Chandos’ Dutch music series continues with this second disc of Hol symphonies. As with Symphonies 1 and 3, Nos. 2 and 4 display Hol’s mastery of symphonic form, orchestration, and counterpoint. They also reveal the prevailing influence of Mendelssohn, Schubert, Schumann, and Brahms (with occasional suggestions of Dvorák). Mendelssohn figures most in Symphony No. 2, with an opening movement that rides along like many of the German composer’s tempestuous allegros, followed by a fleet-footed and colorful scherzo. Symphony No. 4 begins with a slow introduction before launching into the driving allegro proper. There’s energy aplenty in the following scherzo and much tender emotion in the adagio. The finale, like that of the Second Symphony, creates a festive atmosphere based on folk-dance rhythms.

Richard Hol (1824-1904) was a leading figure in Dutch music during the 19th century. The son of an Amsterdam milkman, he graduated from the Royal Music School in 1844 and went on to become a nationally famous composer, conductor, organist, pianist, and teacher. Hol composed a large body of choral and vocal music, an opera, and a comparatively small number of orchestral works, including four symphonies. Both symphonies on this disc bear the influence of mid-19th-century German composers (particularly Schumann and Mendelssohn), but Hol’s own voice is readily discernible.