Wojciech Rajski, Polish Chamber Philharmonic Orchestra Sopot - Penderecki: Symphony No.6; Concerto for Clarinet (2019)
Wojciech Rajski, Polish Chamber Philharmonic Orchestra Sopot - Penderecki: Symphony No.6; Concerto for Clarinet (2019)
EAC | FLAC | Image (Cue & Log) ~ 210 Mb | Total time: 47:14 | Scans included
Classical | Label: CD Accord | ACD 270-2 | Recorded: 2019
EAC | FLAC | Image (Cue & Log) ~ 210 Mb | Total time: 47:14 | Scans included
Classical | Label: CD Accord | ACD 270-2 | Recorded: 2019
Two musical orders meet in the programme of this album, both with reference to the most broadly conceived music history and to the universe of Krzysztof Pendereckis output. Apart from the opera, which holds its own separate place, they are the two largest-scale formal orders in the musical art: those of the symphony and the concerto, which represent two fundamental ideas: respectively, those of co-operation and of competition. Krzysztof Pendereckis symphonic writing is one of the most important elements of his output as a composer, and possibly the most fascinating one. The composer himself frequently emphasized the autonomous identity of his symphonic oeuvre both in the context of Polish works in this genre and in the broad perspective of Western music. The Clarinet Concerto is a one-movement form, whose clear-cut internal dichotomy is reflected in the sequence of sections: Lento Vivace Lento Vivo Lento. Two opposed emotional worlds manifest themselves alternately. The sighing motif, which looks to Baroque-type rhetoric, is responsible for the sombre mood of the first Lento. This is followed by a section of relentless motoric drive (in tempo Vivace), which sounds a bit like a perpetual motion machine. The next Lento, more Romantic than the first one, otherworldly and immaterial, leads to the second scherzo, preceded by a cadenza. The final section rounds off the whole narrative form, with the return of the sighing motif and the orchestra and soloists joint ascent to the heavenly heights. Despite the distance of more than 30 years that separates the Clarinet Concerto from Symphony No. 6, the two works are both evidence of a similar turn in Krzysztof Pendereckis artistic stance a turn from monumentalism to an intimate and internally lucid type of musical statement.
Performer:
Stephan Genz, baritone (1-8)
Andrzej Wojciechowski, clarinet (9-13)
Polish Chamber Philharmonic Orchestra Sopot
Wojciech Rajski, conductor
Track List:
Krzysztof Penderecki (1933-2020)
Symphony No. 6 “Chinese Songs”
01. I. Die geheimnisvolle Flöte
02. II. In der Fremde
03. III. Auf dem Flusse
04. IV. Die wilden Schwäne
05. V. Verzweiflung
06. VI. Mondnacht
07. VII. Nächtliches Bild
08. VIII. Das Flötenlied des Herbstes
Concerto for Clarinet, Strings, Percussion and Celesta
09. I. Lento quasi recitativo
10. II. Vivace
11. III. Lento
12. IV. Vivo
13. V. Lento
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 24. August 2020, 21:31
Polish Chamber Philharmonic Orchestra Sopot, Wojciech Rajski / Penderecki - Symphony No.6; Concerto for Clarinet
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Test CRC B3424936
Copy CRC B3424936
Copy OK
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AccurateRip summary
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None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum 59E5B95BB3E92FF577BA4BDA80234D1E54762EC398AC6FC6CFEF9D64E5A57FBD ====
Wojciech Rajski, Polish Chamber Philharmonic Orchestra Sopot - Penderecki: Symphony No.6; Concerto for Clarinet (2019)
Thanks to the original releaser