This 42-minute, eight-song live album, cut at Croydon late in 1969, is not only the peak of Delaney & Bonnie's output, but also the nexus in the recording and performing careers of Eric Clapton and George Harrison. On Tour features Clapton performing the same blend of country, blues, and gospel that would characterize his own early solo ventures in 1970. He rises to the occasion with dazzling displays of virtuosity throughout, highlighted by a dizzying solo on "I Don't Want to Discuss," a long, languid part on "Only You Know and I Know," and searing, soulful lead on the beautifully harmonized "Coming Home." Vocally, Delaney & Bonnie were never better than they come off on this live set, and the 11-piece band sounds tighter musically than a lot of quartets that were working at the time, whether they're playing extended blues or ripping through a medley of Little Richard songs.

Dave Mason's first solo album was one of several recordings to come out of the Leon Russell/Delaney & Bonnie axis in 1970. (Other notables included Eric Clapton's solo debut and Joe Cocker's Mad Dogs & Englishmen.) Alone Together contains an excellent batch of melodically pleasing songs, built on a fat bed of strumming acoustic guitars with tasteful electric guitar accents and leads. Mason's vocals are embellished with harmonies from Rita Coolidge, Claudia Lennear, and Delaney & Bonnie. Besides the well-known semi-hit "Only You Know and I Know," and which was also a number 20 hit for Delaney & Bonnie, highlights include the bouncy gospel-inflected "Waitin' on You" and the banjo-bejeweled "Just a Song."

It's hard to argue with this two-fer issued by the fine Beat Goes On label from Great Britain, as it pairs two of former Traffic guitarist Dave Mason's finest records on a single disc. Alone Together featured the hit "Only You Know and I Know," as well as "Shouldn't Have Took More Than You Gave," and "Look at You, Look at Me." Headkeeper contains "Pearly Queen," his solo version of "Headkeeper," "Feelin' Alright?," and "World in Changes." What these discs most reveal is just how deep Mason's roots went into R&B, soul, and into country as well. If anything, Mason would have been right at home on a Delaney & Bonnie record as his sensibilities were closely allied with theirs. Mason was always underrated and, in America at least, under-noticed. These records are as fine as anything Eric Clapton ever issued solo. The comparison is fair because they were both digging into the same territory at the time, only Mason's delivery and understated guitar playing come off as far more emotionally honest.

The 1981 Columbia compilation album The Best Of Dave Mason was a ten-track disc that included the four Mason singles which had hit the upper half of the charts in 1977 and '78–"So High (Rock Me Baby And Roll Me Away)," "We Just Disagree," "Let It Go, Let It Flow," and "Will You Still Love Me Tomorrow"–plus some of Mason's better known album cuts from his Columbia albums and live versions of his older hits "Only You Know And I Know" and "Feelin' Alright?"…

Using his touring band, which included keyboard player Mike Finnigan and guitarist Jim Krueger, Dave Mason turned in a strong pop/rock collection on his second, self-titled Columbia album. "Show Me Some Affection" was one of those songs that should have been a hit single, Mason recut a fuller version of "Every Woman," originally heard on It's Like You Never Left, and the album also included Mason's version of Bob Dylan's "All Along the Watchtower," in an arrangement patterned after the one by Jimi Hendrix, on which Mason had played six years earlier. Originally released by Columbia Records as Columbia 33096, Dave Mason was reissued on CD by One Way Records as One Way 26080 on October 31, 1995.

Dave Mason's first solo album was one of several recordings to come out of the Leon Russell/Delaney & Bonnie axis in 1970. (Other notables included Eric Clapton's solo debut and Joe Cocker's Mad Dogs & Englishmen.) Alone Together contains an excellent batch of melodically pleasing songs, built on a fat bed of strumming acoustic guitars with tasteful electric guitar accents and leads…

After a protracted legal battle with Blue Thumb Records, Dave Mason finally signed to Columbia and released the hopefully titled It's Like You Never Left, his first new studio solo album in more than three years. Mason received prominent vocal assistance from Graham Nash, who helped turn tracks like "Every Woman" into singers' showcases. (Other guests included Stevie Wonder and George Harrison.) The songs had all the catchiness, but not as much of the individual flavor of Mason's best work. And the modest commercial acceptance the album enjoyed made it apparent that he would have to rebuild some career momentum.

Ostensibly a Dave Mason solo album, this became one of his finest when he was coupled with Cass Elliot, a stroke of genius. Elliot's involvement is, while not suspect, somewhat limited. Although she provides excellent background vocals, she tends to get a little lost in the harmony stack. Nevertheless, this is a great moment for her too. The album, though, is propelled by Mason's awesome songwriting talents, and tracks such as "On and On," "Walk to the Point," and several others bear this out. His guitar playing is some of his finest recorded work, especially the epic "Glittering Facade," where he layers acoustic and electric guitars with a scintillating effect. Elliot's "Here We Go Again" showcases her ability as a great lead vocalist, and Paul Harris provides some excellent keyboard and string arrangements, providing a glimpse of the fine work that was to follow in Stephen Stills' Manassas…

Let It Flow was the biggest selling album that Dave Mason had while on Columbia, as it contained his biggest hit, "We Just Disagree," as well as "Let It Go, Let It Flow." Everything here is similar in character to the latter song, though not all of it is as catchy or hook-driven. And there is a great deal else to recommend this record, including the horn-and-string ornamented "Mystic Traveler"; the soaring, soulful "Spend Your Life with Me"; the funky "Takin' the Time to Find"; and the soulful "What DO We Got Here?"

PINK FLOYD - A Tree Full of Secrets. A temporary ultimate Pink Floyd rarities compilation. There are in fact 17 audio CDs and 1 data CD. This latter CD contains all the artworks and booklets, and some bonus files…

Digitally remastered two-fer containing a pair of solo albums from the former Traffic member: "Mariposa de Oro" and "Old Crest on a New Wave".
Mariposa De Oro (1978). Dave Mason followed the success of Let It Flow with an album of songs arranged in a manner similar to the folk-pop hits from that he had recently enjoyed, notably "We Just Disagree." So, there was lots of 12-string acoustic guitar strumming and tight choral parts, and Jerry Williams came in to try to write some of the same kind of material…