apparently naïve and artless approach, however, has an integrity and a genuinely lyrical impulse that make it hard to dismiss.
The 13 bagatelles for piano, which consist of waltzes, lullabies, serenades, and other familiar forms, are a record of performances the composer made before he notated them. They are not merely improvisations, though; while they are spontaneous-sounding and have rhythmic elasticity, they are obviously shaped with careful consideration of compositional design. Many of the instrumental works on the CD have a similar quality, particularly the waltz-like movements of Stille Musik (Silent Music), Abschiedsserenade, and the serenely ethereal Zwei Dialoge mit Nachwort. Der Bote (The Messenger) with its explicitly Mozartian allusions, is generally less compelling than the other pieces. Elegie, for strings, written in memory of his friend and colleague Ivan Karabitz, displays an astringent grief and emotional urgency that set it apart from Silvestrov's more meditative works. Münchener Kammerorchester, led by Christoph Poppen, and pianist Alexei Lubimov play with the restraint and delicacy the composer demands and the effect is frequently magical. ECM's sound is exemplary in its absolute clarity, presence, and balance.Review by Stephen Eddins, Allmusic.com
ECM marks Valentin Silvestrov’s 70th birthday with a disc very different from that of the powerful Sixth Symphony (7/07): one that assembles smaller pieces and collections written over the past decade. A disc, moreover, of two distinct halves – the first of which features the composer in his Bagatelles: 13 miniatures that do not so much succeed as “bleed” into each other in a half-hour sequence whose spectral allusions to Romantic pianism and consistently attenuated dynamics (the damper pedal sustained throughout) go some way to defining the essence of Silvestrov’s music. Even then, the dissonance on which the final piece evanesces hints at those darker ambiguities which are present in even his seemingly most unequivocal statements.
The second half focuses on music for strings, sensitively rendered by the Munich Chamber Orchestra and Christoph Poppen. If the trio of ethereal dances comprising Stille Musik and distanced elegance of the two-part Abschiedsserenade are all of a piece with what came before, Elegie evinces a more anguished expression. Pianist Alexei Lubimov makes a fastidious contribution to Der Bote – a Mozartian rondo of deceptive tranquillity – and the oblique recollections of Wagner and Schubert that inform the serene Zwei Dialoge mit Nachtwort (both pieces feature in solo piano versions on Jenny Lin’s recital – Hännsler Classic, A/07 – which forms a valuable complement to this disc). Recording and annotations reflect ECM’s customary high standards, and the release can be recommended as an ideal résumé of one aspect – though not necessarily the lighter one – of Silvestrov’s creativity.Review by Gramophone Magazine
All too often, contemporary classical music is framed as a forward-looking genre, falling under the rubric of “new music,” as if it somehow grew of its own accord in lieu of outdated motives. But then we encounter a figure like Valentin Silvestrov, whose music always seems to look into a watery mirror and tells us that the more this art form progresses, the more it mines the depths of that which has passed. Such is the realization that brings purity his Bagatellen (2005), a set of simple piano pieces that practically weep at the composer’s fingers. Airy at first glance yet overwhelming in their melodic weight, they record rather than create, though they more than diaristic. These are images in constant motion, a far cry from family photos with timeworn edges. Some speak with the clarity of a digital home video, while others drown in the timelessness of grief. Their cyclical structures lend a delicate urgency, one that speaks to the validation of reminiscence as a primary mode of expression. After such quiet, inexpressible splendor, to be confronted with the extroverted qualities of the Elegie for string orchestra (2002) is to experience the trembling heart of something ancient. And as the strings continue their serenade in Stille Musik (2002), we feel an acute suspension. Not of winged flight but of the marionetted body that knows its limits in the grand scheme of falling, never quite sustaining its foothold once found.
A stilling rendition of Der Bote for strings and piano (1996) is the album’s centerpiece, and one of Silvestrov’s most masterful forays into harmony. This distorted Mozartean wind tunnel of cloud and afterlife lies also at the heart of his Requiem for Larissa. And it is into afterlife that we continue with Zwei Dialog mit Nachwort for string orchestra and piano (2001/02). Dripping honey from a ruptured hive, this is music that luxuriates in the full spread of its pathos. As might a drop of ink into water, it opens its tendrils slowly, well aware that without the invisibility of its surroundings its mapping would mean nothing.
