The reason to mention the "particulars" of this document of informal sessions is because Keith Jarrett went to the trouble of doing so in his liner notes: they came about in the aftermath of he and Charlie Haden playing together during Ramblin' Boy, a documentary film about Haden. The duo, who hadn't played together in over 30 years, got along famously and decided to do some further recording in Jarrett's Cavelight home studio without an end result in mind. The tapes sat - though were discussed often - for three years before a decision was made to release some of them. Jasmine is a collection of love songs; most are standards played by two stellar improvisers. Picking out highlights on this eight-song, hour-long set is difficult because the dry warmth of these performances is multiplied by deeply intuitive listening and the near symbiotic, telepathic nature of the playing…

Lionel Richie's Back to Front isn't just a definitive greatest hits collection, it's a reminder of Richie's supreme strengths as an R&B singer-songwriter. From the gentle sweep of "Do It to Me" to the earnest lovelorn crooning of "Hello," Richie's ballads are timeless. Even the borderline sappy "Endless Love" shines despite cosinger Diana Ross's histrionics. Also featured is "Still" and "Say You, Say Me," and while the faster songs–the Caribbean-inspired rhythms of "All Night Long" and the '80s synthpop of "Running with the Night"–are weaker, they hardly detract from this otherwise sterling survey.

Chicago blues pianist Eddie Boyd only released one album for Mike Vernon's Blue Horizon label (7936 South Rhodes), so in addition to those 12 tracks, this reissue scrapes together another four rarities from around the same period (1967-1968) and two from 1960 to expand the song listing to 18. The bulk of this recording was laid down in a single day, a situation that kept the energy flowing in the studio. This was producer Vernon's second session with Boyd – two leftover tunes from his 1967 Decca album open the disc – so he was acquainted with the bluesman's method of working. The project was originally credited to Eddie Boyd with Peter Green's Fleetwood Mac, and indeed three quarters of that band (Green, Fleetwood, and McVie) provide backing duties for the majority of these tracks. The Mac, which had started to experience their first shot of stardom in the U.K., are in typically fine form with Green's slashing, quicksilver leads a particular treat. There are also vocal similarities between Green (who doesn't sing here) and Boyd, showing that this session was a two-way street.

Klaus Schulze is a founding member of Tangerine Dream and Ash Ra Tempel, two seminal bands in the evolution of synthesizer-based electronic music.
"Royal Festival Hall Vol. 1" is the first album in a trilogy that includes a second volume, also recorded at Royal Festival Hall, as well the third album entitled The Dome Event. On Volume 1, Schulze's 45-minute keyboard suite called "Yen" is broken up into ten different subtitles, but the songs are all fused together by way of single-toned electronic streams and the faint pulsations of analog synthesizer riffs. Any rises or subtle explosions of brightness are few and far between, but the grouping of songs as a whole has a pleasant, mind-numbing effect. This music is extremely trying, and patience is crucial when hearing two straight minutes of a single note…

Extended guitar hero Oren Ambarchi returns with Shebang, the latest in the series of intricately detailed long-form rhythmic workouts that includes Quixotism (2014) and Hubris (2016). Like those records, Shebang features an international all-star cast of musical luminaries, their contributions recorded individually in locations from Sweden to Japan yet threaded together so convincingly (by Ambarchi in collaboration with Konrad Sprenger) that it’s hard to believe they weren’t breathing the same studio air! Expanding on the techniques of these past works, intricate themes and variations build upon the staccato rhythms via expansive improvisations from BJ Cole, Sam Dunscomb, Chris Abrahams, Jim O’Rourke and Julia Reidy. The ensemble surges through a slow series of harmonic changes before the whole shebang dissolves into a delirious synthetic mirage.

Methyl Ethel will release their third album Triage on Friday 15th February 2019. The album was written, produced and performed by lead singer Jake Webb, recorded in Jake's home studio in West Perth and mixed at Mute Studio in London with Marta Salogni.

Some creative streaks are so hot, they can’t be satisfied by one album alone. In a rare career first for a multi-platinum, Grammy-nominated global superstar who has seen and done it all, Kenny Wayne Shepherd is set to release Part II of his Dirt On My Diamonds vision.

Provogue Records is proud to announce the brand new studio album from Kenny Wayne Shepherd entitled, 'Dirt On My Diamonds Vol 1' - available everywhere November 17th, 2023. Hot on the heels of his critically acclaimed 2022 re-issue, 'Trouble Is…25', Shepherd returns with a new project that builds upon his already legendary repertoire. Three decades since the release of his debut album, 1995's Ledbetter Heights, this Grammy-nominated, multi-platinum bandleader still sounds like the future of the blues. If you approach 'Dirt On My Diamonds Vol 1' expecting autopilot twelve bars then you'll be thrown a volley of curveballs in the best way possible. With material this strong, no Polish was needed. As on any KWS album, songs are the currency, and the seven originals from 'Dirt On My Diamonds Vol 1' demand to be heard, lifting listeners above their circumstances at a time when life often feels bleak and bone-raw.

The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years after their 1994 debut album, MoodSwing, for 2020’s RoundAgain; they return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance of the MoodSwing track “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival.

Mélusine features a mix of five originals and interpretations of nine songs, dating as far back as the twelfth century, mostly sung in French along with Occitan, English, and Haitian Kreyol.

Preceded by "Nove Cantici per Francesco d’Assis"” and "Virtue (for Julian of Norwich)", "Teresa de Avila" is the third and final CD in Zorn’s trilogy inspired by towering figures of Christian mysticism. Written for the all-star acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley whose performances are steeped in a feeling of love and mutual respect, the music is both beautifully simple and strangely complex, drawing equally on classical modernism, bluegrass, jazz, Jewish and renaissance music. Filled with compositional surprises, mysterious moods, beautiful harmonies and a stunning lyricism, Teresa de Ávila is a must-have for all fans of acoustic guitar music. This is one of the most personal and varied books of music Zorn has yet written—a lovely tribute to the enduring legacy of one of the world’s most beloved spiritual figures. Includes an extended appreciation by renown philosopher Arnold Davidson.