The performance of Beethoven's 9th Symphony by "Emperor" Karajan and the Berliner Philharmoniker on October 21, 1979 was broadcast live nationwide from the venue on NHK. was broadcast on FM. This recording is the first digital recording of NHK, a historic one, and was handed down as a masterpiece of the peak of both Karajan / Berlin Philharmonic. The tremendous concentration invites listeners into an overwhelming impression. This time, the world's first CD release of this famous performance has been realized! At the time of its release, the latest remastering technology that Deutsche Grammophon boasts has been used to improve the sound quality astonishingly, and it has been revived.

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.