It bears noting that the Bagatellen were recorded by chance when, before and after this album’s orchestral sessions, Silvestrov played alone at the piano while the tape (such as it is in the digital age) was running. Although he never intended to contribute to this recording in such a physical way, we can only bow in gratitude that he did. One gets the sense that each fragment is a portrait of his life in miniature. In a world of tiresome postmodern gestures, sometimes we need to wrap ourselves in something so mysterious that it can be nothing but a comfort. Let this be your blanket.Review by Tyran Grillo, ECMreviews.com
Münchener Kammerorchester, Christoph Poppen, Alexei Lubimov - Valentin Silvestrov: Bagatellen und Serenaden (2007)
Münchener Kammerorchester, Christoph Poppen, Alexei Lubimov - Valentin Silvestrov: Bagatellen und Serenaden (2007)
Münchener Kammerorchester, Christoph Poppen, Alexei Lubimov - Valentin Silvestrov: Bagatellen und Serenaden (2007)
Valentin Silvestrov, piano (1-14)
Alexei Lubimov, piano (21-24)
Münchener Kammerorchester
Christoph Poppen, conductor (15-24)
Recorded February 2006, Himmelfahrtskirche, München
Tracklist:
01. Bagatellen: I (02:09)
02. Bagatellen: II (02:54)
03. Bagatellen: III (03:40)
04. Bagatellen: IV (02:32)
05. Bagatellen: V (02:03)
06. Bagatellen: VI (01:50)
07. Bagatellen: VII (02:05)
08. Bagatellen: VIII (01:50)
09. Bagatellen: IX (02:01)
10. Bagatellen: X (01:53)
11. Bagatellen: XI (02:17)
12. Bagatellen: XII (02:10)
13. Bagatellen: XIII (03:55)
14. Bagatellen: XIII, II (var.) (03:12)
15. Elegie fur Streichorchester (04:56)
Stille Musik fur Streichorchester:
16. I. Walzer des Augenblicks (04:40)
17. II. Abendserenade (03:13)
18.III. Augenblicke der Serenade (02:20)
Abschiedsserenade fur Streichorchester:
19. I (02:06)
20. II (02:53)
21. Der Bote fur Streicher und Klavier (09:17)
Zwei Dialoge mit Nachwort fur Streichorchester und Klavier:
22. I. Hochzeitswalzer (04:53)
23. II. Postludium (03:14)
24. III. Morgenserenade (02:39)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
Отчёт EAC об извлечении, выполненном 19. октября 2013, 3:10
Alexei Lubimov, Münchener Kammerorchester, Christoph Poppen / Valentin Silvestrov - Bagatellen und Serenaden
Дисковод: HL-DT-STDVDRAM GT33N Adapter: 1 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 103
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 1024 kBit/s
Качество : Высокий
Добавление ID3-тега : Да
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -8 -V -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%
TOC извлечённого CD
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––––––––––––––––––––––––––––––––––-
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Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла E:\Музыка\Silvestrov\Valentin Silvestrov - Bagatellen und Serenaden.wav
Пиковый уровень 40.0 %
Скорость извлечения 2.3 X
Качество диапазона 100.0 %
CRC теста 0307EFB1
CRC копии 0307EFB1
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
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Трек 24 : извлечено точно (доверие 11) [89E06046] (AR v2)
Все треки извлечены точно
Конец отчёта
==== Контрольная сумма отчёта 2A08F9DEB99ACE053B02E367E046AE128ECD63F8020432379D80935D98C79562 ====
