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Johannette Zomer, Peter Harvey, Jos van Veldhoven, The Netherlands Bach Society - Death & Devotion (2004)

Posted By: ArlegZ
Johannette Zomer, Peter Harvey, Jos van Veldhoven, The Netherlands Bach Society - Death & Devotion (2004)

Johannette Zomer, Peter Harvey, Jos van Veldhoven, The Netherlands Bach Society - Death & Devotion: Buxtehude, Tunder, Weckmann, Ritter (2004)
EAC | FLAC | Image (Cue & Log) ~ 291 Mb | Total time: 67:22 | Scans included
Classical | Label: Channel Classics | # CCS SA 20804 | Recorded: 2003

Death and Devotion Cantatas by Tunder, Weckmann, Buxtehude, and Ritter It is a remarkable fact that the most expressive and original vocal church music composed in Northern Germany during the latter half of the seventeenth century was the work not of cantors, but of organists. Some of this is due to the exceptional status which had been achieved by organists in cities like Hamburg and Lbeck in the course of the century; they had become both virtuosi par excellence, and at the same time learned composers.

Gustav Leonhardt - Clavichord Recital: Ritter, J.S. Bach, W.F. Bach, C.P.E. Bach (1990)

Posted By: ArlegZ
Gustav Leonhardt - Clavichord Recital: Ritter, J.S. Bach, W.F. Bach, C.P.E. Bach (1990)

Gustav Leonhardt - Clavichord Recital: Ritter, J.S. Bach, W.F. Bach, C.P.E. Bach (1990)
EAC | FLAC | Image (Cue & Log) ~ 410 Mb | Total time: 68:25 | Scans included
Classical | Label: Philips | 422 349-2 | Recorded: 1988

Here is another of Gustav Leonhardt's mixed programmes but this one, unlike the earlier European grand tour ((CD) 426 352-2PH, 4/90), is confined to German repertory and is played not on the harpsichord but on the clavichord. The earliest music is by Christian Ritter, who was born in the mid seventeenth century and who was based mainly in Halle where he was employed as an organist. His Suite in F sharp minor is an appealing work somewhat in the manner of Froberger; the opening Allemande is beautifully written and well sustained and the poignant Sarabande an affecting piece built on a descending octave pattern which gives it the character of a lament.