Tam-Tam was Amanda's last album with Ariola Records and was mainly recorded only to fulfill her contract with the label. It was also her first full-length release not to be produced in Munich by Anthony Monn, but only by Italian musicians, primarily Roberto Cacciapaglia who produced the entire material. The album is a blend of synthesizer-based pop and new wave music. Lyrically, it references African folklore, mainly dealing with topics such as black magic. Amanda explained in a 1983 interview: "I'm fascinated with Voodoo, Macumba, exorcisms. Basically, the sphere that goes beyond the perception of rationality". The album artwork is credited to Graphic Studio CGD. It portrays Amanda as an African witch, complete with make-up and outfit. The dress and jewelry are credited to Artemio of Milano, and the photographs are by Angelo Deligio.

Super 20 is the second compilation by French singer Amanda Lear released on BMG-Ariola in 1989. This is also the first compilation available in West Germany and in South Africa. This was the first collection of Lear's songs from her time with Ariola to be released on new digital format compact disc, and includes songs from "I Am a Photograph", "Sweet Revenge", "Never Trust a Pretty Face", "Diamonds for Breakfast", "Incognito" and the 1982 non-album single "Fever". This Compilation also contains 7" Edit of "Fashion Pack (Studio 54)", "Fabulous, Lover Love Me" and "Diamonds".

Heart is a studio album by French singer Amanda Lear, first released in 2001 by Le Marais Prod. The album was recorded in 2001 at Barouf Studio and Studio Wolf with French producers FX Costello and Laurent Wolf, and was Lear's first album ever to be recorded entirely in France. It was also her first studio release of new material in six years, since 1995's Alter Ego. In an interview, the singer explained that the long gap resulted from her lack of enthusiasm after numerous budget compilations started to appear on the market without her consent. She also revealed that on this album she was given more artistic freedom than before, and decided to include more melodic and sentimental songs. Lear stated that Heart was the album "she has always wanted to make" and that originally, she planned to called it Phoenix.

Sings Evergreens is a compilation of recordings by French singer Amanda Lear, released in 2005 by Dance Street. Sings Evergreens contains cover versions recorded between the years 1977 and 2005, including the most recent single "Copacabana" and the re-recorded duet version of "I'll Miss You" with German-Spanish singer Manuel Sanchez from his 2005 album Ambitious (ZYX Music). The only non-cover version is "Dreamer (South Pacific)", recorded by Lear for her album Never Trust a Pretty Face in 1978. The track fades out and finishes at 3:04, although liner notes state it is the full 5:13 album version. The Sings Evergreens compilation was issued shortly before the release of With Love, Lear's 2006 studio album consisting exclusively of new recordings of evergreens and jazz standards, originally performed by some of her favourite female vocalists.

Producer Anthony Monn parades every effect known to Euro-dream imagery in support of Lear as disco vamp: whispers from inside a tunnel, rhythms that filter in subliminally, themes that scale up to soprano range, choirs of angels singing, guitar rhythm rock-ons, and, of course, Lear's voice. Lear's singing is perhaps Monn's greatest effect: androgynous, sultry, out of reach and horny at the same time, Lear works hard to pretend at playing the merciless siren. She can't properly sing even one note, but what's that got to do with anything?

Queen Of Chinatown is a compilation album by French singer Amanda Lear, including the best songs from first four albums 1977-1980's. Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn. I Am a Photograph is the first of six sleazy, hard-to-find albums in which she flaunts a voice so heavy with low notes it makes one wonder if she really isn't a man after all.

The return of Amanda Lear to dance music. An album containing remixes by some top Italian and English DJ, including a special DJ: Boy George! Including a cover of "Back To Black" by Amy Winehouse, "Always On My Mind" by Pet Shop Boys and other very good unreleased tracks.

Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn…

A French pressing of Amanda's 1989 Italian-only album Uomini più uomini was entitled Tant qu'il y aura des hommes (As Long As There Are Men) and basically contained the same song selection, although some of them had been re-recorded with French lyrics…

Stars gab es am Discohimmel der siebziger Jahre viele, Sternchen noch viel mehr. Doch die Disco-Queen gab es nur einmal: Amanda Lear. Die einstige Muse Salvador Dalís begann ihre Karriere als Fotomodell und Mannequin, war später in mehreren Ländern als TV-Talkmasterin erfolgreich und ist inzwischen selbst eine geachtete und geschätzte Malerin. Der größte Teil ihrer Fangemeinde besteht jedoch nach wie vor aus Musikfreunden. Kein Geringerer als David Bowie war es, der die Frau mit der geheimnisvollen Aura und der markanten tiefen Stimme dazu ermunterte, Schallplatten aufzunehmen

With Love is a studio album by French singer Amanda Lear, released in 2006 by Dance Street. The album is a collection of covers of songs previously performed by other female vocalists. The album was recorded at Blue Sound Studio in Levallois-Perret and LR Studio in Villeneuve between May and August 2006. It contains covers of evergreens and jazz standards by the disco diva's own favourite divas, among them Eartha Kitt, Dalida, Peggy Lee, Mae West, Nina Simone, Marlene Dietrich and Juliette Gréco.