Отчёт EAC об извлечении, выполненном 19. октября 2013, 3:10
Alexei Lubimov, Münchener Kammerorchester, Christoph Poppen / Valentin Silvestrov - Bagatellen und Serenaden
Дисковод: HL-DT-STDVDRAM GT33N Adapter: 1 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 103
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 1024 kBit/s
Качество : Высокий
Добавление ID3-тега : Да
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -8 -V -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:09.74 | 0 | 9748
2 | 2:09.74 | 2:54.52 | 9749 | 22850
3 | 5:04.51 | 3:40.62 | 22851 | 39412
4 | 8:45.38 | 2:32.03 | 39413 | 50815
5 | 11:17.41 | 2:03.51 | 50816 | 60091
6 | 13:21.17 | 1:50.38 | 60092 | 68379
7 | 15:11.55 | 2:05.19 | 68380 | 77773
8 | 17:16.74 | 1:50.25 | 77774 | 86048
9 | 19:07.24 | 2:01.65 | 86049 | 95188
10 | 21:09.14 | 1:53.11 | 95189 | 103674
11 | 23:02.25 | 2:17.19 | 103675 | 113968
12 | 25:19.44 | 2:10.13 | 113969 | 123731
13 | 27:29.57 | 3:55.67 | 123732 | 141423
14 | 31:25.49 | 3:12.46 | 141424 | 155869
15 | 34:38.20 | 4:56.31 | 155870 | 178100
16 | 39:34.51 | 4:40.03 | 178101 | 199103
17 | 44:14.54 | 3:13.12 | 199104 | 213590
18 | 47:27.66 | 2:20.54 | 213591 | 224144
19 | 49:48.45 | 2:06.49 | 224145 | 233643
20 | 51:55.19 | 2:53.41 | 233644 | 246659
21 | 54:48.60 | 9:17.51 | 246660 | 288485
22 | 64:06.36 | 4:53.65 | 288486 | 310525
23 | 69:00.26 | 3:14.64 | 310526 | 325139
24 | 72:15.15 | 2:39.22 | 325140 | 337086
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла E:\Музыка\Silvestrov\Valentin Silvestrov - Bagatellen und Serenaden.wav
Пиковый уровень 40.0 %
Скорость извлечения 2.3 X
Качество диапазона 100.0 %
CRC теста 0307EFB1
CRC копии 0307EFB1
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
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Все треки извлечены точно
Конец отчёта
==== Контрольная сумма отчёта 2A08F9DEB99ACE053B02E367E046AE128ECD63F8020432379D80935D98C79562 ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-10-20 13:05:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Alexei Lubimov, Munchener Kammerorchester, Christoph Poppen / Valentin Silvestrov - Bagatellen und Serenaden
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -7.94 dB -31.58 dB 4:56 15-Elegie fur Streichorchester
DR15 -14.70 dB -34.61 dB 4:40 16-Stille Musik fur Streichorchester: I. Walzer des Augenblicks
DR12 -12.92 dB -32.23 dB 3:13 17-Stille Musik fur Streichorchester: II. Abendserenade
DR12 -16.45 dB -34.74 dB 2:21 18-Stille Musik fur Streichorchester: III. Augenblicke der Serenade
DR13 -15.33 dB -33.86 dB 2:07 19-Abschiedsserenade fur Streichorchester: I
DR12 -18.23 dB -36.65 dB 2:54 20-Abschiedsserenade fur Streichorchester: II
DR15 -12.25 dB -33.65 dB 9:18 21-Der Bote fur Streicher und Klavier
DR13 -18.75 dB -36.49 dB 4:54 22-Zwei Dialoge mit Nachwort fur Streichorchester und Klavier: I. Hochzeitswalzer
DR12 -21.26 dB -39.29 dB 3:15 23-Zwei Dialoge mit Nachwort fur Streichorchester und Klavier: II. Postludium
DR12 -24.53 dB -42.37 dB 2:39 24-Zwei Dialoge mit Nachwort fur Streichorchester und Klavier: III. Morgenserenade
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 368 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Valentin Silvestrov, Klavier / Valentin Silvestrov - Bagatellen und Serenaden
