The symphonies of Georges Onslow (1784-1853), rather than following the path blazed by countryman Hector Berlioz, instead adopt the German romantic style epitomized by Schumann and Mendelssohn. For example, the high-spirited Symphony No. 2, a smart and finely crafted work continuously self-propelled by busy string writing, presents a very Schumannesque profile (explicitly so in the scherzo), while the orchestration, with its bucolic woodwind writing, owes much to Mendelssohn. Symphony No. 4 immediately announces its weightier countenance with a powerfully portentous introduction reminiscent of Schubert. Onslow enlivens both the first movement and finale with skillful pacing and an unerring sense of dramatic timing, but it's the spiritually elevated adagio–the emotional center of the work–that remains most in the memory.

Known during his lifetime as the 'French Beethoven', on this SACD Markus Becker teams up with the Ma'alot Quintet for a closer look at Onslow's virtuoso side. Functioning as virtuoso concertos for the salon, both the Wind Quintet op. 81 and the Sextet op. 30 fully satisfied the discriminating taste of Parisian high society. George Onslow was five years old when the French Revolution began and completely disrupted the life of his noble family with British roots. The young Onslow spent the next two decades travelling throughout Europe, received instruction from Dussek in Hamburg, Cramer in London, and finally from the famous Antonín Reicha in Paris after his return to France.

CPO’s George Onslow complete Piano Trios series demonstrates that the rediscovery of this virtuosic, dramatically expressive, emotionally intimate, and finely crafted music is long overdue. Of volume two Gramophone said the performances by Trio Cascades were “spirited and expressive.”

Pour les connaisseurs, Georges Onslow, né en 1784, est l'un des rares compositeurs pré-romantiques français à s'être consacré à la musique de chambre. Berlioz rendra hommage à Onslow: "Vous savez que depuis la mort de Beethoven, il tient le sceptre de la musique instrumentale" ainsi que Schumann: "On s'est habitué une fois pour toutes à la manière des trois grands maîtres allemands: Haydn, Mozart, Beethoven, et en toute justice, on a admis parmi eux, Onslow". Intercalé entre les deux sonates de Onslow nous retrouvons le nocturne de Duport.

Ce disque est le premier à proposer une interprétation sur cordes en boyaux des quatuors d'Onslow dont deux (opus 10 et 21) totalement inédits au disque. Une musique intelligente, complexe et contrastée? la redécouverte de cet important compositeur de musique de chambre de la première moitié du XIXème siècle est d'un intérêt majeur. Plus de trente-six quatuors, trente-quatre quintettes ainsi que dix trios et quelques oeuvres pour vents ou claviers font de lui l'un des auteurs français les plus prolifiques du genre à cette époque.