Four CD set. NOW That's What I Call Massive Hits & #1s features 84 tracks including 55 #1s, with the remaining 29 tracks all enduringly popular top 3 smashes! Includes tracks by Queen & David Bowie, The Police, U2, Britney Spears, Ed Sheeran, Oasis, Coldplay, UB40 & Chrissie Hynde, Billie Eilish, Dua Lipa, Carly Rae Jepsen, One Direction, Spice Girls, The Supremes, Jackson 5, Elton John & Kiki Dee, Cliff Richard, Sweet, Stevie Wonder, Wizzard, 10cc, Harry Nilsson, Terry Jacks, Mott The Hoople, Ben E. King, Celine Dion, Robbie Williams & Nicole Kidman, Irene Cara, Ray Parker Jr., Village People, Don McLean, Cher, The Jam, The Stranglers, Fleetwood Mac, Roy Orbison, Bonnie Tyler, and many others. Back-to-back non-stop chart smashes - and all massive hits and #1s!

Space Invader is the sixth solo album by former Kiss guitarist Ace Frehley, released on August 19, 2014 via eOne Music. It is his first album of new studio material since 2009's Anomaly. Frehley self-produced the album, which was recorded at The Creation Lab in Turlock, California. Upon release, the album reached No. 9 on the Billboard 200 albums chart, the only time a solo album from a past or current Kiss member has ever attained a US top 10 album position.

Career spanning 3-CD David Crosby box spotlighting the 2x Rock and Roll Hall of Famer's solo stand-outs and classics with legendary groups including the Byrds, CSN, and CSNY! Plus one full disc of previously unreleased material. He's always received second billing to Stephen Stills in Crosby, Stills, and Nash, and once played third fiddle to Roger McGuinn and Gene Clark in the Byrds, but there is no doubt that David Crosby is one of the true originals of a folk-rock style that has paralleled his 40-year career, which is celebrated on this three-disc set of hits and near misses, demos, and outtakes. The first two CDs run chronologically, from the Byrds' "Eight Miles High" (which Crosby co-wrote) through his '70s and '80s solo records to "Through Here Quite Often," from his 2004 album with Graham Nash. Crosby was the draftsman of the transcendental harmonies that defined both of his bands, his plaintive vocals generally serving as a complement to the others'. But he takes the lead on this 52-song collection's greatest moments: his chilling falsetto on "Music Is Love" (from his 1971 debut solo release); a call out to his dying mother on "Carry Me" (1975's Wind on the Water, with Nash), and "Yvette in English," a 1993 collaboration with Joni Mitchell (Thousand Roads). Some selections swing and miss–"Hero," co-written with Phil Collins in 1993, and a few recorded in the late '90s with CPR, featuring his son James Raymond–but Voyage recuperates with disc three's 16 previously unreleased tracks. The jewel? "Cowboy Movie," a 10:57 opus from 1970 featuring both Neil Young and Jerry Garcia on lead guitar. –Scott Holter

Bristol Archive present an album of the cream of Bristol’s 1980s ‘Goth’ scene. With sleeve notes from Pete Webb; a member of one of Bristol’s earliest Goth bands; Necromancy, quotes from Jon Klein of Specimen and in beautiful trans red vinyl, this is another hugely valuable document of the music and scene in Bristol and the Southwest. The Bristol Goth explosion was a key part of the growth of the whole scene in the UK in many ways. Two bands on this compilation were formed in 1981: Specimen and Necromancy. Specimen made the move to London in 1982 and started the Batcave club now synonymous with the Goth story. The other; Necromancy stayed in Bristol and played and partied at the Bastille Club, a similar club to the Batcave, but a hidden and less known transgressive den for the emerging Gothic Punk scene.

Phenomena is a rock concept around a supergroup formed by record producer Tom Galley, Metalhammer magazine founder Wilfried Rimensberger and Tom's brother, Whitesnake guitarist Mel Galley. Contributors were leading rock musicians such as Glenn Hughes, Brian May, Tony Martin and John Wetton amongst others. In a cover story, run by Kerrang! magazine in 1985, Phenomena's production of rock songs based on a story line running through a whole album, attached to artworks and other multi-media aspects was credited for the "return of the concept album" in the 1980s.

Release '97. A live album by Paul Rodgers of Free and Bad Company fame. Recorded at the Rockpalast Open Air Festival, at Loreley, Germany on 8 July 1995.