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -18.63 dB -35.68 dB 2:10 01-Bagatellen: I
DR10 -18.98 dB -34.36 dB 2:55 02-Bagatellen: II
DR12 -20.82 dB -36.39 dB 3:41 03-Bagatellen: III
DR12 -17.10 dB -34.27 dB 2:32 04-Bagatellen: IV
DR13 -12.55 dB -30.26 dB 2:04 05-Bagatellen: V
DR11 -17.44 dB -32.84 dB 1:51 06-Bagatellen: VI
DR13 -12.58 dB -34.06 dB 2:05 07-Bagatellen: VII
DR11 -17.37 dB -32.72 dB 1:50 08-Bagatellen: VIII
DR12 -16.75 dB -34.70 dB 2:02 09-Bagatellen: IX
DR13 -17.18 dB -35.35 dB 1:53 10-Bagatellen: X
DR12 -19.42 dB -35.07 dB 2:17 11-Bagatellen: XI
DR11 -14.75 dB -32.41 dB 2:10 12-Bagatellen: XII
DR13 -15.72 dB -35.52 dB 3:56 13-Bagatellen: XIII
DR11 -25.49 dB -41.17 dB 3:13 14-Bagatellen: XIII, II (var.)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 368 kbps
Codec: FLAC
================================================================================
log date: 2015-10-20 13:05:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Alexei Lubimov, Munchener Kammerorchester, Christoph Poppen / Valentin Silvestrov - Bagatellen und Serenaden
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -7.94 dB -31.58 dB 4:56 15-Elegie fur Streichorchester
DR15 -14.70 dB -34.61 dB 4:40 16-Stille Musik fur Streichorchester: I. Walzer des Augenblicks
DR12 -12.92 dB -32.23 dB 3:13 17-Stille Musik fur Streichorchester: II. Abendserenade
DR12 -16.45 dB -34.74 dB 2:21 18-Stille Musik fur Streichorchester: III. Augenblicke der Serenade
DR13 -15.33 dB -33.86 dB 2:07 19-Abschiedsserenade fur Streichorchester: I
DR12 -18.23 dB -36.65 dB 2:54 20-Abschiedsserenade fur Streichorchester: II
DR15 -12.25 dB -33.65 dB 9:18 21-Der Bote fur Streicher und Klavier
DR13 -18.75 dB -36.49 dB 4:54 22-Zwei Dialoge mit Nachwort fur Streichorchester und Klavier: I. Hochzeitswalzer
DR12 -21.26 dB -39.29 dB 3:15 23-Zwei Dialoge mit Nachwort fur Streichorchester und Klavier: II. Postludium
DR12 -24.53 dB -42.37 dB 2:39 24-Zwei Dialoge mit Nachwort fur Streichorchester und Klavier: III. Morgenserenade
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 368 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Valentin Silvestrov, Klavier / Valentin Silvestrov - Bagatellen und Serenaden
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -18.63 dB -35.68 dB 2:10 01-Bagatellen: I
DR10 -18.98 dB -34.36 dB 2:55 02-Bagatellen: II
DR12 -20.82 dB -36.39 dB 3:41 03-Bagatellen: III
DR12 -17.10 dB -34.27 dB 2:32 04-Bagatellen: IV
DR13 -12.55 dB -30.26 dB 2:04 05-Bagatellen: V
DR11 -17.44 dB -32.84 dB 1:51 06-Bagatellen: VI
DR13 -12.58 dB -34.06 dB 2:05 07-Bagatellen: VII
DR11 -17.37 dB -32.72 dB 1:50 08-Bagatellen: VIII
DR12 -16.75 dB -34.70 dB 2:02 09-Bagatellen: IX
DR13 -17.18 dB -35.35 dB 1:53 10-Bagatellen: X
DR12 -19.42 dB -35.07 dB 2:17 11-Bagatellen: XI
DR11 -14.75 dB -32.41 dB 2:10 12-Bagatellen: XII
DR13 -15.72 dB -35.52 dB 3:56 13-Bagatellen: XIII
DR11 -25.49 dB -41.17 dB 3:13 14-Bagatellen: XIII, II (var.)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 368 kbps
Codec: FLAC
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Münchener Kammerorchester, Christoph Poppen, Alexei Lubimov - Valentin Silvestrov: Bagatellen und Serenaden (2007)
Münchener Kammerorchester, Christoph Poppen, Alexei Lubimov - Valentin Silvestrov: Bagatellen und Serenaden (2007)
