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Edward Gardner, Bergen Philharmonic Orchestra - Arne Nordheim: The Tempest, Suite from the Ballet (2023)

Posted By: ArlegZ
Edward Gardner, Bergen Philharmonic Orchestra - Arne Nordheim: The Tempest, Suite from the Ballet (2023)

Edward Gardner, Bergen Philharmonic Orchestra - Arne Nordheim: The Tempest, Suite from the Ballet (2023)
EAC | FLAC | Image (Cue & Log) ~ 211 Mb | Total time: 49:41 | Scans included
Classical | Label: LAWO Classics | # LWC1250 | Recorded: 2021

Arne Nordheim was Norway’s most significant and respected composer until his death in 2010, and one of the few figures in contemporary western music who proved himself able to move beyond traditional harmonic relationships while maintaining a distinct ability to communicate widely through his striking, physical music. The Bergen Philharmonic has been far from immune to that music’s power, championing it throughout the composer’s lifetime and premiering his first orchestral work, Canzona, as well as his last, Fonos. It has given multiple performances of Nordheim’s orchestral works and has recorded Tenebrae (Cello Concerto), Aurora and Wirklicher Wald. In 1992, Nordheim was the subject of a special focus at the Bergen International Festival, where the orchestra premiered Magic Island – a revised version of Be Not Afeard (the starting point for The Tempest).

Ksenija Sidorova - Classical Accordion: J.S.Bach; D. Scarlatti; Mozart; Berio; Schnittke; Nordheim; Takahashi; Piazzolla (2011)

Posted By: Designol
Ksenija Sidorova - Classical Accordion: J.S.Bach; D. Scarlatti; Mozart; Berio; Schnittke; Nordheim; Takahashi; Piazzolla (2011)

Ksenija Sidorova - Classical Accordion (2011)
J.S.Bach; D. Scarlatti; Mozart; Berio; Schnittke; Nordheim; Takahashi; Piazzolla

EAC | FLAC | Image (Cue&Log) ~ 313 Mb | Mp3 (CBR320) ~ 156 Mb | Scans ~ 98 Mb
Genre: Classical | Label: Champs Hill Records | # CHRCD019 | Time: 01:08:28

The winner of numerous international competitions, the brilliant young accordion player Ksenija Sidorova here presents her debut recording; a recital for solo classical accordion. A particularly accomplished artist, Ksenija has collaborated with many leading musicians (including the Belcea Quartet, and Valergy Gergiev with the CBSO), and won numerous awards and accolades. Still an underexploited resource in western classical music, the accordion has had a fast-increasing amount of music written for it since the mid-20th Century. Here, Ksenija Sidrova brings a varied recital featuring some of the best contemporary compositions for the classical accordion, alongside transcriptions of well-known works. No composer has been transcribed more often than Bach; but the accordion - heard here in Bachs Overture in the French Style - brings an advantage that few other instruments can offer; its notes do not die away as soon as they are sounded. This allows an array of colouristic possibilities, denied to other musicians.