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MDR Leipzig Radio Choir & Philipp Ahmann - Mendelssohn: Choral Works (2023)

Posted By: delpotro
MDR Leipzig Radio Choir & Philipp Ahmann - Mendelssohn: Choral Works (2023)

MDR Leipzig Radio Choir & Philipp Ahmann - Mendelssohn: Choral Works (2023)
WEB FLAC (tracks) - 259 Mb | MP3 CBR 320 kbps - 161 Mb | Digital booklet | 01:07:33
Classical, Sacred, Choral | Label: Pentatone

The MDR Leipzig Radio Choir and its artistic director Philipp Ahmann present a collection of Felix Mendelssohn’s choral music, which arguably represents the pinnacle of German nineteenth-century religious music. Ranging across psalm settings, motets, Latin verses, the Deutsche Liturgie as well as the ethereal chorus Denn er hat seinen Engeln befohlen, which was later adapted and incorporated into his oratorio Elijah, the album highlights the unique stylistic range and expressive power of Mendelssohn’s choral output.

MDR Rundfunkchor Leipzig & Philipp Ahmann - Anton Bruckner & Michael Haydn: Motets (2021)

Posted By: delpotro
MDR Rundfunkchor Leipzig & Philipp Ahmann - Anton Bruckner & Michael Haydn: Motets (2021)

MDR Rundfunkchor Leipzig & Philipp Ahmann - Anton Bruckner & Michael Haydn: Motets (2021)
WEB FLAC (tracks) - 185 Mb | MP3 CBR 320 kbps - 149 Mb | Digital booklet | 01:01:50
Classical | Label: Pentatone

The MDR Leipzig Radio Choir and its chief conductor Philipp Ahmann present motets by Anton Bruckner and Michael Haydn. While Bruckner’s Locus iste, Christus factus est and Ave Maria enjoy great popularity and can be heard frequently in concerts, Michael Haydn’s contributions to the same genre are far less known. The younger brother of Joseph and successor of Mozart as Salzburg organist has, however, had a huge impact on religious composition in the German-speaking world, and particularly in Austria. As such, Bruckner’s motets, composed about a century later, are still firmly grounded in the tradition of Michael Haydn. By combining their motets, this album allows the listener to discover this uniquely Austrian church-musical style, while simultaneously showing how both composers’ gave a highly personal substance to it.