Tolliver was born in Jacksonville, Florida, in 1942 and moved with his family to New York City when he was 10. During his childhood, his grandmother gave him his first horn, a cornet he had coveted. Tolliver was attending Howard University in the early 1960s as a pharmacy major, when he decided to pursue music as a career and return home to New York City. He came to prominence in 1964, playing and recording on Jackie McLean's Blue Note albums. In 1971, Tolliver and Stanley Cowell founded Strata-East Records, and Tolliver released many albums and collaborations on Strata-East. Live at Captain's Cabin is a newly discovered gem from Edmonton, Alberta, Canada that finds Music Inc in absolutely fine form at a club called the Captain's Cabin. Playing mostly original music from Tolliver the band let's loose in the live setting. In his words The players I had, John Hicks, Clint Houston and Cliff Barbaro. I just let them go do their thing and I didn't rein them in so we could have some pretty wild renditions of things, which if I were to do it now with a different rhythm section, it would sound different. It would be different. But I think that 50 something years ago that we were just expressing the exuberance of playing together and being on the road and the songs that I composed at that time, a few of them I still play, are completely different. This is recording is an incredible document from an amazing band that was continually pushing boundaries. Double CD. Previously unissued live recording from 1973 Remastered audio transferred from the original tape reels Includes extensive booklet with rare photo, and essay by renowned writer Angelika Beener, an interview with Tolliver by Jeremy Pelt and more!

rild Andersen, one of jazz’s most widely acclaimed bassists, presents his first solo album. Characteristically broad in its musical scope and creative range, Landloper was recorded primarily at Oslo’s Victoria Nasjonal Jazzscene (with one piece recorded at Arild’s home). Choice of repertoire in this recital reflects on Arild’s artistic journey, and, alongside Andersen originals (“Dreamhorse”, “Mira”, “Landloper”), we find Norwegian traditional music (“Old Stev”), a romantic jazz standard (“A Nightingale Sang In Berkeley Square”), and new light cast upon free jazz classics (Albert Ayler’s “Ghosts”, Ornette Coleman’s “Lonely Woman”, Charlie Haden’s “Song for Che”). Andersen’s performances combine his masterful bass playing with real-time creation of electronic loops that bring an atmospheric dimension to solo playing and fresh opportunities for interaction.

Although never released until recently, Jazz Sabbath's music has been finding its way to millions for over 50 years. Through a vicious cycle of personal tragedy and plagiarism the songs intended to change the jazz world ended up giving birth to a much darker sound. Now a third recording from the Sixties has resurfaced, perhaps their most important one. In 1968 Jazz Sabbath were an instant hit on the UK jazz scene. It wasn’t long until they were offered a record deal. They spent weeks in the studio recording the tracks that got the heaviest reactions at their shows until they captured their live energy on tape. Unfortunately, the label manager told them the album was far too experimental and there was no hit potential. Ordered to play some of their ‘easier’ tracks instead, they reluctantly gave in.

Five CD set bringing a comprehensive, big-tent look at the early years of punk rock in the US and Canada. Over six hours of music. Includes benchmark tracks by the scene's most influential bands plus many rare singles making their first appearance on CD. This five CD includes influential NYC bands - Patti Smith Group, The Ramones, Television, Blondie, The Voidoids, etc. - as well as the scene's other pioneers such as Pere Ubu and The Dead Boys (both Cleveland, Ohio), Dead Kennedys and Crime (San Francisco), Devo (Akron, Ohio), The Germs and The Weirdos (Los Angeles) and Mission of Burma (Boston, Massachusetts). Blank Generation offers a deliberately broad definition of punk, encompassing contributions from such outré acts as Suicide, The Cramps and The Residents through to new wave/power pop combos (Sneakers, Chris Stamey & the dB's, etc.). While the US punk scene was arguably always more diverse musically than that of the UK, the music evolved quickly, as evinced by the choices heard on Discs 4 and 5. Many of the acts here such as X, The Replacements, The Feelies, Redd Kross, The Dream Syndicate, The Gun Club and Minor Threat would make an even greater impact as the 1980s wore on. It's hard to overestimate the seismic shocks caused by the music on 'Blank Generation', not only on everything in alternative music which followed in North American, from the 80s hardcore scene and the music heard on the whole alternative college radio network through to grunge and beyond. And yet this era has never before been treated to a comprehensive retrospective of this kind.

There is something truly majestic in the guitar playing and composing of Luiz Bonfá. From solo dates such as 1959's Solo in Rio (issued stateside by Smithsonian Folkways) to his 1972 masterpiece, Introspection, his sound is as telltale as the two other Brazilian guitar greats, Baden Powell and Djalma de Andrade (aka Bola Sete). Bonfá's elegance in style is what sets him apart from even these great masters. There is something utterly unhurried and gentle about his manner of playing, even during its most intense moments or in the most decorative settings (there were a lot of those during the bossa craze). The Brazilian Scene, released in 1965 on the Philips imprint, sits right on the knife edge between something as wonderfully organic as his solo recordings and the more stylized Anglo projects that were flooding the bins at the time…

Released in September 1997, Subterranea was quickly hailed by most progressive rock critics as a masterpiece and became one of the very few "classic" albums this style brought forth in 1990s. The two-CD, 103-minute concept album is indeed IQ's strongest effort and would even eclipse The Wake, if it weren't for the historical significance of the 1985 LP. An obscure story of subterranean beings, life-and-death chase, and initiatory quest packed with metaphorical implications, Subterranea, as a concept, is typical Peter Nicholls; all lyrics remain vague, only suggesting emotions and bits of plot, but to phenomenal results. The easy comparison would be Genesis' The Lamb Lies Down on Broadway and, yes, there is something of that in here, but the meaning of this album is even more cryptic…

A single 20-minute track recorded in the early '80s but never available in anything like its full form, Video 586 is a pure synthesizer track except for Peter Hook's rumbling low-end. Reminiscent of an extended mid-tempo dub of the early single "Everything's Gone Green," the track plods occasionally but is remarkable purely for its view of New Order as a synthesizer band in the midst of the crossover-heavy synth-pop crowd of the early '80s.