Home for Christmas features Kim Waters performing a variety of Christmas favorites. Featured songs include "The Christmas Song," "Christ Was Born on Christmas Day," "White Christmas," and "Silent Night," along with six others. Most of these songs are well-known and performed in a straightforward style. This collection should delight anyone looking for a plain holiday album who also appreciates Waters' style of music.

Christmas is vocalist Michael Bublé's first full-length holiday-themed album since his 2003 EP Let It Snow. As with that album, Christmas features Bublé backed by small ensembles as well as his big band and orchestra, and includes a handful of classic Christmas songs. In that sense, the album is a rather old-school affair, with Bublé in prime Bing Crosby-meets-Dean Martin vocal style tackling such chestnuts as "It's Beginning to Look a Lot Like Christmas," "Silent Night," and "I'll Be Home for Christmas." There are also some fine, contemporary, if still retro-sounding, pop moments here including Bublé's duet with the British female pop trio the Puppini Sisters on "Jingle Bells," and his inspired, slightly melancholy reworking of Mariah Carey's "All I Want for Christmas Is You." Ultimately, Christmas is a warm and inviting album that showcases Bublé's impeccable vocal chops.

Angelo Berardi (Sant’Agata Feltria, Urbino, 1630 – Rome, 1694) was a pupil of Giovan Vincenzo Sarti and Marco Scacchi, of the Roman school, the latter a fundamental figure in his training. Committed supporter of the Seconda Prattica, Berardi maintained that modern music had reached “greater perfection compared to the past” and that the practice of music was more important than theory. He asserted, moreover, that a good composition should also elevate the soul to virtuous thoughts.

Norah Jones took liberty with her blockbuster success to set out on a musical walkabout, spending a good portion of the decade following 2004's Feels Like Home experimenting, either on her own albums or on a variety of collaborations. Day Breaks, released four years after the atmospheric adult alternative pop of the Danger Mouse-produced Little Broken Hearts, finds Jones returning home to an extent: it, like her 2002 debut Come Away with Me, is a singer/songwriter album with roots in pop and jazz, divided between originals and sharply selected covers.

The famous oboist Heinz Holliger and the legendary musical ensemble recorded for the posterity one of the most pyramidal musical documents in the second half of the past Century. There's no any flaw. Every single bar is perfect. Holliger dominates not only the variegated tonal possibilities of the instrument, but he gives to each score the expected degree of expressiveness and feverish lyricism.

John William Coltrane is today recognised as one of the most influential figures in the history of Jazz. This digitally re-mastered compilation features three original albums "Blue Train", "Traneing In" and "Dakar". They are all featured in their original running orders.

The debut album by the Crickets and the only one featuring Buddy Holly released during his lifetime, The "Chirping" Crickets contains the group's number one single "That'll Be the Day" and its Top Ten hit "Oh, Boy!." Other Crickets classics include "Not Fade Away," "Maybe Baby," and "I'm Looking for Someone to Love." The rest of the 12 tracks are not up to the standard set by those five, but those five are among the best rock & roll songs of the 1950s or ever, making this one of the most significant album debuts in rock & roll history, ranking with Elvis Presley and Meet the Beatles.

Although Rosemary Clooney had a major part in the famous film White Christmas back in 1954, this was her first full Christmas album and it was a big seller when it was released late in 1996. From the jazz standpoint, there is not much here, as Clooney is accompanied by a huge orchestra conducted and mostly arranged by Peter Matz. Although there are a few brief solos from altoist Gary Foster, tenor saxophonist Dan Higgins, trombonist Chauncey Welsch and trumpeter Warren Luening, the music is essentially nostalgic middle-of-the-road pop with Clooney joined on several numbers by the Earl Brown Singers (who also take brief a cappella versions of some veteran Christmas tunes); one tune apiece features appearances by Michael Feinstein and Rosemary's brother Nick Clooney. But jazz content aside, Rosemary Clooney is in good voice, and the heartfelt emotions that she expresses on these Yuletide favorites communicate quite well.

Revered purveyors of emotive doom, My Silent Wake, have returned, bearing with them their twelfth full length album, "Lost In Memories, Lost In Grief". Despite featuring some of the heaviest, most intense music that the band have ever recorded, this new testament to their enduring creative powers also draws upon the strange magic that has infused their recent acoustic, folkloric albums - adding something richly organic and steeped in a sense of history to its entrancing elixir of sound. The result is an album which burns with a new, vibrant energy beneath the customary mantle of melancholic majesty, an album that shows My Silent Wake still forging ahead and crafting some of the most affecting and dramatic music imaginable…