Described by Variety magazine as "really about as good as rock documentaries get", the long-awaited, official King Crimson documentary by Toby Amies will be released in Limited edition form as an 8 Disc boxed set containing 2 Blu-Rays, 2 DVDs and 4 CDs. The set includes the full film, an early edited version of the film, live and studio performances from the 50th anniversary tour plus a plethora of additional footage. It also includes the music from the original soundtrack and more over 4 CDs - many tracks previously unreleased and/or new to CD. The film appears in DTS-HD MA 5.1 Surround on Blu-ray 1 and in Dolby Digital 5.1 Surround on DVD 1. The film and other material on Blu-ray 1/DVD 1 - the final performance of 'Starless from December 2021, an early edit of sections of the film and a set of trailers/shorts, appear in LPCM 24/48 Stereo on both formats. Blu-ray 2/DVD 2 feature: Tring, Rock In Rio, 38 minutes backstage footage and more.

James Richman and the Dallas Bach Society, joined with the New York Baroque Dance Company bring to you a rare gem in the form of Chapentier’s ‘Les Arts Florissants’ which he labelled as both Idyle en musique and Opéra. The story depicts the eponymous arts and two warriors drawn into a conflict between the central characters of the story, Peace and Discord. A struggle ensues and Discord with his Furies gain an upper hand. Eventually, an arbiter intercedes on behalf of Peace, the god Jupiter ends the dispute with a flurry of rightous thunderbolts and pushes Discord and his followers back, allowing Peace to flourish once more. This work was written in 1685 as best as can be judged, and thus was subject to the Royal Patent for opera held by Lully. Although Lully by the grace of King Louis XIV had monopolised the opera scene, Charpentier persevered with his complete opera ‘Médée’.

Pianist Alexander Soares has provided a handful of previous recordings including the epic piano sonata by Frank Bridge, the Berg Sonata and the rarely performed Variations by Britten.In this new album releasing in November, Soares traverses a varied programme focusing on British composer Michael Tippett and music by composers who have influenced his style, and a composer who he, in turn, influenced. Performed are Tippett’s sonata No. 4 alongside the 2nd and 4th sonatas by Beethoven and Knussen respectively.

Best known for their work with Chic in the late '70s, siblings Debbie, Kim, Joni, and Kathy Sledge - collectively Sister Sledge - reached the height of their popularity during the disco era but had been recording since the early '70s and were still active in the late '90s. The group was formed in Philadelphia in 1971, when the sisters' ages ranged from 12 to 16, and they recorded their first single, "Time Will Tell," for the Philly-based Money Back label. (For the first few years, the group called itself Sisters Sledge.) In 1972, Sister Sledge signed with Atco and recorded its second single, "Weatherman," which was followed by the Jackson 5-like "Mama Never Told Me" in 1973.

This CD explores the Russian tradition of Lieder and traces its endless refinements, helping us to get to know this centerpiece of Russian culture. These Ukrainian performers are twin sisters and together they have performed many lieder recitals. In August of this year they will perform at the Schleswig Holstein Festival. The Lieder are sung in Russian.

After much research, Gudrun Schumann presents a second collection of works by Schumann and his creative contemporaries. These are interesting compositions. The works by Theodor Kirchner and Carl Reinecke are premiere recordings.

Hitting Number 1 in 19 countries on release, Hackney Diamonds marked the return of The Rolling Stones as their first original studio album since 2005’s A Bigger Bang. The album includes the GRAMMY nominated lead single Angry alongside Sweet Sounds of Heaven featuring vocals from Lady Gaga and keys & piano from Stevie Wonder. Late drummer Charlie Watts features on two tracks, ‘Mess It Up’ and ‘Live By The Sword’ alongside Bill Wyman. The album also includes collaborations with Paul McCartney & Elton John. On 15 December 2023, The Rolling Stones released via Polydor an expanded live edition of Hackney Diamonds. The limited edition 2CD version includes the standard album on CD 1 paired with Live at Racket, NYC on CD 2 which features the seven tracks the band performed at the launch event on 19 October 2023 at the Racket in New York, including debut live performances of "Angry", "Bite My Head Off", "Whole Wide World" and "Sweet Sounds of Heaven" (the latter song with Lady Gaga). Also included is a 24-page booklet with photos from the performance by Kevin Mazur.

This CD is part of a series “Robert Schumann and his family and friends” which is dedicated to representing a cross section of works by Schumann and his family. Woldemar Bargiel was Clara’s halfbrother. The works include Clara Schumann’s Three Romances for violin and piano Op.22 and Joachim’s Romance for violin and piano in C major. The performances are on period instruments.